Bobby

Bobby review :

The debacle of Mera Naam Joker (1970) broke showman Raj Kapoor financially as well as emotionally. His semi-autobiographical and philosophical take was too heavy for the audience to digest. This is when he decided to give them candy floss.

A romantic musical is what he started next. Rajesh Khanna, the reigning superstar, was unaffordable to cast as the lead. Raj Saahab settled for his younger son Rishi who had acted as a school boy in Joker. Dimple, daughter of noted industrialist and Kapoor's family friend Chunnibhai Kapadia, was signed as the heroine. The intent was to keep the budget to the minimum and give audience what they would understand and absorb easily..

Bobby released at the prestigious Metro Cinema in Mumbai in September 1973 and became an instant blockbuster. Though the story of a rich boy falling for a poor girl and then eloping with her offered nothing new, the sheer innocence and freshness of the new pair (Rishi- Dimple) coupled with some awesome music score by Laxmikant Pyarelal worked big time in its favour. Raj Saahab gave some memorable supporting characters like Premnath's rum guzzling Jack Braganza with his ill-fitting suit and open trouser zip!! "AAVAIESSS", a Goan phrase he keeps repeating in the movie..

The sweet sixteen Dimple Kapadia became the national crush after Bobby. Her short skirts and teeny weeny bikini alongwith her fabulous performance got tremendous acclaim and awards that year. She was touted to be the next big star but shockingly, settled for a marriage with Rajesh Khanna. Later, she made a grand comeback in the '80s with Ramesh Sippy's Saagar (1985) and continued her glorious Bollywood innings right till the recent Brahmastra...the elegant lady is my most favourite Bollywood actress of all time!!

Coming to Bobby, "Mujhse dosti karoge?" became the popular pickup line of that time and "Hum tum ek kamre mein bandh ho" song is still referenced in Bollywood. I also love "Main shaayar toh nahi.." number where Shailendra Singh's voice suited the young Rishi so perfectly. Prem Chopra appeared in a cameo and his one liner "Prem naam hai mera..Prem Chopra!!" immortalised him just what "Mogambo khush hua" did to Amrish Puri later.

Personally, I consider Bobby to be Raj Saahab's most underwhelming effort. The film lacked the intellect and underlying social commentary normally associated with his each and every film. It is as if he was mocking the audience saying "You didn't like my masterpiece Mera Naam Joker, so eat this!!".

P. S. (Spoiler alert): Not many know that Raj Kapoor had filmed a sad ending where Rishi- Dimple die but heeding to his trusted distributor, Raj Saahab opted for a happy ending for the movie. After all, such an innocent sweet couple deserved to live happily ever after.

Regards, Sumeet Nadkarni.

A completely crazy Romeo and Juliet-style story about two teenagers, him rich and her poor, who fall head over heels for each other and defend their love against all adversity. Maybe not Raj Kapoor's best, but certainly interesting and groundbreaking for its time. This was actually the first Bollywood film I ever saw where it was clearly expressed (even though through a song and dance scene) that the pair was sleeping with each other - even more unusual as the couple consisted of two teenagers! Very Seventies in style with a severely overacting cast, but great fun nevertheless. In many ways a movie of a much freer and more uncompromising spirit than most Bollywood fare of today - but then, it was the Seventies...

I saw the movie recently on a DVD given to me by a friend. I was aware about the movie when it was released many years ago. "Bobby" is a gorgeous girl and the scenery was awe inspiring. The producers took a chance in conservative India to feature her in mini skirts and somewhat promiscuous scenes. Anyway she reminds me of a famous American star Kristie Ally from an old TV series Cheers. How can I join her fan club?

Review By Kamal K

It is perhaps because Bobby was so ahead of its time that the film - which introduced Bollywood to the concept of young romance - doesn't seem to have grown old even now. It set countless trends for films that failed to replicate even a fraction of the success that Bobby enjoyed. It took 15 long years for the Hindi film industry to come up with a young romance that could match Bobby in its freshness, innocence and impact - Qayamat Se Qayamat Tak, in which Mansoor Khan launched his nephew Aamir Khan, and Juhi Chawla, as two star-crossed lovers who elope to escape their parents' wrath.

Rishi Kapoor, who made his debut in Bobby, has admitted that Aamir's debut, followed by that of the other two Khans - Salman and Shah Rukh, sounded the death knell for his stint as a romantic hero. As the Khans took over as romantic leads, Rishi had to take a backseat and reinvent himself for roles more suited for his age. However, he is proud of being instrumental in changing the tone, language and texture of Bollywood romances with Bobby. He pointed out that before Bobby, the hero and heroine were a man and a woman. But after Bobby, filmmakers and audience realised that the hero and heroine could also be a boy and a girl

This is the love story of a pretty, smart and headstrong Christian school-girl named Bobby, and a romantic, rich and well-mannered young man named Raj, who, unlike most of his contemporaries, prefers to sit at home and write poetry. He falls in love with her the first minute he meets her, and surprisingly enough, it does not look clichéd. The story shows how they start dating each other and how they later fight parental opposition.

Rishi Kapoor and Dimple Kapadia have great charisma. Yes, the performance was plausible but what makes it super is originally the casting. The two of them are real teens. Being in the right age for a romance was always a problem in movies. The bet at the newcomers here was right. Sadly I didn't see both of them as bright except very few times later. And last but not least, the direction by our showman Raj Kapoor. It was great; every scene is directed and edited with care, in order for the movie to be organized as well as entertaining. Some scenes made me cry. The character development is displayed well through the direction.

The hit song "Mein Shayar Tho Nahin" is composed perfectly...the lyrics are quite nice too. "Na Chahoon Sona Chandi" is quite entertaining, Manna Dey sings very nicely

The film's cinematography is effective, the editing is good as well, and the art direction is fantastic. The characters are well-written, and most importantly - the music is simply outstanding. All in all, Bobby was a trend-setter, and it still remains an all-time sensational and fresh love story, which will never look dated.

Raj Kapoor proved himself as a successful director by the release of Bobby. He introduced his next son Rishi, (younger than the elder Randhir) who later in years became a screen icon along with Amitab.

Bobby was released in 1973 during the Rajesh Khanna years and this film was eventful in the sense that people learned and became aware of a young entrant of an old Indian cinema family - The first being the Prithvi Raj Kapoor.

The songs composed by R.D. Burman are mesmerizing and the direction is also superb. This film along with Amitabh's "Zanjeer" both released in 1973 served a real shock to the "Khanna phenomenon" which was the talk of every town for the last so many years.