L'aventure du Poséidon

I have seen many disaster films in my day but The Poseidon Adventure is truly a film that will leave you on the edge of your seat because each moment after the being hit by a tidal wave is unpredictable. The survivors have to find a way out of the ship and a preacher (Gene Hackman) has to lead them out that becomes dangerous and often scary situations they face. Each cast member played their parts with emotion that becomes dramatic at times. All in all I thought this was better then the Titanic. I know they did a remake of this film in 2005 but as I always say, stick with the classic.

The Poseidon Adventure has gotten its reputation as the best of all the disaster films of the seventies, not just for the Special Effects good as they are. It's that select group of people trying to survive, they're a bunch you do get to care about even though some of them can be annoying as all get out.

The film is an adaption of Paul Gallico's novel which was written in the Thirties, but it was updated to the present for the film. While on the luxury liner Poseidon as a New Year's Eve Party goes on, Captain Leslie Nielsen takes note of an undersea earthquake and the tidal wave that will hit the ship in about fifteen minutes. But he's certainly not prepared for the wall of water that smacks the Poseidon broadside and capsizes it.

Before the big event and the special effects that got The Poseidon Adventure its Oscar in that department we are introduced to the group of people who elect to try and climb up to the keel of the capsized Poseidon while the rest remain in the grand ballroom. Leading the group is minister Gene Hackman and the rest are married couples, Jack Albertson and Shelley Winters, Ernest Borgnine and Stella Stevens, musician/singer Carol Lynley, hypochondriac Red Buttons, steward Roddy McDowell, and teenager Pamela Sue Martin and her little brother Eric Shea.

You do get wrapped up and sucked into the conflicts especially with Ernest Borgnine who's simultaneously got a war going with Gene Hackman and with his wife Stella Stevens. She's an ex-hooker who he busted several times and eventually married. He's got a rambunctious nature and Borgnine provides a lot of the interest here.

Jack Albertson and Shelley Winters are the typical elderly Jewish couple who are on a trip to Israel to visit the grandchild they've never seen. They're a calming and steadying influence on the others. So is Red Buttons who finds courage he never thought he possessed and he helps Lynley out who's devastated at the loss of her brother who was in the band performing at the New Year's Eve Party.

Gene Hackman as a minister takes his gospel from that noted skeptic Benjamin Franklin who said that God helps those who help themselves. For those who believe in a divine plan, he seems divinely sent to get these people to safety. Not all of them make it though.

The Poseidon Adventure got another Oscar for Best Song for The Morning After. Maureen McGovern's recording of that tune was playing everywhere in 1972. It's one of the few Academy Award winning songs that is still prized and remembered over the last 40 years.

Maybe Irwin Allen did a wise thing by not directing the film and letting Ronald Neame do it. Spectacle is great and I love it, but a good story with characters you care about is what makes the Poseidon Adventure the fine film it is.

The clothes and the likes are really the only thing that date this film. 35 years old, and it still holds up well. No CGI featured, and none required. I have not read the book of this film, so I cannot say if it is an accurate adaptation, in the spirit of the original. I will say that it is a well-produced piece of fiction. The plot is quite good. The writing is good, and has very realistic, great moments. Dialog is well-done, and delivered equally well. The characters are credible and well-written. There is a reasonable amount of development and background for them. The special effects are undeniably excellently done. They are convincing throughout. Nature itself becomes the threat, with realistic physics. The camera-work and editing are nicely done, save for an awkward cut or two. Cinematography is effective. The pacing is solid for the whole film. As far as the technical aspect goes, the film is great. The acting is of high quality. The kid isn't the most annoying ever seen. The tension is admirable. I haven't watched particularly many disaster films... in fact, this film may be 50% of the total amount... so I can't say if this is an outstanding one. I'm not sure you can really watch this without noticing the theme of passivity versus activity... or, blind faith versus a more critical, independent faith. The film takes a definite stance on that. All in all, entertaining and worth your time. I recommend this to any fan of the actors and/or the genre. 7/10

I still don't understand how people get on here and write reviews about movies, with statements like wasted actors talent, campy, don't you understand this movie was made in 1972 there was no CGI and copying movie like it's done today, this was an original and won awards and was up for many more nominations, these actors weren't wasted they were continuing to develop their craft. I saw this as a 6yr old and still remember it today on New Years Eve as I just watched it this morning bringing back so many memories that made me the movie buff I am. I never forgot it from the wonderful soundtrack (Oscar winning ) and the cinematography (Oscar winning) which was earned the old fashioned way imagination, not by some computer generated initiative. I love movies today but I still remember good movies and how they were made in yesteryear also. It's kinda like comparing atheletes when people(younger people especially) when they say Lebron is better than Oscar R or Michael J, the players are all great in their time, if either Michael or Oscar were here today they would still be GREAT, as Lebron is today, but to say he is better is foolish, This a Great Movie today as it was in 1973. PERIOD!!

Although the film was made in 1972, the special effects still stand up quite well even in this CGI era. While you might expect actors like Hackman and Winters to "walk" through their roles in a film like this simply "for the money", the cast does a solid job. Buttons, known for his proclivity to "ham it up", treats this role more seriously like he did in "Sayonara", and as a result is okay. Carol Lynley, never a great actress to begin with, gives the poorest performance, turning her character into a whiner. In the story, the ship is capsized at midnight on New Years Eve, and the story proceeds from there to the conclusion hours later when it is daylight. The action is continuous, which makes it more believable. As of this date, aside from the "kids" Pamela Sue Martin and Eric Shea, Gener Hackman is the only cast member still living.