Bobby

Raj Kapoor proved himself as a successful director by the release of Bobby. He introduced his next son Rishi, (younger than the elder Randhir) who later in years became a screen icon along with Amitab.

Bobby was released in 1973 during the Rajesh Khanna years and this film was eventful in the sense that people learned and became aware of a young entrant of an old Indian cinema family - The first being the Prithvi Raj Kapoor.

The songs composed by R.D. Burman are mesmerizing and the direction is also superb. This film along with Amitabh's "Zanjeer" both released in 1973 served a real shock to the "Khanna phenomenon" which was the talk of every town for the last so many years.

With 8 songs running for nearly an hour, Bobby definitely feels long when watching in 2024. A 16-year-old canoodling with a 19-year-old is also a thorn that sticks out of this hugely entertaining drama that has every reason to be called a classic. I am fascinated by Dimple Kapadia's performance here more than anyone else's as it's evident that she put her best into it, whether it's her dialogues or her dancing. Rishi Kapoor looks nervous in the initial sequences but he manages to match Kapadia's energy, and together they succeed in creating a film that's a love letter to today's lovebirds. Was heartening to see Aruna Irani and Farida Jalal as youngsters. A definitely great watch 50 years later.

Raj Kapoor's "Bobby" will never get old. It is a brilliantly made modern teen romance. Raj Kapoor's direction and imagination are excellent, ditto for his realistic portrayal of the modern 1970s India and its middle-class Christian community. The romance is portrayed beautifully, injected with many youthful energies and further aided by colourful and vernal locations, beautiful romantic songs, comedy and drama, and two very charming fresh talents in the lead roles.

This is the love story of a pretty, smart and headstrong Christian school-girl named Bobby, and a romantic, rich and well-mannered young man named Raj, who, unlike most of his contemporaries, prefers to sit at home and write poetry. He falls in love with her the first minute he meets her, and surprisingly enough, it does not look clichéd. The story shows how they start dating each other and how they later fight parental opposition.

Interestingly, while Raj Kapoor made this film to launch his son on the big screen, he titled it after Dimple Kapadia, who impressed him very much and reminded him of his muse Nargis. In a documentary about the life and craft of Raj Kapoor, he said that Bobby's first meeting with Raj in the film was loosely inspired by Kapoor's first meeting with Nargis at her home. And I completely understand why the memory of meeting her stayed with him for the rest of his life when I see this scene. It is a magic moment.

Rishi Kapoor and Dimple Kapadia make for a very good couple. This is according to me Rishi Kapoor's best performance along with his role in Mera Naam Joker. Maybe his dad was the one who could extract his talent to the fullest. He is likable, impressive and very convincing as Raj. Dimple Kapadia's is undoubtedly one of the greatest debuts in the history of Hindi cinema. She was natural, compelling, beautiful and acted with total aplomb. Her western outfits and sex-appeal are still very memorable. The rest of the cast are excellent, with Prem Nath standing out in a wonderful comic act as Bobby's loving father. Pran was also very convincing as Raj's witty, proud and dignified father, and Durga Khote and Aruna Irani provided fantastic support. Oh, and how can one forget Farida Jalal's Alka Sharma? A five-minute role which stays with you forever just like the film.

The film's cinematography is effective, the editing is good as well, and the art direction is fantastic. The characters are well-written, and most importantly - the music is simply outstanding. My favourite songs are "Main Shair To Nahin" (as is Aruna Irani's wonderful dance for the song) and "Chabi Kho Jaye (Hum Tum)". All in all, Bobby was a trend-setter, and it still remains an all-time sensational and fresh love story, which will never look dated.

"Bobby" is a fresh teenage love-story that has all the elements to make it a commercial, yet unique film.

Raja (Rishi Kapoor) is the son of a rich family. He was naughty in his childhood, and is sent to boarding school. He was never truly given the love of his own parents.

He grows up and comes back home. In his birthday party he catches a glimpse of Bobby (Dimple Kapadia). Raja is swept away, and for him, it's love at first sight.

Raja finds out that Bobby is the granddaughter of his governess Mrs. Briganza (Durga Khote). All his life, Raja had treated Mrs. Briganza more like his mother than his own mom, Sushma (Sonia Sahani). Bobby's dad is a fisherman named Jack Briganza (Prem Nath), who definitely likes his rum. He longs nothing more in the world than his daughter to be happy.

Raja and Bobby start to get to know each other better. And as they had suspected, they were soul mates. Now all they needed was permission to get married.

