IMDb RATING
7.3/10
1K
YOUR RATING
A scientist explains how the savagery and efficiency of the insect world could result in their taking over the world.A scientist explains how the savagery and efficiency of the insect world could result in their taking over the world.A scientist explains how the savagery and efficiency of the insect world could result in their taking over the world.
- Won 1 Oscar
- 3 wins & 1 nomination total
Photos
Conlan Carter
- Farmer
- (uncredited)
Ian McShane
- Charlie Cartwright
- (archive footage)
- (uncredited)
Suzanne Pleshette
- Self - Actress in Film Clip from If It's Tuesday, This Must Be Belgium
- (archive footage)
- (uncredited)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film. when I saw it years ago, had me convinced that it was a real "documentary." Excellent special effects and a very good performance by Lawrence Pressman.
More convincing it its way than the current Blair Witch Project which also purports to be a real story
More convincing it its way than the current Blair Witch Project which also purports to be a real story
10FeverDog
"The earth was created not with the gentle caress of love, but with the brutal violence of rape."
This portentous statement opens THE HELLSTROM CHRONICLE, a stunning quasi-documentary which is, in its own way, one of the most frightening movies I've ever seen, with themes that are eerily prescient in today's world.
Winner of the 1971 Oscar for Best Documentary, this mostly non-fiction film - the dark side of MICROCOSMOS - recounts the history and nature of the insect world, as well as the myriad ways insects are more equipped to outlive Man in the long run. Insects have a 200-million-year head start, don't have feelings, don't ponder their own existence, don't fight within their species, can adapt to their surroundings, live harmoniously with their environment, have been using "robots" and the airwaves long before we came to be, and aren't afraid to die. Nothing Man throws at them (like pesticides) can stop their reproduction; insects quickly develop immunities while Man chokes on its own weaponry while polluting its environment. And, it would take Man a million years to repopulate the world after nuclear fallout; insects could do it in three weeks.
This ominous storyline is framed in the film with Dr. Hellstrom, a fictional entomologist who narrates with an effectively brooding yet pragmatic tone that somehow comes off as dire but soothing. Some may feel that the human segments of the film distract from the force of the narrative. I, however, believe these breaks from the storyline give the viewer a breather, for the foreboding menace would be nearly unbearably intense otherwise. Also, there is one segment of the film that's obviously faked, but that's okay: it wouldn't have been prudent to film it realistically, and it nonetheless succeeds in making its point as is.
Similar to THE BLAIR WITCH PROJECT in that what's waiting for us in nature is scarier than any boogeyman, THE HELLSTROM CHRONICLE raises questions about Man's arrogance - our fatal flaw which will be the reason for our ultimate downfall. While the film never uses the word "God," it speaks of a "Creator," and ponders the significance of the only species that believes in a higher power yet uses "intelligence" to disprove its existence. THE HELLSTROM CHRONICLE is edge-of-your-seat drama about the horror of war and our inevitable fight to the death with the insect world - a battle that we're sure to lose.
10/10
This portentous statement opens THE HELLSTROM CHRONICLE, a stunning quasi-documentary which is, in its own way, one of the most frightening movies I've ever seen, with themes that are eerily prescient in today's world.
Winner of the 1971 Oscar for Best Documentary, this mostly non-fiction film - the dark side of MICROCOSMOS - recounts the history and nature of the insect world, as well as the myriad ways insects are more equipped to outlive Man in the long run. Insects have a 200-million-year head start, don't have feelings, don't ponder their own existence, don't fight within their species, can adapt to their surroundings, live harmoniously with their environment, have been using "robots" and the airwaves long before we came to be, and aren't afraid to die. Nothing Man throws at them (like pesticides) can stop their reproduction; insects quickly develop immunities while Man chokes on its own weaponry while polluting its environment. And, it would take Man a million years to repopulate the world after nuclear fallout; insects could do it in three weeks.
This ominous storyline is framed in the film with Dr. Hellstrom, a fictional entomologist who narrates with an effectively brooding yet pragmatic tone that somehow comes off as dire but soothing. Some may feel that the human segments of the film distract from the force of the narrative. I, however, believe these breaks from the storyline give the viewer a breather, for the foreboding menace would be nearly unbearably intense otherwise. Also, there is one segment of the film that's obviously faked, but that's okay: it wouldn't have been prudent to film it realistically, and it nonetheless succeeds in making its point as is.
Similar to THE BLAIR WITCH PROJECT in that what's waiting for us in nature is scarier than any boogeyman, THE HELLSTROM CHRONICLE raises questions about Man's arrogance - our fatal flaw which will be the reason for our ultimate downfall. While the film never uses the word "God," it speaks of a "Creator," and ponders the significance of the only species that believes in a higher power yet uses "intelligence" to disprove its existence. THE HELLSTROM CHRONICLE is edge-of-your-seat drama about the horror of war and our inevitable fight to the death with the insect world - a battle that we're sure to lose.
