Pointes et contrepointes

I was not around to witness the time when this animated TV movie first hit the airwaves (that was about fifteen years before I was born), but can recall hearing the album, featuring musical artist Harry Nilsson (who wrote the fable) as the narrator, as well as the songs he contributed to the story, perhaps as far back as I can remember, or close to it. I don't recall seeing this cartoon until I was around seven/eight years old, but after that, it soon became a favourite of mine, and I watched it a number of times for a while. Yesterday, I rented it on DVD to watch for the first time in a while. About fourteen years ago, I would definitely have been able to give it a 10/10, which isn't quite the case now, but I still found merits in the film.

In a town where everyone has a point on the top of their head, and everything is also pointed, something happens that it seems has never happened in the community before. A child is born without a pointed head. He is named Oblio, and during his childhood, he gets a dog with a pointed snout named Arrow and turns out to be quite popular, but one kid who doesn't like him is the nasty son of the evil count! One day, the two compete in a popular game in the town called triangle toss, where the players try to catch a triangle with the point on their head. With the help of Arrow, who can catch it with his snout, Oblio wins. The count wants his son to rule someday, and after hearing about his defeat in the game, he is outraged! He realizes that Oblio is a threat to his son ever ruling, so he tells the king how this boy is an outlaw, due to the fact that he doesn't have a pointed head. Although the king is good, and likes Oblio, he is weak-kneed and gives in to the count's demands. After a trail, the boy and his dog are banished to the Pointless Forest. While there, they find themselves on a psychedelic adventure, encountering unusual creatures they've never seen before, and this journey turns out to be quite educational!

"The Point" is a rather bizarre story, and Nilsson made it clear that it was inspired by an acid trip, but it's also a clever story with a moral. I know I'm not the first to point this out, but it's lesson in tolerance, which I may not have quite understood as a kid, but do now. The animation in this 1971 TV special is sketchy, and not completely coloured, which could disappoint some people, but I think I've always liked it. The story may be touching a times (during the sad farewell scene as Oblio leaves for the Pointless Forest, for example). Oblio meets some very interesting and memorable characters in the Pointless Forest, such as the three-headed Pointed Man (who is ironically quite pointless, though maybe not when he says, "A point in every direction is the same as having no point at all."), the Rock Man, the Leaf Man, etc. There's also humour in the cartoon, especially during Leaf Man sequence, in my opinion, with the first words he says to Oblio and Arrow. I most certainly can't forget the bunch of songs from Nilsson featured in the film and on the album, which are a big part of the both, and ones I've enjoyed many times.

I really don't know what I would have thought if I had just seen "The Point" for the first time at my age. It may have left me confused, though it also may have grown on me with more viewings. It definitely seems more bizarre and a bit less entertaining to me now than it did when I watched it when I was eight years old, but I definitely understand it more now than I did before, and I've never been a stoner, in case you were wondering. Also, I used to always see the TV version, taped off TV, with Dustin Hoffman as the narrator. Renting it on DVD, I finally got to see the home video version for the first time, featuring Ringo Starr as the narrator instead. This was a little different, but Ringo also did a good job, so it was worth hearing his voice in the cartoon. I'm sure kids today could really enjoy this psychedelic cartoon just like I did, and I'm sure many adults can as well, and can have a better understanding of the message. Perhaps the same goes with adolescents. If you like psychedelic cartoons from this era, like, let's say, "Yellow Submarine", there's probably a good chance you'd like this one.

I kept hearing about this movie a lot for quite some time, and when I saw the video at my local library, I decided to check it out to see if it was any good.

Little did I know what I was in for!

In other words, I loved every minute of it. I have this thing for semi-obscure non-Disney animated movies, and 'The Point' was just adorable. Never before have I seen a lead character quite as endearing as little Oblio, or a cuter dog than Arrow (I just loved his expressions). The Rock Man was just too cool... with that beatnik-like voice and wisdom.

I loved the songs, and there's a very strange one about death, which shows a whale decomposing... it's the weirdest part of the movie, and has to be seen to be believed. The sequences to a few other songs aren't much more normal, actually. But I mean all of this in the nicest way possible.

