Les brutes dans la ville

This isn't a spaghetti western as some people have labeled it to be, seeing that there was no Italian involvement. Instead, it was a co-production between the United Kingdom and Spain. However, it all the same looks and feels just like a spaghetti western despite having an American (Robert Parrish) in the director's chair. Parrish certainly gives the movie a nice gritty feeling. Unfortunately, he seems unable to do much with the script. The story starts off making a reasonable amount of sense, but eventually starts to get very confusing thanks to the multiple characters and the various twists and turns. It doesn't help that a lot of the dialogue is poorly recorded, making it hard at times to figure out what the characters are saying. In the end, the movie becomes somewhat boring due to the confusion, as well as the fact that there is a lot less action than you might think. It also wastes a very interesting cast, who all seem to know they are stuck in a lesser movie and give half-hearted performances as a result.

When I see a late night film with 'bastard' in the title, I'm inclined to tape it and find out what it's about. (I've taped this twice and lost both, found it on DVD, seem to have lost that too). Yes it was listed as "A Town Called Bastard" by the BBC.

If you're one of those people who think a good Western needs Mexicans (e.g. The Wild Bunch) this has plenty: sombreros, moustaches, guns, tortilla-preparation, cruel laughter etc. A lot of these Mexicans die, perhaps somewhat gratuitously. So if you like guns and death in sunny Mexico, and you'd like to see Telly Savalas as the Mayor of a town called Bastardo - you'll love this.

e.g. "Who killed my husband?" demands the pale blonde: cue an old woman to shout the name from a high building - gun out, excellent shot (like shooting ducks at a fairground), another one bites the hot dry dust...

The rest has already been well covered by other user comments, worth watching if this is your sort of thing.

Robert Shaw, Martin Landau, Stella Stevens and Telly Savalas star in this spaghetti western mystery drama about a Mexican-revolutionary- turned priest (Shaw) who becomes haunted by his past when a mysterious vengeful white woman (Stevens) arrives in the isolated desert town he is residing in. The woman has returned to seek revenge against her husband's killer years ago, and for reasons unexplained, she knows that he must be in town. Savalas plays Don Carlos, a sadistic town bandit leader who gets in the widow's way as he tries to threaten her stay in the town. Matters become complicated when the Colonel (Landau), Shaw's revolutionary comrade now a military officer, and his men, returns to the town to search for a fugitive named Aguila – the same man wanted by the mysterious widow. Who is this mysterious Aguila? Will the widow get her revenge? What will happen to the townsfolk, who have been terrorized for years by Don Carlos and his henchmen? And what will happen to the Priest?

A Town Called Hell is a slow-paced but quite interesting spaghetti western. Some subplots are not resolved, which leave viewers scratching their heads, like what happened to Don Carlos? What made Shaw become a priest and live in the same town where he ruthlessly killed the town priest? Who is the real Aguila? Despite these unanswered questions, the film is still worth a look especially if you like Shaw, Landau, and Savalas.

I'm not going to write a synopsis for this movie because

1 ) Unlike many reviewers I don't normally write a synopsis

2 ) I'd have to understand a movie in the first place

The problem with A TOWN CALLED HELL is that lot of things happen but none of them seem to tie in with the plot . The film opens with a bunch of Mexican revolutionaries attacking a town in 1895 then the story jumps forward to the same location ten years later where the revolutionary leader is now a priest and someone who the audience has no knowledge of rules the town in a similar manner to Mr Kurtz in HEART OF DARKNESS . A woman arrives offering a bounty for the body of the man who killed her husband . Other things happen that make little sense and the story is made even difficult to follow by characters continually appearing and disappearing . For example did Don Carlos live or die ? Your guess is as good as mine . We are also shown a lengthy flashback sequence and it only becomes obvious that it's a flashback after the fact

This is a badly developed , badly edited and confusing movie but not one that is unwatchable . Indeed it's a fairly entertaining movie if you can stomach the sadistic attitude and what a lesser film this would have been without Telly Savalas executing everyone who gets in his way with the most memorable sequence being the hanging scene . Just a pity we never find out his fate for certain . Also of worthy note is the sentry getting killed via barbed wire and LOVEJOY's side kick revealing himself to be a mean assassin . Does this all sound very silly ? Of course but it's also entertaining in a morbid sense

As a footnote this movie was often screened on British television under the title A TOWN CALLED BASTARD and the town is referred on screen as " Bastardo " so that title would be more accurate but I guess TV companies get a lot of complaints and now call it A TOWN CALLED HELL to save on the switchboard staff

This film starts in spectacular fashion as a gang of rebels gun down the entire congregation of a church, young and old, including the priest. The barbaric nature of this opening continues throughout "A Town Called Hell".

The majority of the movie is set in the Mexican town of Bastardo, which is under the leadership of Don Carlos (Telly Savalas). A hearse arrives at the gates, with an empty coffin and two passengers - Alvira (Stella Stevens), a blonde widower clothed in black, and her mysterious unnamed companion (Dudley Sutton). She is searching for the man that killed her husband, and offers Carlos gold if he will hand over the guilty man - who she believes to be named Aguila.

The town priest (Robert Shaw), who we immediately recognise as one of the leaders of the rebels that carried out the massacre in the first scene, appears to have a knowledge of Aguila's identity. When the town is overrun by the army, also looking for Aguila, the Colonel (Martin Landau - the other rebel leader from the prologue) threatens to execute all the town unless the identity is revealed. The Colonel advises the Priest that he swapped sides, as the army provided better rewards than the rebels could ever offer.

Much of the film centres on the strained relationship between Shaw and Landau's characters. Shaw's whiskey guzzling priest is particularly well played and likable, with a guarded past that is revealed throughout the film. Albeit a fairly short lived role (facing execution by one of his own men about half way through the film), Savalas' character is very enjoyable to watch, both calm but merciless. There are also small parts for Spaghetti regulars Fernando Rey and Aldo Sambrell.

Whilst the film is pretty barbaric throughout, with the town's inhabitants showing little honour or mercy for their own kind (just ask Don Carlos!), it also has a dark and mysterious feel - particularly well portrayed by the widow and her mute protector.

It is fair to say that I am often sceptical of a film's worth when I find a copy in a bargain bin or for £0.01 on ebay. I purchased "A Town Called Hell" for a single penny on ebay, and therefore thought it was likely to be a lesser western, and became even more sceptical when I discovered its British involvement (oh me of little faith, but I couldn't picture my homeland creating a western successfully). I was pleasantly surprised to find a well thought-out movie, with a well developed (if sometimes confusing) plot, and some great character acting. Well worth a view.