Un homme nommé Cheval

Although this film appeared to be a western for the 1970's, the story was not new. The writer, Dorothy M. Johnson, originally wrote it for the T.V. series Wagon Train (1957-65). Ralph Meeker was cast then in the Richard Harris role, and an excellent job he made of it, in his quiet way. A good story will always stand the test of time, as this proves.

I first saw this film in the theatre when it came out in 1970. It was a welcome departure from earlier films about pioneers sitting among their circled wagons shooting whooping Indians like ducks in an arcade.

I saw it last weekend for the first time since, and I think that it holds up well. Whatever the flaws, it is a reasonably good depiction of Dakota Sioux going about their business in the 1820s.

This movie demonstrates that a story can be told with very little dialog and a lot of non-verbal expression. Harris might be the most prominent character but, cumulatively, the cast of small characters weighs in just as heavy.

This movie offered a different perspective of the Sioux, and although controversial, it is worth a view. Director Elliot Silverstein doesn't glamorize the Indians and he doesn't make them victims of white injustice. He just tells it like it is, and I have to admire him for it. Many activists protested what they believed to be inaccuracies; nonetheless, the film is the other side of "Dances With Wolves" (really, it's more like "Run of the Arrow"). For an in-depth interview with Silverstein and the making of "A Man Called Horse," read "Making the White Man's Indian: Native Americns and Hollywood Movies." It's a great behind-the-scenes read of this and other popular Western pictures.

at the beginning of this movie,there is a blurb about how the events portrayed are taken directly from historical documents of the period.the South Dakota Sioux Indians also had a lot of input into the movie.so,we can assume it is fairly accurate.one thing it does is show the Native American Indians as being just like any other people.this movie took awhile to get going,in my mind,but once it does,it's action packed,and it's very well acted.Richard Harris is the title character.he is a British Lord who is captured by the Sioux in the mid 1800's.first he is treated with disdain,as nothing more than a servant to the aging mother of the chief.gradually,though,things change,though,and he becomes much more.this is a very touching and heart breaking movie.it's also very thought provoking.overall,i give A Man Called Horse a 6/10

This is the story of Lord John Morgan, an honest earthy person who is captured by the Sioux in 1825. Abused and treated as an animal he comes to adapt to his life in order to survive. Enduring torture and oppression he must earn their respect in order to be accepted as part of their tribe.

The white man as part of a Sioux tribe story was given a major shot in the arm with Kevin Costner's Oscar bagger, Dances With Wolves in 1990. This picture came out some twenty years before Costner's stylish picture but the two films couldn't be further apart in terms of story telling. Here in Elliot Silverstein's picture, the scenery and scope is certainly lush, but the niceties stop there for this is a harsh, at times painful, story with realism dripping from each frame. Silverstein wanted to get as close as he could to the facts of the Sioux way of life, even bringing in a Sioux historian to oversee the production.

The Sioux are painted on both sides of the canvas, on one side we are shown them to be violent, even sadistic, but Silverstein also portrays them as an intelligent race driven on by intense loyalty to their ways and culture. Richard Harris plays our main protagonist and has a clear license to act with immense verve and vigour, it's a memorable turn that lingers long after the credits roll. Hurting the film is a twee romance between Morgan and the Chiefs daughter (Judith Anderson) and Jean Gascon's fluctuating accents start to grate entering the film's last quarter. But really the plus points far outweigh the little irritants in the piece. The editing from Philip W. Anderson & Michael Kahn is like a whirling paean to hallucinations, and some scenes are from the top draw, most notably the Vow To The Sun ritual that literally is painful to watch. A Man Called Horse may well be of its time, but it's certainly a very interesting and highly intelligent film. 7/10