But they soon learn that the road may not be as smooth as they'd predicted. Raja's dad, Nath (Pran), has a lot of pride in his money and his "khandaan". Nath doesn't get along with Jack...and because of this, Raja and Bobby and prohibited from seeing each other.

But as the world knows, love has no boundaries...but in this case, could it be possible that Raja and Bobby can never be together? Was money that big of a deal? Or will it be a happy ending? Watch Bobby to find out!

I certainly loved this movie! The star cast was chosen nicely. Rishi Kapoor delivers a strong screen presence all while being pinch-my-cheek cute! Adorable I tell ya! Dimple Kapadia also looks cute in many scenes, and acts pretty good. Aruni Irani is wonderful in her role, and the character she played was expressed very well through her actions. Pran, well, what can I say? Akhir Pran hi tho hai! Woh hume kabhi disappoint nahin karega! Prem Nath acted nicely, and so did Durga Khote. Sonia Sahani had a small role, but she played it well to a nice extent. Farida Jalal had a significant special appearance. She played it perfectly.

The music! My god the music! Laxmikant-Pyarelal made beautiful evergreen tunes! The songs...the background music...everything was absolutely perfect. Well, except one thing. This is my opinion, but I didn't think there was any need to use Shailendra Singh for these marvelous songs. I think even more beauty could have been added to the songs if someone like Rafi, Kishore, or Mukesh had sung the songs. Besides, SS's voice didn't even suit Rishi that well.

I just have to talk about Lata of course! She once again proves how extremely flawlessly beautiful her voice is. When I finished watching the movie, her melodious voice continued to sing in my head. All the duets like "Hum Tum Ek Kamre Mein", "Mujhe Kuch Kehna Hai", and "Jhoot Bole Kauva Kaate" are sung perfectly by Lata. Her solo "Aye Phansa" is quite enjoyable too, it shows her versatility. Her one-line song, "Akhiyon Ko Rehne Do", is quite effective in the movie.

The hit song "Mein Shayar Tho Nahin" is composed perfectly...the lyrics are quite nice too. "Na Chahoon Sona Chandi" is quite entertaining, Manna Dey sings very nicely.

And last but not least, the direction by our showman Raj Kapoor. It was great, every scene is directed and edited with care, in order for the movie to be organized as well as entertaining. Some scenes made me cry. The character development is displayed well through the direction. One flaw though, and this is just my opinion. Sometimes the shorts/skirts for Dimple are just too short, and tended to give her a sleazy look. I was just waiting to see her in a pretty sari, but unfortunately I didn't get to see that.

But anyway, "Bobby" is definitely a classic. I give it a nine out of ten. Definitely worth watching.

Wanting to get back into "Hindi retro" movies after a few years hiatus, a friend of mine in Kerala showed me the YouTube channel Bollywood 70s 80s, where this movie had been uploaded with English subtitles.

Fifty-one years later & in another country, I found 'Bobby' to be a timeless story. The namesake is for Bobby Braganza, the daughter of a drunkard Goan fisherman. Raja, the son of a rich but unsympathetic businessman, returns home at the end of term from boarding school, where his father throws him a party at which he has the pick of several forward caste nubiles, with Nima, a particularly flirty one, making herself explicitly available to him. Raja, however, is disappointed by these options, seemingly feeling that none of these women really wanted to get to know him for who he was. Amidst his despair at finding a genuine partner whom he would understand & who would understand him, he is stricken with passion by the demure, painfully shy Bobby. Despite her feelings of inadequacy for being beneath his standing, & initially being indifferent to him, she too finds her passion for him.

The story touches lightly on topics that are more familiar to Indian audiences than those in my own part of the world - namely, caste distinction, the sensitivities of family honour, corruption, & bridal kidnapping. It touches lightly enough that these topics don't overseason the rest of the story, which itself unfolds & develops at a very sensible pace. It's not a short movie, but this allows for the story to cook slowly & feel more natural.

I was drawn to this movie specifically because of the ethereal, sphincter-tickling beauty of Dimple Kapadia. Despite being about fifteen at the time of filming, she played her role brilliantly - as did all of her elder peers. Aruna Irani was also pretty sizziling, but, like Raja, I was turned off initially by her immodest, even aggressive, come-on towards him was.

I would give this movie a 10/10, but for two reasons. I deduct one star in that the dynamic between Bobby & Raja consists almost entirely of anticipation & struggle, & the audience does not get to view any external expression of their love (perhaps the sensibilities of Indian cinema in that era were not in favour of displaying gratuitous lovemaking). I also deduct a star for the movie's rather limited production value, which I would have liked to see more polished, especially given how beautiful the story is.