10/10
The Hellstrom Chronicle is a documentary about insects wrapped within a fiction. Visually it's incredibly stunning, very similar to Microcosmos in its "how did they get that shot?" camerawork. The film is narrated by a fictional scientist who claims that the final two lifeforms on earth will be man and insect, and when they face off man will lose. This places a very ominous slant on the action, and instead of Microcosmos's wonderment at nature we are treated with Hellstrom's dire dissertation on the various advantages insects have over humans. The voiceovers are hilariously over the top, and the musical accompaniment is splendid in its portent of doom. The movie does tip its hand with an obviously set up hidden camera segment 3/4 of the way through, though the knowledge that Hellstrom is a fiction doesn't diminish the drama. By the end I actually appreciated the kooky construction, which gave the filmmakers a rationalization to deal with some of the harsher aspects of insect life.
Well, why not? The way things were/are going here on Earth, the speculation presented by the narration in this film could come true. Might serve us right! Anyway, the cinematography is terrific! Excellently done on a whole, even tho some critics panned the narration. It is unique, so see it. I gave it a 7 out of 10, and it could be rated higher.
For 10 plus years, "The Hellstrom Chronicle" was regularly plugged into the 2am/4am movie slot on a local station in the middle 80's through 90's. Too bad it couldn't get more coverage, because this is how a documentary should be made.
The problem with documentaries is if you focus too much on the clinical data, it becomes dry. If yo try to interject drama into it, you run the risk of sending up the piece, into parody or even farce. Hellstrom interjects just the right amount of fiction, in the form of Lawrence Pressman, that links the documentary portions at a pace that keeps it from losing one's interest. It's obvious that "Dr." Hellstrom, a fictitious entomologist, is paranoid that insects will take over the world through their superiority over men. The most interesting thing, though, is he may very well be right! If the insect world footage has any say in how future matters may turn out, it will.
Of particular interest is the portion of the footage devoted to the driver ants. As has been quoted in other reviews, this is a prime example of "How DID they film that?!" documentary in motion. It's an inspiration out of "Leinengen Vs. The Ants," only it's real!
If you can find this "movie," give it a roll. Expand your mind a bit with some facts, while at the same time, become entertained by Dr. Hellstrom... even if he isn't a real doctor, but, he plays one on TV! (Actually, he did! Pressman went on to play one on Doogie Howser, M.D.)
The problem with documentaries is if you focus too much on the clinical data, it becomes dry. If yo try to interject drama into it, you run the risk of sending up the piece, into parody or even farce. Hellstrom interjects just the right amount of fiction, in the form of Lawrence Pressman, that links the documentary portions at a pace that keeps it from losing one's interest. It's obvious that "Dr." Hellstrom, a fictitious entomologist, is paranoid that insects will take over the world through their superiority over men. The most interesting thing, though, is he may very well be right! If the insect world footage has any say in how future matters may turn out, it will.
Of particular interest is the portion of the footage devoted to the driver ants. As has been quoted in other reviews, this is a prime example of "How DID they film that?!" documentary in motion. It's an inspiration out of "Leinengen Vs. The Ants," only it's real!
If you can find this "movie," give it a roll. Expand your mind a bit with some facts, while at the same time, become entertained by Dr. Hellstrom... even if he isn't a real doctor, but, he plays one on TV! (Actually, he did! Pressman went on to play one on Doogie Howser, M.D.)
Did you know
- TriviaDavid Wolper and Cinema 5 got audiences into theatres to see this documentary by promoting it as if it were a science fiction thriller.
- Quotes
Dr. Hellstrom: Compared with Man, we have to admit that the insect does not display what we can describe as intelligence. But don't feel too proud about that, because where there is no intelligence, there is also no stupidity.
- Crazy creditsEnd Credits: Nils Hellstrom, M.S., Ph.D., is a fictional character who was portrayed by Lawrance Pressman. His statements relating to the impermanence of the human species have been synthesized from contemporary opinions. All statements about the insect world are factual and have been reviewed by Roy Snelling and Charles Hogue, Ph.D., of the Entomology Department, Los Angeles County Museum of Natural History.
- ConnectionsFeatures Quand la marabunta gronde (1954)
- How long is The Hellstrom Chronicle?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Hellstrom Chronicle
- Filming locations
- Las Vegas, Nevada, USA(Nuclear Test Site Mercury NV)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $39,767
Contribute to this page
Suggest an edit or add missing content