Cannon

The great memories of childhood included playing sports and watching television (it was ALWAYS on when I was in the house!!). For my money, the 70's produced the best shows, detective/cop series in particular: Starsky and Hutch, Baretta, Kojak, S.W.A.T. Barnaby Jones, The Rookies etc... And of course "Cannon".The plot has been described already: William Conrad starred as Frank Cannon, a heavyset private detective who took (and invariably solved) cases of interest. Aside from occasional help from his police contacts in gathering information from time to time, Cannon worked alone and relied on intelligence and the occasional gunplay to get things done. Presented in the trademark "Quinn Martin format" of "Acts I, II, III, IV, Cannon was thoroughly enjoyable. The fun in watching today lies in the many great character actors of the day (many of whom appeared on every show of the decade, it seems!), the "sterile" violence and the personal childhood memories the show holds. A great way to spend an hour.

Unlike more recent detective series that are little more than an hour of car chases, graphic bomb scenes and other gratuitous violence, Cannon showed a detective carefully and cleverly going about the business of solving perplexing crimes. Moreover, unlike The Rockford Files and others which strain credibility by portraying a supposedly successful detective as always having trouble paying his bills, Cannon shows a very successful detective surrounded by the trappings of success such as a beautiful Mark IV and an expensive penthouse apartment. All in all a great series.

"Cannon", one of the many gimmick-driven series produced by Quinn Martin Productions in the 60s and 70s, was an inspiration for every 'weight-challenged' fan who ever fantasized of chasing down bad guys, solving crimes, and even, occasionally, winning the girl. The series' star, short, rotund William Conrad (as Frank Cannon), suffers the humiliation of being discharged by the police for being overweight, yet has the last laugh, as he frequently solves cases law enforcement agencies have given up on.

William Conrad (1920-1994) had built a long career around his low, powerful voice, and was best-known for his radio work as the original 'Matt Dillon' in the long-running series, "Gunsmoke" (the role James Arness would inherit, when the series moved to television). A successful character actor in many films of the forties and fifties (including a flashy role as Kasar, one of John Wayne's brothers, in the infamous THE CONQUEROR), the bulk of Conrad's TV work, prior to "Cannon", was as an off-screen narrator ("Rocky and Bullwinkle", "The Fugitive", "The Invaders"). "Cannon" was created specifically for Conrad, not only acknowledging his physical stature, but his skills as a chef, his occasionally prickly temperament, and his child-like joy of solving puzzles. Living well in a beautiful balconied apartment, he still spent most of his time behind the wheel of his sedan, en route to another case requiring his special skills.

With a bouncy, upbeat theme song (featuring a tuba, yet another 'reference' to his girth), "Cannon" was a lighter series than "Mannix" or "Barnaby Jones", but still provided occasional opportunities for Conrad to use his fists, and to even do a climactic foot chase, or two (the least believable moments of the series!).

While the actor would enjoy another successful detective series, as the more abrasive, slovenly 'J.L.' McCabe, in "Jake and the Fatman", "Cannon" remains Conrad's best-loved role, and a popular series in syndication, to this day.

Once upon a time you weren't a real TV detetctive unless you had a gimmick; Banacek was Polish, Barnaby Jones was old, Pepper Anderson was a "Police Woman," Ironside was in a wheelchair, Longstreet was blind, McCloud was a cowboy, Kojak was bald, Starsky and Hutch were "cool" (I HATE that word!), Columbo was polite and persistent...

Cannon, who left the force after his wife and child were killed (a plot thread tied up in one of the later episodes), was fat. And like Sammo on "Martial Law" nearly thirty years later, he didn't let his excess avoirdupois hinder his getting results. Unlike Sammo, however, he was hopeless when it came to the rough stuff - watching him get physical is embarrassing, and you suspect he and everyone else involved knew it, which is why hand-to-hand fight scenes were kept to a minimum throughout. (Scenes of him scuba-diving were also kept to a minimum of one episode of the entire run - William Conrad in a wetsuit is not something you want to see.)

The series was more reliant on stories than gimmicks, however, and it was William Conrad's show. No sidekicks, no best buddies, no revolving-door love interests, no down-at-heel stuff for him; he was good value, and so was the series.

I agree, I think Cannon was one of the best series ever made. The early 70's era was the best for guest stars, and Cannon had its share of famous actors. It was about something different every time. Cannon carried a gun, but he could also disarm a enemy with either a fist or a menacing sneer. The series hasn't been on in my area in a few years, yet I still remember particular episodes in great detail. I put the show on the level of Columbo, which was another series put together with great care. You can see the same episode several times over, and still not be bored. Also, there are a few episodes you need to see a few times to really get them. This is quality, something Quinn Martin did so well.