Chaque soir à neuf heures

OUR MOTHER'S HOUSE is one weird psychological ride. Here we have a family living in a gloomy Victorian house with a reclusive, Bible-thumping invalid mother--surely fertile ground for insanity or incest or both. However, what we have is a painful portrait of adolescence in the older children and the horrors of navigating through an adult world. Left to their own devices after the mother's untimely death, the children do their best to survive, being molded by the mother's unstable religious ramblings. However, things take a turn for the worst when the absentee father arrives, shattering some illusions crucial to the little family's identity. . .

I've never seen anything like this film(the recent film THE CEMENT GARDEN comes to mind, but that film takes an entirely different direction with an incest theme), one in which children literally elevate their mother to the status of religious icon. This situation is simultaneously chilling and pathetic. This one is for people who enjoy character-driven psychological dramas.

I saw this about 14 years ago in a stroke of luck ( a local TV station had picked up a print, and my mother, suspense thriller buff that she is, decided to tape it), and the film has stuck with me ever since. It's not your typical horror film, and has more of a tragic element which was so very common to films of the genre in this particular era. The dark and dirty imagery only serves to enhance the premise, and the shrine the Hook children build to their mother is downright creepy. The children do a very decent job of portraying children ( something that is increasingly rare these days) and Dirk Bogarde does a fantastic job of portraying their scumbag father. And to boot, we've got a heavy incest theme going on. If you can get a hold of this one, go for it: it's very much of its time, but the opportunity is well worth any trouble.

This is a good little movie that heavily relies on its uneasy atmosphere. The movie is also greatly carried by its cast, both the adult as the children's.

The story is simple yet effective. The story perfectly sets up an uneasy atmosphere that is dark and sober. The story is unusual and original as well. The movie can perhaps be best described as a dark drama/thriller. The fact that the movie is both unusual and original is probably the reason why this movie unfortunately isn't any better known.

The character are perfectly portrayed in the movie and play a great role in the movie its story. The movie is especially carried by the children cast of the movie, who play the most significant and biggest role in the entire movie. The young characters are all both realistic as powerful. Every characters has its own strong personality and they are what make this movie always interesting and never boring to follow, even though the pace itself isn't always terribly high.

But the movie also has a good adult cast that unfortunately is perhaps a bit underused at times. Dirk Bogarde plays a great role in the movie but unfortunately his character is introduced at least 15 minutes too late in to the movie. Once his character is introduced in to the story the movie takes more form and becomes even more intriguing to follow. It was also great to see Yootha Joyce in the movie, who I only knew from the British comedy series "George and Mildred". She is a great actress and really gets to show her skills in this movie.

The movie handles some intriguing, original and uneasy themes and the movie handles all those themes on its own very special way. It makes the movie a both original as well as memorable movie to watch.

Definitely worth seeing, when you get the opportunity to.

8/10

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At the beginning of the sixties ,Jack Clayton made a fine adaptation of "the turn of the screw",called "the innocents" which featured P.Franklin too.This could be called "more innocents "but there's a strong difference between the two works.Although "our mother's house" verges on fantastic,there's nothing irrational,nothing supernatural here.THat's what we can call a miracle of a movie:because it sounds like a horror and fantasy movie without all the genre gimmicks .So people who're looking for gore,special effects and other paraphernalia,please pass by.If you enjoy strong screenplays,first-class performances and masterful direction,this is a must.

Eight children whose mother's just passed away want to go on with their life as if nothing happened.Besides ,they do believe that their mother is still with them,and Pamela Franklin 's rendering is absolutely stunning when she acts as some kind of medium:far from the usual clichés -as you can see in "ghost" for instance-,she will give you goose pimples.This mother will remain a mystery,maybe a saint steeped in piety,maybe somebody much worse than a goody-two-shoes,as Charlie eventually claims.

Charlie is masterfully portrayed by Dirk Bogarde who was in his more fruitful period with such masterpieces as "accident" "king and country" "la caduti dei degi" "morte a Venezio".He keeps people waiting for he only appears after about forty minutes.But when he's on the screen ,the chemistry between the thespian and the children is so obvious that there's no hiatus.At first sight,he resembles some adult Peter Pan (hairdo,swagger,clothes,not to forget the name:Hook!).Here ,where Spielberg dismally failed when he made "Hook" ,Jack Clayton with a much smaller budget had already succeeded in portraying an adult/child, more than twenty years before.But further acquaintance will show that an adult can no longer remain a child .When Charlie is a man again,tragedy is waiting around the corner.

"Our mother's house" is so rich a movie that you could stay all night talking about it:a twilight glow shines on an autumnal suburb and turns into absolute darkness for the last sequence.Georges Delerue's score is simply marvelous and enhances the perfection of the pictures.

A strong influence on the French movie "la fracture du myocarde".

See it at any cost.

Very spooky and genuinely disturbing film, that completely avoids all the stereotypical "shock values" in favor of a purely psychological chiller that relies on its script and actors to get over instead. Of particular note are the children in this film, all of whom lack the pre-groomed and pre-prepared feel of some child actors and instead give a superbly realistic performance. Dirk Bogarde is surprisingly good in his role as a gold-digger, and his unforced interaction with the kids only adds more depth.

Another of this movies strong points is that it provokes thought more from insinuation than actions, leaving a lot open to the interpretation of the viewer. Different people will see different "things" when viewing this! Highly Recommended old classic that deserves a viewing.