Trop tard pour les héros

Too Late the Hero is a cynical war adventure with a set of rather unsavoury, antagonistic characters caught in an unforgiving, hot environment where they risk being embushed at any time by Japanese soldiers. It manages to stay interesting for two hours until building up into a fabulous, exciting finale. Not a big soldiers action film like The Dirty Dozen or Platoon, Too Late the Hero is nevertheless my favourite of the genre, although it took a couple of watchings to appreciate the simple, yet original, intelligent plot development, the realistic, yet interesting and even at times amusing dialogue and characters (for instance, Caine telling Robertson in his cockney accent: "now what's got you jumping about like a frog with a bullet up his ass..") and the suspenseful and well-made action sequences. It is not always easy for this kind of film to retain a kind of unsentimental realism and be entertaining at the same time. Yet, Too Late the Hero does it. While they are not particularly sympathetic characters (there are none in the film, except maybe for the Japanese major), Cliff Robertson and Michael Caine manage to become likeable anti-heroes in their own way, each giving excellent performances; American Robertson wondering what the hell he is doing among a rough bunch of Brits fighting the Japanese on a Pacific island until he decides to find his destiny as a hero, and Caine as a brash, cynical, rude, insubordinate and altogether hilarious cockney, mainly concerned about saving his skin. Too Late the Hero does not dwell into making an elaborate anti-war statement. It takes for granted that war is hell and any sane man would just worry about surviving like Caine, Robertson or most of the other soldiers on an increasingly suicidal mission - not as the leader of the group, brilliantly played by Denholm Elliott, who appears suspect and foolish for trying to maintain traditional combat values and discipline. The interactions between Robertson and his unfriendly British companions add to the interest and credibility of the film, while the unusual chase through the jungle and its exciting conclusion contribute to its originality. Not the best war film ever, but a unique one.

TLTH is a solid war movie made in a time devoid of Tom Cruises, Di Crapios and other mattodamonic Bennaffleckians. Caine and Robertson look like men, not wimpy little effeminate preppies which we're served and rammed down our throats en masse nowadays. Michael Caine participated in the Korean war as a soldier, while Denholm Elliot spent several years as a Japanese P.O.W. in WW II; what's the toughest ordeal Casey Affleck ever had to go through? A broken nail? And it partially shows on screen, of course.

The main drawback is the length; I saw no reason for this plot to use up over 2 hours of screen time. A minor problem was the occasional mumbling.

One of the things I liked here is that there was a more realistic way of looking at World War II. In recent decades we've had U.S. liberals and other clueless Leftists tell us how "valid" and "noble" that war was, as opposed to other wars that came later, that were supposedly totally immoral, unclean, nasty and vile. However, there is no such thing as a "pure" or "sanitized" war. The lack of discipline, morality and even courage among some of the British troops in this film is a refreshing break from the kind of silly over-glorification of WW II - especially the way this stands in contrast to the over-vilification of wars fought by America in the decades after that.

Judging by Caine's memories (from his autobiography) related to filming TLTH, a documentary on the making of the film would have been fascinating to watch.

This taut war film is set during spring 1942 WWII, a superior officer(Henry Fonda) assigns a reluctant American lieutenant (Clift Robertson) a dangerous mission in island of New Hebridas . At the island of Pacific , British military rule over the South region, while Japanese govern the North part . The goal of US Navy turns out to be the occupying the Japanese zone . For getting the objective is necessary destroying a radio station from Japanese . The lieutenant goes to the regiment commanded by a colonel (Harry Andrews) joining forces for participate the suicidal mission . It's formed a commando under orders a captain (Denholm Elliott) and a motley gang of soldiers released after fall of Singapur , as a tough sergeant (Percy Herbert who was actually a prisoner of the Japanese Army in The Second World War) , a mad soldier (Ian Bannen), a despicable private (Ronald Frazer) , among them.

This exciting war movie contains thrills , noisy action , rousing adventure , tension , lots of violence and twists and turns . Well made plot is based on a story by Robert Sherman and the same director Robert Aldrich . The powerful Aldrich camera crams in as much shock impact as possible . The picture kept afloat by the skills of their all-star cast formed by largely British actors . Michael Caine as a cynical soldier sustains and compels interest by careful concentration on his acting with cockney accent . Clift Robertson as lieutenant avoiding patriotism , gives a good performance , as always . There're strong portrayals by Ronald Fraser as a rogue private and Ken Takakura as Japanese officer . Thrilling and suspenseful musical score by musician Gerard Fried, Stanley Kubrik's usual . Nice cinematography by Joseph Biroc reflecting appropriately the lush jungle . Tense and brilliant direction by Robert Aldrich , a warlike (Dirty Dozen,Attack) and Western (Ulzana's raid , Apache , Veracruz) expert . It's a must see and a standout in its genre .

