Bobby

With 8 songs running for nearly an hour, Bobby definitely feels long when watching in 2024. A 16-year-old canoodling with a 19-year-old is also a thorn that sticks out of this hugely entertaining drama that has every reason to be called a classic. I am fascinated by Dimple Kapadia's performance here more than anyone else's as it's evident that she put her best into it, whether it's her dialogues or her dancing. Rishi Kapoor looks nervous in the initial sequences but he manages to match Kapadia's energy, and together they succeed in creating a film that's a love letter to today's lovebirds. Was heartening to see Aruna Irani and Farida Jalal as youngsters. A definitely great watch 50 years later.

A completely crazy Romeo and Juliet-style story about two teenagers, him rich and her poor, who fall head over heels for each other and defend their love against all adversity. Maybe not Raj Kapoor's best, but certainly interesting and groundbreaking for its time. This was actually the first Bollywood film I ever saw where it was clearly expressed (even though through a song and dance scene) that the pair was sleeping with each other - even more unusual as the couple consisted of two teenagers! Very Seventies in style with a severely overacting cast, but great fun nevertheless. In many ways a movie of a much freer and more uncompromising spirit than most Bollywood fare of today - but then, it was the Seventies...

Bobby review :

The debacle of Mera Naam Joker (1970) broke showman Raj Kapoor financially as well as emotionally. His semi-autobiographical and philosophical take was too heavy for the audience to digest. This is when he decided to give them candy floss.

A romantic musical is what he started next. Rajesh Khanna, the reigning superstar, was unaffordable to cast as the lead. Raj Saahab settled for his younger son Rishi who had acted as a school boy in Joker. Dimple, daughter of noted industrialist and Kapoor's family friend Chunnibhai Kapadia, was signed as the heroine. The intent was to keep the budget to the minimum and give audience what they would understand and absorb easily..

Bobby released at the prestigious Metro Cinema in Mumbai in September 1973 and became an instant blockbuster. Though the story of a rich boy falling for a poor girl and then eloping with her offered nothing new, the sheer innocence and freshness of the new pair (Rishi- Dimple) coupled with some awesome music score by Laxmikant Pyarelal worked big time in its favour. Raj Saahab gave some memorable supporting characters like Premnath's rum guzzling Jack Braganza with his ill-fitting suit and open trouser zip!! "AAVAIESSS", a Goan phrase he keeps repeating in the movie..

The sweet sixteen Dimple Kapadia became the national crush after Bobby. Her short skirts and teeny weeny bikini alongwith her fabulous performance got tremendous acclaim and awards that year. She was touted to be the next big star but shockingly, settled for a marriage with Rajesh Khanna. Later, she made a grand comeback in the '80s with Ramesh Sippy's Saagar (1985) and continued her glorious Bollywood innings right till the recent Brahmastra...the elegant lady is my most favourite Bollywood actress of all time!!

Coming to Bobby, "Mujhse dosti karoge?" became the popular pickup line of that time and "Hum tum ek kamre mein bandh ho" song is still referenced in Bollywood. I also love "Main shaayar toh nahi.." number where Shailendra Singh's voice suited the young Rishi so perfectly. Prem Chopra appeared in a cameo and his one liner "Prem naam hai mera..Prem Chopra!!" immortalised him just what "Mogambo khush hua" did to Amrish Puri later.

Personally, I consider Bobby to be Raj Saahab's most underwhelming effort. The film lacked the intellect and underlying social commentary normally associated with his each and every film. It is as if he was mocking the audience saying "You didn't like my masterpiece Mera Naam Joker, so eat this!!".

P. S. (Spoiler alert): Not many know that Raj Kapoor had filmed a sad ending where Rishi- Dimple die but heeding to his trusted distributor, Raj Saahab opted for a happy ending for the movie. After all, such an innocent sweet couple deserved to live happily ever after.

Regards, Sumeet Nadkarni.

The film Bobby is a love story of a rich boy and a poor girl which remains fresh for the generation of 1990s & 2000s too. The character Bobby pretends to be a 21st century girl which is based on prediction of the lifestyle of girls who would live after 27 years. The plot is about the misunderstanding between lovers in the first half and superiority and inferiority complex between parents of the lovers in the second half of the movie. It shows how parents get united due to the strong love between their children. Bobby is suitable for all ages as it shows multiple perspectives i.e, perspectives of both children and parents. So, do watch it to understand self and others.

Wanting to get back into "Hindi retro" movies after a few years hiatus, a friend of mine in Kerala showed me the YouTube channel Bollywood 70s 80s, where this movie had been uploaded with English subtitles.

Fifty-one years later & in another country, I found 'Bobby' to be a timeless story. The namesake is for Bobby Braganza, the daughter of a drunkard Goan fisherman. Raja, the son of a rich but unsympathetic businessman, returns home at the end of term from boarding school, where his father throws him a party at which he has the pick of several forward caste nubiles, with Nima, a particularly flirty one, making herself explicitly available to him. Raja, however, is disappointed by these options, seemingly feeling that none of these women really wanted to get to know him for who he was. Amidst his despair at finding a genuine partner whom he would understand & who would understand him, he is stricken with passion by the demure, painfully shy Bobby. Despite her feelings of inadequacy for being beneath his standing, & initially being indifferent to him, she too finds her passion for him.

The story touches lightly on topics that are more familiar to Indian audiences than those in my own part of the world - namely, caste distinction, the sensitivities of family honour, corruption, & bridal kidnapping. It touches lightly enough that these topics don't overseason the rest of the story, which itself unfolds & develops at a very sensible pace. It's not a short movie, but this allows for the story to cook slowly & feel more natural.

I was drawn to this movie specifically because of the ethereal, sphincter-tickling beauty of Dimple Kapadia. Despite being about fifteen at the time of filming, she played her role brilliantly - as did all of her elder peers. Aruna Irani was also pretty sizziling, but, like Raja, I was turned off initially by her immodest, even aggressive, come-on towards him was.

I would give this movie a 10/10, but for two reasons. I deduct one star in that the dynamic between Bobby & Raja consists almost entirely of anticipation & struggle, & the audience does not get to view any external expression of their love (perhaps the sensibilities of Indian cinema in that era were not in favour of displaying gratuitous lovemaking). I also deduct a star for the movie's rather limited production value, which I would have liked to see more polished, especially given how beautiful the story is.