Haré Rama Haré Krishna

Dev Anand (or Prashant) and Zeenat Aman ( Jasbir/Janice) are siblings brought up in single parent families. Jasbir (the sister) grows up in an affluent environment but this is not enough to lead her to reject her life and ultimately join a hippie movement that eventually leads her to drugs. Prashant (the brother) on the other hand grows up in a less affluent environment but grows up to be a matured gentleman. The story marks Prashant making efforts to save his little sister (who is perpetually in a trance) from a hostile hippie environment. This movie stands the test of time, commenting that cults and hippie groups are a place for those who give up on their lives when they should instead stand up and be counted in the face of adversity. Great music compositions in this movie that mean different things in different situations and to different people, and the director brings forth an eerie feeling to it.

Hare Rama Hare Krishna was the biggest hit movie of 1971. Filmed almost entirely in Kathmandu, the capital of Nepal, the movie depicts not only with the theme of a broken family, but also a relationship between a brother and a sister, as well as drugs and the hippie movement, which made many people think that it involved the ISKON - the movement for Krishna consciousness.

The movie begins with scenes of drugs and being informed that the woman dancing in front is the narrator's sister. Going back to the past the brother and sister are happily playing around the house only to hear their parents arguing. This soon leads to a split in the family. The brother goes with the mother and the sister with the father.

As years pass, the brother goes in search of his sister and is informed that she no longer lives with the father and that she has moved to Nepal. Here, Prashant, the brother not only finds love, but he also finds his sister, Janice. But he finds out that she is not only in the wrong company of friends but is also on drugs as she wants to block all memory of her past. With help of Shanti, his love, the brother tries to get his sister away from all this but has to overcome many obstacles, including people who stoop to all sorts of levels to stop him This is a multi cast movie and is led by the director and producer himself, Dev Anand and also stars Zeenat Aman (her first movie), Mumtaz, Rajendranath, Prem Chopra, Jnr Mehmood, A.K. Hangal and Achala Sachdev. The music is superbly provided by the late R.D. Burman, whose last score was "1942 - A Love Story." During the filming, Dev Anand asked Panchamda (R.D. Burman) to compose something special for this film. Days later Panchamda came back with the composition of "Dum Maro Dum." The song was an instant hit.

You see the way people in the early seventies blamed ISKON for their radical nature which eventually was the supposed conclusion of being turned into hippies is not at all true and that is why this film is so damn important.

I am surprised that Dev Anand actually thought that a guy in mid forties would look like a guy in mid twenties. Zeenat Aman was stupendous. Mumtaz was good but the real highlighter of this film is the music of the legendary Rahul Dev Burman.........I mean WOW!! Funny thing I read about other reviews is that no one mentioned the song "phoolon ka taaron ka sabka kehna hain" I understand "Dumm Maaro Dumm" was phenomenal, why was it still is even today but the other songs were very good too.

Acting was above average, certain aspects are too melodramatic but then again keeping in mind the 1970s of India it was good, great job by cinematographer and rest of the support staffs.

I give my ratings out of 10:

Acting - 6 Story - 8.5 Screenplay - 8.5 Direction - 8 Music Dept. - 10 (since 100 out of 10 was not possible) Other Aspects - 6

Overall - 7.83 out of 10 so I round it of to 8 out of 10

Hare Rama Hare Krishna review:

At the film's premiere, the guests went to congratulate the legendary Dev Saahab at interval point itself to which he laughed and said "Abhi toh aadhi picture hi dekhi hai. Watch the entire film guys..!!". Indeed, Hare Rama Hare Krishna (HRHK) was an instant connect for the '70s audience who were mesmerized by its three main factors:

First and foremost, the boldly depicted hippie culture of that era which thrived on drugs and sex. Dev Saahab loved Nepal and he based his plot in that beautiful country which enticed the audience for repeat viewings. Infact, Nepal came on my wishlist in the '80s itself when I watched HRHK on video. I went there much later with my family in 2019 and visited the same locations shown in the film. Surprisingly, it hasn't changed at all..

Secondly, for Zeenat Aman who played Dev Anand's sister in the movie but ended up overshadowing his heroine Mumtaz in it. The screenplay was centered on a brother travelling to Nepal to search for his estranged sister and discovering her high on dope amongst a bunch of vagabond hippies. Zaheeda was Dev's first choice but she refused the sister's role and Zeenat got lucky.

Last but not the least, for Pancham da's awesome music particularly 'Dum maro dum' which became an anthem of sorts. The song was remixed for Rohan Sippy's 2011 movie titled Dum Maaro Dum which also dealt with drugs and sex. Imagine how ahead of the times Dev Saahab was!!

Regards, Sumeet Nadkarni.

Prashant and Jasbir are siblings. They were separated at childhood when their parents decided to part ways. Prashant remains with his mother and Jasbir -- with her father and his new wife. Years later, Prashant is in search of his sister. To his complete shock he finds out that she is located in Nepal and is a part of a group of young hippies, which includes unemployed drug addicts who spend most of their time at parties. She calls herself Janice and everything she does is in order to forget her past. Hare Rama Hare Krishna is one of the most famous films of Dev Anand, and its popularity comes mainly because of its rather racy presentation of the hippie movement and the modern culture in general. But the film as a film does not really work that much. The concept is very interesting but the script is quite poor and very often it turns into a big melodramatic mess. Anand's direction is quite faulty (well, like in most of his directorial ventures). I never understood the purpose of the film apart from its innovative theme and Anand's willingness to break new ground.

Where acting goes, the movie belongs to Zeenat Aman. With this film, Aman introduced a new heroine to Hindi cinema, characterised by her westernised nature and modern persona. This image was only consolidated by her proceeding films. This role is as bold as the film itself or even more, and Aman does full justice to it. She looks really beautiful and even within the rather messy proceedings manages to create a conflicted and troubled young lady who you end up feeling for. This is a very good debut and sadly she never managed to get many great chances in her career. Dev Anand is terribly miscast as he looks too old for his part. His Prashant is supposed to be 24-25 years old, but Anand himself is at his late forties, which is a total joke. Mumtaz is there to look pretty, and she definitely does. The music is excellent - well, after all it's by master R.D Burman. Asha Bhosle's fantastic rendition of "Dumm Maaro Dumm" is obviously the most memorable. Clearly, an interesting concept, "Dumm Maaro Dumm" and the presence of Zeenat Aman pretty much sum up Hare Rama Hare Krishna.