Blood of Dracula's Castle

Blood of Dracula's Castle (1969)

** (out of 4)

Let me start off by saying the horror dork inside of me almost shed a tear when I received this screener and realized that this Al Adamson film was included. Back when I was around ten or so I had the pleasure of my dad buying me Adamson's Blood of Ghastly Horror and Dracula vs. Frankenstein, both which lived up to their reputation of being among the worst films ever made. However, they fell into that "so bad they're good" category so I set out to locate this flick. After five years of searching I finally found a copy at a mom and pop store and they took pity on me and gave me the tape for free. Went on, put it in the VCR, the film started and smoke came from my VCR, which was eating my tape. My young heart was broken but I kept on until nearly ten years later when the postman dropped this disc off at my house.

Okay, enough dork talk and on to the movie….

A young couple inherits an old castle and to their shock they soon learn that Count Dracula and his wife are living there. With the assistance of a hunchback and caretaker (John Carradine), the Count and his wife keep the basement full of women so that the blood supply is never low. The young couple wants them out of the castle but Dracula will do whatever it takes to remain there even if it means making the new couple partners.

After a while I soon realized that Blood of Dracula's Castle is to Al Adamson what Jail Bait was to Ed Wood and that is the director's best made film, which means we aren't going to get as many laughs that we might expect. I was also disappointed to see John Carradine wasn't making a return to Dracula but even with that the film is campy enough to enjoy on many levels but just don't expect the goodness of say Dracula vs. Frankenstein.

The biggest flaw with the film is that Dracula and his wife just aren't very interesting and they're overshadowed by Carradine, the hunchback assistant and the werewolf, who never actually transforms. Perhaps Adamson was wanting to make a straight and serious film and while doing that, this one here comes off a bit boring and never reaches its potential of becoming an outrageously funny film. The silly music score and wooden acting brings some charm and minor laughs as done Carradine who chews up the scenery like he always does. But again, what in the hell was Adamson thinking not using the great as Dracula? It's also interesting to note that the cinematographer was Laszlo Kovacs who would later go on to do Easy Rider, Targets, Paper Moon, Shampoo and more recently doing a couple Sandra Bullock films.

Yet another shlockfest on good ole Millcreek's 200 drive in cult cinema box set.

What is there to say. Mr and Mrs. Dracula kidnap young ladies for their blood. With the help on a butler, a psychopath and friendly old Mango.

Enter a photographer and his fiancé model who inherit the castle in which the vampires live.

Not much to get excited about here. The song at the beginning is catchy and it is well made but that is about all.

I didn't regret watching it.

Anyone looking for a fittingly horrendous Al Adamson film, look no further. While this film is not the usual paste-up job that Adamson specialized in, BLOOD OF DRACULA'S CASTLE is pure bad cinema, which is Adamson's true field.

D'Arcy and Raymond play Mr. and Mrs. Dracula, looking stiff and embarrassed (who can blame them?) The Draculas feed on the blood of the young women they have chained in their dungeon (including Adamson regular Vicki Volante). Carradine plays the Dracula's butler, a wasted opportunity for this horror screen legend to do his Dracula bit (get the pun?) A psycho shows up at the castle, and a stupid couple stay there.

BLOOD is boring, with only a few laughs produced from the bad acting and flimsy-looking props. Adamson made more hilarious films than this (like DRACULA VS FRANKENSTEIN), and it was unintentional (of course). Adamson, however, deserves the credit to having gotten anything on film for the tight budgets he was given.

Still, BLOOD is bad, and more mediocre than entertaining.

This movie opens with a woman (Vicki Volante, a Joan Baez lookalike) driving along listening to her car radio. The song, "The Next Train Out" is so catchy I went around singing it for days after I had first seen this movie. Amazingly John Carradine does not play Count Dracula, even though he had recently done the role in "One Shot" Beaudine's BILLY THE KID VS. Dracula in 1966; he is George the family butler. Dracula is played by Egyptian actor Alex D'Arcy whom you can also see in HORRORS OF SPIDER ISLAND and FANNY HILL. Countess Dracula is Paula Raymond who costarred in BEAST FROM 20,000 FATHOMS and the newly rediscovered HAND OF DEATH. It seems everyone has relationship problems eventually and after 400+ years Dracula has been reduced to the henpecked husband of a domineering wife! (Hmmmm, maybe that is why John did not want to play The Count this time.)

Hiding behind the names Count and Countess Townsend the vampires live in a castle in the Arizona desert. Victims (all of them female of course) are brought to them by their cretinous henchman Mango (just where do movie villains go to finds all these hunchbacked lumbering brutes that scary movies seem to abound in?) and drained of their blood by George. They drink blood from martini glasses and wonder if they will ever be accepted in polite society. The Draculas have also got religion in this film. Thanks to George they are devoted worshipers of the Great God Luna and occasionally burn a victim alive at the stake as a sacrifice to him(her? it?).

When the new owner of the castle (Gene O'Shane) turns up with his fiancée (Barbara Bishop) the Unholy Three (I'm not counting Mango among the conspirators) try to get him to sell the castle. When he refuses all Heck breaks loose . . . well, as much as director Al Adamson's budget will allow!

Watch for Robert Dix, son of silent film leading man Richard Dix, playing family friend Johnny. He is usually a likable guy but when the moon turns full he becomes a psycho killer. TV prints splice in a quick shot of some guy wearing a Don Post werewolf mask in an attempt to make the plot more interesting but theatrical prints do not have this embelishment. Robert also appears in FORBIDDEN PLANET and FRANKENSTEIN'S DAUGHTER.

63 year old John Carradine looks younger than his years with his hair dyed black once again. He even does his own stunts for his death scene. Speaking of death scenes, Mango (Ray Young) goes through enough to kill 10 men; shot, hit with an axe and set on fire he just keeps coming back! Whew!

Is this film a classic? Gosh no! But it IS a lot of fun! Just seeing Long John stomping around a dusty old castle like it was still the 1940's at Universal makes it worthwhile. Besides, you just might find yourself singing along with "The Next Train Out" after more than one viewing.

Okay I'm going to say something that I can rarely said to have ever willingly said, this is a watchable Al Adamson movie. Adamson was a bad filmmaker from the late 1960's and early 1970's who churned out a great deal of really bad, and not in a fun sort of way, films. A good many of them had John Carradine, which is apropos of nothing but its just the way things are. Most are so bad you'd want to pluck your eyes out rather than watch them. A few a precious few are awful but watchable in that bad but good way. This is one of those bad but good sort of films. Actually its bad but watchable which is a different kettle of fish. I don't know why this film kind of works in a 3am late late show way but it does. The plot has a couple inheriting a castle from a 108 year old uncle. The castle was and is being rented by a nice old couple who are really Dracula and his bride. Carradine is the butler who along with a 7 foot tall hunchback keep women chained in the basement for the vampires blood needs. Just as the couple decide to go to the castle to pitch the tenants Dracula has their werewolf buddy sprung from an insane asylum so that he can get them better blood. Jaw dropping silliness ensues. I think this film works on any level because I think its suppose to be funny. I don't think the humor works as intended but it does give this mess watchable quality, especially if you're into movies that are so bad they are good