Chaque chose en son temps

The big day has arrived and you're to wed, a union with young Jenny, conjugal bed, a honeymoon in Majorca (cancelled at the last minute), she really is a corker, but there's things spinning around inside your head. You're father doesn't help as he's a boor, while living in his house is such a chore, no escape on the horizon, and you're struggling to enliven, perform the ritual of love, ardour, l'amour. And now the world has been informed of your shortcoming, about the problem you've been having with your plumbing, you feel belittled and enraged, life was much easier when engaged, it's so unsavoury, unpleasant and unbecoming.

The trials and tribulations of a newly married couple and their irritating and interfering parents.

There is a gem of a scene in this movie when the parents of the newly married couple meet to discuss the newlywed's problem in "getting their marriage started". Somehow the subject gets around to Billy, a fellow who is talked about but does not appear in this film. Although the two fathers are too dense to know it, the audience figures out something important which happened concerning Billy.

The closing scene is also great when Ezra Fitton makes two observations which are both sad and funny.

This is not so much a movie as a filmed play. The acting is paramount in The Family Way, and I personally have never seen a more moving performance than the one John Mills gives here as Ezra Fitton, father of Arthur Fitton, Hywel Bennett's character who is newly wed to Jenny Piper, played by Hayley Mills. Marjorie Rhodes gives a superb performance as Arthur's mother. The emotion comes from the interplay of the characters, particularly the relationship between the two parents and between the father and his son.

The plot involves the travails of the young couple trying to get to know each other while still being forced, through economic necessity, to live with the parents. Arthur is a hyper-sensitive lad, out of place in the solidly working-class Fitton household. The father plainly doesn't know what to make of him and the two of them are verbally sparring throughout much of the picture.

Against this backdrop, the main storyline concerns the failure of the new marriage to "gel" in the words of Jenny's father as he tries unsuccessfully to explain the problem to Ezra. There is much social comedy along the way, but finally, the underlying story that explains the whole situation comes into focus, and the relationship between the father and son is suddenly illuminated.

The moment is incredibly moving and unforgettable and captures the essence of the father/son relationship in a way that I have never seen more eloquently expressed.

This film, although made before i was born is still one of my favorite films, Sir John Mills shows his best ever performance, i don't need to tell you the story as you've read the reviews above but the ending is still one of the most powerful i have ever seen, and humbles me to know its only words, fantastic.

A late entry to the British kitchen sink cycle, which suggests that if there was one thing that the upstanding, chapel going, gossipping classes disapproved of more than sex before marriage, then it was failing to fulfill one's conjugal duties afterwards. Which is unfortunate for a willing, but unable, Hywell Bennett and his virginal bride, portrayed by a divine Hayley Mills. Bennett is good, and Mills is suitably wide eyed and adorable, which in fairness is all the script really asks of her, but the film belongs to the senior cast members. John Mills, ironically portraying his real life daughter's father-in-law, succeeds in being comical and pathetic yet immensely noble, and Marjorie Rhodes is equally compelling as his wife, who loves, yet at times, quietly loathes him. The Family Way is a touching and amusing look at the social mores of Northern England circa the mid-sixties, and a chance to see Hayley Mills' bare bottom!