'The Point' will for sure have a place in my cartoon collection soon. Anyone who loves strange cartoons or Harry Nilsson should see it.

How wonderful that The Point is now available on DVD!

This 1971 TV special tells the story of Oblio, a round-headed child born into a world of pointy-headed people. He faces discrimination, is banished, and then returns at the end to teach an important lesson to the town.

The cartoon works on so many levels its a joy to watch and re-watch. The moral lessons come fast, furious and they're so enjoyably and subtle that it makes you feel good. "Everyone must have a point!"

A lot of the early '70s mentality is embedded in The Point, and the tone and lessons remind us that the '60s and '70s WERE an ideal time, filled with great ideals. The Harry Nielsson songs are outstanding, and the animation is a cross between Peter Max and the folks that did Rocky & Bullwinkle.

I snagged the Disney version on VHS more than 10 years ago, and let my small children watch it several times. I'm looking forward to enjoying it on crystal-clear DVD now.

Besides having a wonderful score written by Harry Nilson, including the song "Me and My Arrow" which was used in a car commercial, it had a great story and unique cartoons - very different for its day. I had seen it when it first came out with Dustin Hoffman as the father's voice, but the next time I saw it, Alan Thicke did the voice and I wondered if I had been mistaken. It is gratifying to know that I wasn't. I've never heard it with Ringo Starr in that part, but I think it would be interesting.

I have a fragmentary recollection of seeing this film when I was a kid and liking it back in the 1970's when it played on network TV. I recently re-watched it with my nephew Max, who is in 2nd grade and will be 8 years old in two months.

Probably the most important thing to say is that the movie held Max's attention very well, his eyes were riveted to the screen, and that he liked it very much, except for some of the musical interludes, which he thought were 'wierd,' especially the song where the whale dies and decomposes. (Of course, me being a sophisticated adult, I thought that song was probably the most profound and poetic, but I can see where Max was coming from.)

Based on the fact that Max appears to be a fairly typical real kid, who plays games on the Wii, who normally watches Adventure Time, the Ninja Turtles, and Sponge Bob, I would say that it is likely that other real world kids of today are likely to enjoy this movie as well.

As an adult, I find a number of reasons to recommend this movie for grown-ups and kids to watch together:

1. It's nice to find a kid-friendly film that isn't part of a mass merchandising campaign, which is now always the case regarding Disney and Pixar and Shreck movies, not to mention crap like GI Joe, Transformers, and My Little Pony. After watching this, it's unlikely your kid is going be asking for an Oblio action figure, and if he does ask, you won't find that action figure at the Target store.

2. Animation: This film has full-animation as opposed to the cheap-looking 'limited' animation that you see in the Hanna Barberra stuff from this period. Also, the drawing and coloring appears to have been done all by hand, giving the moving images a hand-made kind of quality, which is endearing to adults, and which might serve to inspire kids to pursue their own artistic endeavors. All in all, it's a refreshing change from computer animation and the other super-perfect stuff made today.

3. The narration and dialog is often clever and amusing, even insightful at times. The voice actors are all good, in particular, Mike Lookinland, who sounded so much like a real and natural kid, I did not recognize him as being one of the sickeningly saccharine Brady Bunch kids. A lot of the reviewers her on IMDb lament that Dustin Hoffman's original narration has been lost, and I of course always regret when a piece of art is not preserved intact, but Ringo Starr, besides being an old friend to the adults, tends to be popular with kids as well (hence his former gig as the narrator for Thomas the Tank Engine).

4. I'm dubious that all of the songs will appeal to kids, but at least they didn't cause Max to walk out. As an adult, and being ambivalent about a lot of Harry Nilson's music, I can say that most of the musical numbers I quite enjoyed. At least with the musical numbers, that is a good time for the kid to go the bathroom or to put some fruit or Ritz Bitz on a little plate for him.

5. The morals of the fable, regarding the somewhat arbitrary criteria we use to determine whether an activity has a 'point,' and regarding tolerance and acceptance of the differences between persons, are good morals for kids to learn.

On the whole, I found this to be a fun, sincere, unique, surprising and heartfelt piece of video that grown-ups and kids can watch together.