D pour danger

This really is one of those incredibly exciting caper movies of the 60's and it really is sad that it is not on DVD. Melina Mercouri, a total woman in every sense, exuded sex appeal and charm in a way that few others ever have. All the cast were great and how many know that this is the movie where Strangers in the Night was first heard, a big hit for Frank Sinatra. The European locations were wonderfully atmospheric, and also James Garner in the lead role, so perfectly cast .Sandra Dee and Anthony Franciosa, now both departed added to the confusion and fun of this absolutely delightful movie. The pace never lets up, and whilst James Garner is still with us , would be great to hear his views on working with the other cast members. Lets get this out on DVD!!!

I was shocked when the Academy Award Show mentioned that both Tony Franciosa and Sandra Dee died during the year. They co-starred in one of my favorite movies, A Man Could Get Killed.

How the hell could they be dead? They seemed like kids to me. I guess you live long enough most people start to seem like kids. But these were special to me. They gave me pleasure with their performances in an excellent movie.

Franciosa especially. I became a fan of his for life. He played a native street hustler/smuggler in Lisbon. His accent sounded believable to me. But then Sandra Dee came along.

Wait a minute.

Let's start at the beginning.

James Garner and Melina Mercouri starred in this comedy/action-adventure. (According to an English website Robert Coote starred. Tell them to take their cooties and go home.) Garner plays an American businessman who is mistaken by everybody for a super-secret British agent on the trail of smuggled diamonds. When Coote, supposedly his liaison at the British Embassy meets him at the Lisbon airport, the car intended for him is blown up. No matter how much Garner protests, all of which are accepted as cover for his actual mission, he is then transported into a world of scheming, dangerous, underworld characters.

First among these is the fabulous Melina Mercouri playing the amorous, amoral, ungrieving widow of a recently killed gangster. It is great fun for us to see how much fun she has in this role. She flirts with Garner at the funeral of her husband.

Tony Franciosa, totally charming in his guise as a Portuguese hustler, attaches himself to Garner. Sandra Dee, the archetypical Southern California beach girl appears and exposes Franciosa. They had been connected in America. But Franciosa's exposition is that he is an American hustler, not Portuguese. Not much change there.

The four of them are then off on a life or death quest to find the smuggled diamonds. It is a fun trip. Garner, straight and proper, is continuously agitated by Mercouri's delightful lack of morals.

In one memorable scene, the bad guys tell the two of them to strip so they can be searched. While Garner tries to defend her honor, Mercouri eagerly begins to comply. She begins by removing her false eyelashes.

This is a fun romp with charismatic stars and great chemistry between them. Much of the fine background music throughout became the ballad, "Strangers in the Night." See it if you get a chance.

And say goodbye to Sandra Dee and Tony Franciosa.

A year before we were married, my wife and I went to see this movie on a date. We have not seen it since, yet we still quote a line or two from it all these decades later. I hope we do not have to wait for James Garner's death before it is released on DVD. It is a truly funny motion picture, liked even by someone like me who likes very few comedies. As I recall, the humour in this movie springs from the story, ridiculous though it may be, and that makes for a good amusing film. Robert Coote in particular was superb.

James Garner arrives in Lisbon. He's on assignment from his bank to conduct a survey on a proposed bond issue for hydro-electric power generation. As soon as he arrives, he is mistaken for a British spy sent to investigate a diamond smuggling ring. Every spy in town, down at the heels since the end of the War thinks he's the man to follow around, including Melina Mercouri. Tony Franciosa is not a spy. He's a simple smuggler, who hopes to get a 5% finder's fee, lumbered with Sandra Dee, who's on the prowl for him.

It's a somewhat cumbersome comedy, lumbered with an unfortunate score by Bert Kaempfert; one of the themes would become the hit song "Strangers in the Night." To hear it swell up, played on the mandolin made me hear Sinatra singing it, and distracted me from what was going on. Garner's irritation at being thought a spy and his unconsummated romance with Miss Mercouri began to pall until the plot began to speed up. Franciosa and Dee, on the other hand, with their blithe nonchalance, were delightful through the end.

Whatever happened to the intelligent "adult" comedy movie? Well, my theory is that they made one too many like "A Man Could Get Killed."

The movie starts out well: Garner is a banker examining some sort of prospects near Lisbon (that part doesn't matter in the slightest, it's just an excuse to get him there) and from the moment he disembarks from the airplane it's assumed by everyone he's an American spy and no one will listen to the truth, thinking it's a clever cover story.

This includes the dunderheads at the British embassy (Robert Coote, Cecil Parker) an American smuggler posing as Portugese (Anthony Franciosa) and a collection of spies working in groups of twos and threes who are more like Keystone Kops.

Garner plays "comically frustrated" as well as or better than anyone in the business and I've never seen Franciosa better. And the movie has some fine comic moments. I even laughed out loud and I'm pretty jaded.

But as the movie drags on it seems to run out of ideas. It gets bogged down in fish and rice scenes (if you must know what that means, see the flick). Though it does keep trying new (rather, familiar) plot twists right up to the climax, i'd trade a plot twist or two for something funny.

In fact, one of the best things about "A Man Could Get Killed" is a trial run of music for what became "Strangers in the Night," a chart-topping hit for Sinatra in the age of the Beatles. It's lovely.

If the writers (or whomever) had been able to sustain the ideas and energy propelling its first half-hour "A Man Could Get Killed" might've been a spy-spoof classic. Garner is certainly good enough and has range enough as an actor to carry it off, as he did in the comic-western "Support Your Local Sheriff " But at some point someone decided the way to proceed was with boring scenes of fish and rice and that's what we're left with.

(James Coburn's unfortunately dated spy spoof "The President's Analyst" nailed the genre better and despite a third-act lull ultimately sustains itself to the end.)

I like Sandra Dee but she's just awful. Rumor is, she didn't want to go to Lisbon and was forced to do the movie contractually. I never "got" Melina Mercori and that's probably my own blind spot, but I can provide, under separate cover, a list of actresses I'd prefer cast as the women who bedevil Garner and Franciosa (as if Coote, Parker and the spies didn't bedevil them enough).

Overall, a worthy try until it runs out of steam. Despite a wonderful title, good music, and fine performances by Garner and Franciosa, "A Man Could Get Killed" is not a must-see classic you've missed all your life. Too bad.