IMDb RATING
6.7/10
3.1K
YOUR RATING
An American junior diplomat in London rents a house from, and falls in love with, a woman suspected of murder.An American junior diplomat in London rents a house from, and falls in love with, a woman suspected of murder.An American junior diplomat in London rents a house from, and falls in love with, a woman suspected of murder.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Leon Alton
- Courtroom Spectator
- (uncredited)
Al Bain
- Courtroom Spectator
- (uncredited)
Frank Baker
- Bar Patron
- (uncredited)
Brandon Beach
- Juror
- (uncredited)
Marjorie Bennett
- Autograph Seeker
- (uncredited)
Barry Bernard
- Attendant
- (uncredited)
Paul Bradley
- Lamplighter Patron
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
For a '62 film, it's a great parady of detective films,as well as the great wheelchair scene at the end.Great mystery,Kim Novak and Jack Lemmon had paired before and did well.
Pleasant mystery/comedy with a young energetic Jack Lemmon and an attractive Kim Novak developing a love interest (as expected) while trying to solve the problem of the apparent murder of her husband. Some intriguing plot twists and surprising jumps. Light film provides a nice diversion for an hour and a half especially with the presence of Fred Astaire and Lionel Jefferies.
Unfortunately it does not appear to be available on video tape at the present time.
Unfortunately it does not appear to be available on video tape at the present time.
This movie is not bad at all,not one of Lemmon's best by any stretch of the imagination but it has some funny situations and its likable for the most part.Near the ending it gets completely out of hand and instead of comedy-mystery which is the most part,it becomes mad slapstick for no apparent reason.Is like someone told the scriptwriter that a Lemmon movie should be crazier than what they had up to that point.Anyway,its kinda weird this way from that point on but you get to smile and the stars are all likable.Novak is at her sexiest, even in B&W!!Funny role for Astaire who was at his second career by that time,plays a manipulating official at the American Embassy in London with an eye for Novak.
I just bought this video from a reputable company. I was quite surprised to see that it was available - it has been out of circulation for years. One person told me long ago that it had never been put on video. That person was obviously misinformed.
The video itself is not in the best condition. The film is in black and white and there are several moments of white glare, followed by excessive darkness. There are some breaks and pops, just like my old LP's.
These visual defects, strangely enough, added to my enjoyment, for they gave the movie a vintage quality. Indeed, one has the feeling that this movie could have been made in the 1930's or 1940's.
This film is a direct descendant of earlier screwball comedies and screwball mysteries such as the Thin Man. Kim Novak looks at times like Jean Harlow and the scenes of London are a wistful reminder of how very British the city once was.
The clever plot revolves around the question of Mrs. Hardwicke played by Kim Novak. Is she or is she not guilty of murder? Briefly Bill Gridley wrestles with himself over this issue, but his attraction to her gets the upper hand. Hey, what's one dead husband when you're in love?
An unexpected event leads to a zany trial and last but not least to a madcap chase straight out of a Buster Keaton comedy. Lovely Kim really has trouble keeping her hat on as she tears through the fields in pursuit of poor Estelle Winwood.
I found Jack Lemmon in top form, contrary to one commentary posted here. He is completely natural, without the slightest hint of effort. But he usually is this way.
Casting Fred Astaire was a stroke of genius - his presence adds even more vintage, and I mean vintage in the most complimentary sense. He is a real asset and I wish he had just danced a little.
All in all, great fun.
The video itself is not in the best condition. The film is in black and white and there are several moments of white glare, followed by excessive darkness. There are some breaks and pops, just like my old LP's.
These visual defects, strangely enough, added to my enjoyment, for they gave the movie a vintage quality. Indeed, one has the feeling that this movie could have been made in the 1930's or 1940's.
This film is a direct descendant of earlier screwball comedies and screwball mysteries such as the Thin Man. Kim Novak looks at times like Jean Harlow and the scenes of London are a wistful reminder of how very British the city once was.
The clever plot revolves around the question of Mrs. Hardwicke played by Kim Novak. Is she or is she not guilty of murder? Briefly Bill Gridley wrestles with himself over this issue, but his attraction to her gets the upper hand. Hey, what's one dead husband when you're in love?
An unexpected event leads to a zany trial and last but not least to a madcap chase straight out of a Buster Keaton comedy. Lovely Kim really has trouble keeping her hat on as she tears through the fields in pursuit of poor Estelle Winwood.
I found Jack Lemmon in top form, contrary to one commentary posted here. He is completely natural, without the slightest hint of effort. But he usually is this way.
Casting Fred Astaire was a stroke of genius - his presence adds even more vintage, and I mean vintage in the most complimentary sense. He is a real asset and I wish he had just danced a little.
All in all, great fun.
Kim Novak was a Columbia star and went from a supporting role in Jack Lemmon's great Phfft to co star in Bell Book and Candle to lead and top billed over Jack Lemmon in this wickedly funny comedy mystery directed by Richard Quine.
This was the last movie Kim Novak made at Columbia and ended a legendary relationship between studio and star where Kim made Picnic, Pal Joey, Bell Book and Candle, Strangers When We Meet among others and her declared favorite film Middle Of The Night. Looking at times like the fabled Jean Harlow Ms. Novak reaches the top of the stardom ladder in this film.
To me Kim Novak was what a movie star looked like!
This was the last movie Kim Novak made at Columbia and ended a legendary relationship between studio and star where Kim made Picnic, Pal Joey, Bell Book and Candle, Strangers When We Meet among others and her declared favorite film Middle Of The Night. Looking at times like the fabled Jean Harlow Ms. Novak reaches the top of the stardom ladder in this film.
To me Kim Novak was what a movie star looked like!
Did you know
- TriviaThough frequently shown on television throughout the 1970s, the film disappeared from circulation for nearly thirty years, one of very few Columbia star vehicles the studio neglected to release on Betamax, VHS or laserdisc. There was no legal wrangle at the core of this; the film simply fell out of favor and was largely forgotten. In recent years, the movie has returned to circulation, enjoying multiple releases on DVD and Blu-ray.
- Goofs(at around 1h 20 mins) When Bill runs up the stairs to confront Carly after the trial, he brushes his left hand across the square column on the landing and leaves a large smear, indicating the column had been painted recently.
- Quotes
William 'Bill' Gridley: Sir, if I may, I don't think you're taking the proper share of the blame...
Franklyn Ambruster: Gridley, you will learn that the higher your position, the more mistakes you're allowed. In fact, if you make enough of them, it's considered your style. Now you happen to be in what I would call a one-mistake position, and you've made it.
- Crazy creditsMiss Novak's gowns designed by... Herself
- ConnectionsReferenced in I've Got a Secret: Kim Novak (1962)
- SoundtracksA Foggy Day (in London Town)
(uncredited)
Music by George Gershwin and lyrics by Ira Gershwin
instrumental theme of the score
Jack Lemmon half sings/half intones a line from that song : "And suddenly I saw you there..." and then hums the melody.
Details
- Release date
- Country of origin
- Language
- Also known as
- Mi bella acusada
- Filming locations
- Columbia/Warner Bros. Ranch - 411 North Hollywood Way, Burbank, California, USA(street scenes outside apartment)
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $11,040
- Runtime
- 2h 3m(123 min)
- Color
- Aspect ratio
- 1.85 : 1
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