Torero malgré lui

If you like Britt Ekland, this is for you, she's the main character in this film. Sellers is a supporting character, he's in and out, almost a supporting character, but his charm is still very much felt. The chemistry between them is palpable and sweet, although this is their last pairing together. There is nothing Sellers can't play, he's a human chameleon, if you're a fan, this is a gem. The story is nutty and the dialog is nuttier but it has heart and soul. It's a fun watch, with not many laughs. It's not a zany story or filled with hijinks, but in these movies, the people are sweet and genuine, and everyone gives it their all. I'm sure the blue paint on Sellers was uncomfortable but that's the tenacity he has, he delivers.

I think this is one of Peter Sellers' best movies, along with "Dr. Strangelove...", "Only Two Can Play," "Two-Way Stretch," "A Shot in the Dark," "After the Fox," and of course the original Pink Panther...

Sellers is charmingly funny and Britt Eklund is deliciously stunning, and perfect for her role as a femme fatale who toys with men only to succumb to Sellers' rather pathetic efforts at courtship.

There are a number of creative and funny scenes but the "Hermitage" restaurant scene during Sellers' and Eklund's first "date" is especially maginative and hilarious...not to be missed.

Not a shoot-'em-up, but a rather lovely film with a great cast and great production values.

Although many film critics are very quick to pan this film citing that is not 'classic Sellers', this film is indeed very charming. The story is to do with a young woman called Olympia, played by Peter Seller's wife at the time, Britt Ekland. Set in Barcelona, Olympia is the object of every man's desire and she has been responsible for the ruining of many a man. Enter Peter Sellers as Juan Bautista, the singing matador. His dream is to be the most famous stage performer in Barcelona. But to achieve this, his prospective employer sets him a challenge. If he spends one night in bed with Olympia, the first man to do so, he will make him a stage star. Juan takes the challenge but has only 3 days to do it. The film is reasonably funny in the methods that Juan uses to seduce Olympia. Sellers gives a very confident performance which makes it fun to watch. There is also an excellent scene with non-cliched flamenco dancing, which is actually so exceptional it seems so out of place in the film. This is not a classic film, however it will keep you entertained on a boring day.

Peter Sellers stars with his then-wife, Britt Ekland, and Rosanno Brazzi in "The Bobo" from 1967.

The always funny Sellers plays a singing matador named Juan, who comes to Barcelona to make his fortune. He sings for an unimpressed local impresario (Adolfo Celi), who agrees to book him on one condition. Juan has to spend an evening with Olimpia (Ekland), a flirt who gets whatever she wants from men, including apartments and sports cars, and then she drops them.

Juan pretends he is the messenger of a wealthy count and works at seducing her.

Anything with Sellers is good, I think, but in this period of time he was going through some kind of identity crisis. He was married to beautiful Britt Ekland and trying to change his image somewhat. The movie isn't very good, but there is some fabulous dancing, music, and atmosphere, and chemistry between Sellers and Ekland. Sellers has funny moments as well.

The film has an unexpected ending which a lot of people did not like. I thought it fit. There's not much here, but if you want to see flamenco dancing like you'll never see it again, see this film for the nightclub scene.

THE BOBO will undoubtedly disappoint those expecting Peter Sellers to be doing Clouseau-style slapstick, and those that expect the satirical humor he was also famous for.

Instead, this is a character comedy and Juan Bautista (not Batista)is one of Sellers' more interesting characters, albeit from among his lesser efforts. But even lesser Sellers is better than the overall product from today's so-called comedy geniuses.

BOBO was well-made, with a great opening sequence aerial shot of Barcelona, Spain (although I believe the picture was made in Italy). The plot involves Sellers as Bautista, an ex-matador who wants to break into show business in Barcelona, but can't seem to get a theater booking. He finally is promised one if - and only if - he can conquer a rather cold-hearted gold digger named Olimpia Segura (played by Britt Ekland, Mrs. Sellers at the time).

There are some good comedy bits and sequences throughout the film. Bautista's attempts to audition for the theater owner are amusing (and unless I'm mistaken, Sellers does his own singing). He does some matador maneuvers while pretending a sportscar is a bull. The scenes at the hideaway-retreat are very good. Later, he gets dunked in a tub of blue dye and becomes "The Blue Singing Matador".

Sellers (Bautista) and Ekland (Olimpia) work well together in the only time they were paired romantically on screen. Added to which, the picture does not end the way that most people think it will. On my own Sellers scale of five stars, THE BOBO ranks three stars.