Dialogue de feu

The movie does well, but not for his direction, script, photography or even wardrobe, which are acceptable. The line that separates this movie from the classic battered western movie is its peculiar choice of actors.

Starring Johnny Cash and Kirk Duglas, the plot is based on the expectation of the town folk for knowing who of the two is the best gunman, when Abe Cross arrives at the town where Will Tenneray is trying to set a quiet life for himself.

All in all, it's one of those acceptable movies, except in this case there are two iconic American characters.

I think I just enjoy this movie because of the actors. The story isn't the best and if you're looking for great art, go elsewhere. But, if you're a fan of Douglas and Cash and would like to see a few other notables on screen, sit back and enjoy the flick with a few beers.

When an outcast gunfighter (a recently deceased Johnny Cash) with battered hat and black dressed goes to a Western small town called Rio Bajo , he meets an old time gunslinger named Tenneray (Kirk Douglas) stranded in the location along with his wife (Jane Alexander) and son (Eric Douglas) . Today he's a big guy with an enjoyable family . Meanwhile the drifter named Will falls in love with a Saloon girl (Karen Black) , the girl who could give the big guy a hard time . The two gunmen get a friendship ; Tenneray says him that he earns in a month it that he spent in one day and which killed the famous gunfighter Ringo . The 'Rio Bajo' folks expect a gun-down and they'd never forget the day the confrontation between Cross and Will . Before they paid to see a man murder a bull , nowadays they pay to see killing men . Needing money , both arrange a showdown for paid entrance and the winner take all . They're got to face a gunfight once more to live up to their legend once more to win just once more time and more money . The excitement starts at the duel when the hands point straight up . They've nothing like'em together in a duel but in the heat and hate of the small town nothing can tear'em apart . Thus, a bull square will become the scenario of the most spectacular duel ever attempted . Who will survive and what will be left of them? .

The picture concerns upon a gun-battle pits two individualist characters . It's a serious , mature Hollywood Western with particular character studio about an aging gunslinger looking for peace and quiet , but also money and unable to avoid his reputation and the duel-challenges it invites against the baby-faced gun-fisted kid (Keith Carradine). So many good actors , such excellent actors as Raf Vallone , Robert J. Wilke , Keith Carradine , Dana Elcar among them , consent to appear in what amount small roles , besides make their film debut Johnny Cash and Eric Douglas (Kirk's true son and recently deceased for drug abuse). The lion's share of the acting meat deservedly goes to Johnny Cash in spite of his first film . There is , in addition , Johnny Cash's catchy theme and equally an impressive roaring climax with an amazing final showdown . It's a better than average Western although a little slow moving . The motion picture was well directed by Lamont Johnson (Little Annie and Little Britches and Mackenzie break) . If you're a Western fan you can't go far wrong with this .

A Gunfight is directed by Lamont Johnson and written by Harold Jack Bloom. It stars Kirk Douglas, Johnny Cash, Jane Alexander, Karen Black and Raf Vallone. Music is by Laurence Rosenthal and cinematography by David Walsh.

Will Tenneray (Douglas) and Abe Cross (Cash) are two ageing gunfighters who after meeting each other in town hit it of straight away and actually like and respect each other. However, with both men in need of money and the whole town intrigued as to who would win in a gunfight between them, Tenneray hits upon the idea of the two of them having the gunfight and selling tickets to the event, with the winner receiving the ticket proceeds…

It was the first mainstream American film to be financed by American Indians—the Jicarilla Apaches—but this in now way was a propaganda move since the narrative has nothing to do with Native Americans. It's a most unusual Western in a lot of ways, off beat and deliberately played for fun at times, yet it pulses with dark thematics involving the human condition. Stripped bare is the fickle value of celebrity status, deftly cloaked with the ignorant blood-lust of a paying public.

Director Johnson keeps the pacing smooth as we get to know both men and watch their relationship unfold. All the while we are getting a grasp on the townsfolk in general, while the two ladies of the men's world are impacting greatly due to the sensitive screenplay. All roads lead to the ironic venue of a bullfighting arena across the border, where a full house of paying patrons come to see one of the men die. Whoever that is doesn't really matter, the caustic insertion of a dream sequence at film's end leaves us in no doubt that the winner really hasn't won at all.

With great performances from Douglas and Alexander, and good ones from Cash and Black, film also holds up well on the acting front. But the real stars here are Johnson and Bloom, for they have produced a clever picture that doesn't over reach itself by trying to be cerebral. It deserves to be better known and appraised. 7.5/10

The quiet loner who emanates raw danger by mere presence has never been portrayed as well until JC takes the role of Abe Cross. Cashs performance alone merits a 'must see' rating for this movie. Kirk Douglas is a natural pick for the role of a flashy, boastful, gunslinger who feels trapped by his retirement as saloon owner and family man in a small town. Will Tenneray(Douglas) yearns for the glory of his past as a feared and known name amongst gunfighters of the West. Abe Cross, his deeds and past are shrouded by a persona that shuns gossip and towns while Will Tennerays' exploits are well known and self-promoted. When Cross rides into town and has a drink in Tennerays' saloon, the tension is immediate and keeps climbing as every townsman whisper their expectations each time the two meet. The inevitable confrontation is a twist on the usual 'meet you at noon duel' that sets this Western apart.