In the spring of 1942, in Southwest Pacific, Captain John G. Nolan (Henry Fonda) postpones the leave of the volunteer Lieutenant Sam Lawson (Cliff Robertson) and gives an assignment in New Hebrides Island with the British troops based on the required profile – fluency in Japanese and good shape. When Lt. Lawson arrives in the base, the commander explains that the island is divided in the British and Japanese sectors and he should go with a group of soldiers behind the Japanese lines to destroy their radio and transmit a false message to the Japanese forces. Captain Hornsby (Denholm Elliott) is assigned to lead the group, but during the tense mission, he has friction with Private Tosh Hearne (Michael Caine). When things go wrong, the soldiers have to fight to survive while exposing their weakness in character.

"Too Late the Hero" is a realistic and original war movie with human and cynical characters in the jungle of an island in Pacific. Michael Caine plays a rude and insubordinate cockney soldier that is only interested in surviving. Most of the soldiers are cowards that fight only to save their lives and not for patriotism or idealism. The hero of the title is actually an anti-hero that redeems himself in the end. The dialogs are cynical and Tosh has the best lines, like for example, when he proposes to Lawson to go North; or when he talks about the hole where he lives in his hometown in a total lack of perspective. My only remark is the long running time that could be a little shorter. My vote is seven.

Title (Brazil): "Assim Nascem os Heróis" ("This Way the Heroes Are Born")

Too Late the Hero is directed by Robert Aldrich who also co-writes the screenplay with Lukas Heller and Robert Sherman. It stars Michael Caine, Cliff Robertson, Henry Fonda, Ken Takakura, Denholm Elliott, Lance Percival, Ronald Fraser and Ian Bannen. Music is by Gerald Fried and cinematography by Joseph F. Biroc.

Lawson (Cliff Robertson) is an American naval officer who specialises in Asiatic languages, thus he is sent to a Pacific island to assist a group of British soldiers on what seems a routine mission. The mission is to simply knock out the Japanese army's key transmitter, but as the men get deeper into the jungle terrain it becomes obvious that the odds of survival are minimal at best. With inner fighting escalating and a hostile enemy closing in fast, it's a time for heroes to be born and friendships to be laid bare.

Often, and wrongly, considered a weak attempt by Aldrich to cash in on the success of his Dirty Dozen movie three years earlier, Too Late the Hero had been written some ten year previously. Although some way away from the gutsy grandeur and bulging biceps of The Dirty Dozen, TLTH is still a potent war movie. Often claustrophobic in mood and acerbic in war character observations, film holds narrative attention from first reel to last. Bursts of violence drift in and out of the plot to keep things on the boil, but it's the excellently drawn characterisations of the major players that stops this from merely being another run of the mill "insanity of war" movie. It's also nice to find the Japanese are portrayed as an intelligent foe, and not the irksome machine gun fodder so rife in other films of the ilk. It helps to have Takakura turning in a stoic performance as part of the latter, too.

Some other astute reviewers has given this film a tag line of it being a unique war film, not a truer line has been typed on the internet forums. This film, tho not bringing anything new by way of the psychological aspects of men under duress, always remains a thoroughly engrossing picture. Helmed by the criminally undervalued Aldrich, film boasts a ream of excellent performers making it unique by bringing to life a screenplay that's not pandering to any conformity's of the genre, it relies totally on strength of dialogue and character formations to capture our interest. Really the only charge from dissenters that might stick here is that it's arguably just another Vietnam allegory that the 70s seemed intent on giving us. Arguably, mind.

It's a bloody suicide mission!

That the cast list contains Michael Caine (brilliant here with gritty swagger), Cliff Robertson, Denholm Elliott and a barely used Henry Fonda is of obvious interest from the start, but the ace card in Too Late The Hero's pack is with its supporting players, Ian Bannen, Harry Andrews, Ronald Fraser and a serious turn from comedy specialist, Lance Percival, where all of them in the sweltering confines of the Phillipines location manage to pull the viewer into the mix and fully realise the crispness of Aldrich's excellent screenplay; aided superbly by Biroc who manages to convey via his photography some apt sweaty jungle madness. Yes! This is not a film for those wanting guns a blazing at every turn, it's simply not that type of Gung-Ho picture, those bursts of action, while hitting hard, are swamped by the focused action of the human mind at work, the kind where greed, mistrust and a basic survival instinct are the order of the day.

The set-up of the two opposing armies on this island is a bit daft, so some suspension of logic is needed from the off, while there's no escaping the fact that there are a number of war movie clichés within. Yet this is still potent stuff, a film with things to say and corrosive in its telling. Making for once, the negativity of such material, still a rewarding viewing experience. 8/10