Pufnstuf
- 1970
- Tous publics
- 1h 38m
IMDb RATING
6.5/10
1.3K
YOUR RATING
From the Land of the Lost producers comes a family comedy filled with mirth, magic and music about a little boy named Jimmy and his fantastic adventures with the dragon H. R. Pufnstuf.From the Land of the Lost producers comes a family comedy filled with mirth, magic and music about a little boy named Jimmy and his fantastic adventures with the dragon H. R. Pufnstuf.From the Land of the Lost producers comes a family comedy filled with mirth, magic and music about a little boy named Jimmy and his fantastic adventures with the dragon H. R. Pufnstuf.
Cass Elliot
- Witch Hazel
- (as Mama Cass)
Andy Ratoucheff
- Alarm Clock
- (as Andrew Ratoucheff)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I've just recently borrowed my sister's DVD of Pufnstuf. I loved this movie and I am a huge fan of Jack Wild from seeing him in Oliver! and I had never seen Pufnstuf before so I thought that I would borrow her DVD. The first time I watched it I loved it straight away, I love the color, the storyline and the songs. My favorite songs are If I could, A friend in you, Different, Living Island, Pufnstuf and Zap the world. Every time you watch it you'll feel happy. In a wizard of oz like fantasy with similarities and who doesn't love Jack Wild or Pufnstuf? R.I.P Martha Raye and Jack Wild. Living Island IS a most amazing place. "Oh go home and have a nightmare."
Recently, during the 29th Annual Saturn Awards, presented by Cinescape Magazine, television legends Sid and Marty Krofft were presented with the Living Legend Award, for outstanding career achievement. It's not hard to imagine why. Where Walt Disney had Mickey Mouse as his flagship character, where DIC's Jean Chalopin and Andy Heyward had Inspector Gadget as theirs, so too the Kroffts had beloved H.R. Pufnstuf.
Is it any wonder, then, that long before it became fashionable to make major motion pictures from hit TV series, the Kroffts were light years ahead of their time when they turned their flagship property, H.R. Pufnstuf, into a movie, entitling it simply Pufnstuf. And more, this is the only time we discover the backstory that is briefly described in the regular series' opening sequence. H.R. Pufnstuf ran for only 17 episodes on NBC Saturday mornings, yet Universal Pictures saw enormous potential in Puf, Jimmy, Freddie the Flute, and (naturally!) Witchiepoo to put them on the big screen.
For some weird reason, Pufnstuf the movie is presented largely from Witchiepoo's perspective. Indeed, she it is who opens and closes the film, kicking things off by appearing before us while the screen remains in darkness. She describes all that we're about to witness as a tale of goody-two-shoes "and what they did to poor, sweet, adorable me," according to her. No wonder Billie Hayes remains deeply touched when she recalls how many children flocked as much to her as Witchiepoo as they did to Pufnstuf himself.
I don't have much to say regarding the plot of the film; what I can tell you is, just see this film for yourselves. Bringing Mama Cass Elliott, Martha Raye and the Krofft world together in the same movie was a feat unheard of, even for its time --- 1970. Then again, Krofft was always somehow psychedelic. It still is today. Rock on, Pufnstuf! Rock on, Witchiepoo!
Is it any wonder, then, that long before it became fashionable to make major motion pictures from hit TV series, the Kroffts were light years ahead of their time when they turned their flagship property, H.R. Pufnstuf, into a movie, entitling it simply Pufnstuf. And more, this is the only time we discover the backstory that is briefly described in the regular series' opening sequence. H.R. Pufnstuf ran for only 17 episodes on NBC Saturday mornings, yet Universal Pictures saw enormous potential in Puf, Jimmy, Freddie the Flute, and (naturally!) Witchiepoo to put them on the big screen.
For some weird reason, Pufnstuf the movie is presented largely from Witchiepoo's perspective. Indeed, she it is who opens and closes the film, kicking things off by appearing before us while the screen remains in darkness. She describes all that we're about to witness as a tale of goody-two-shoes "and what they did to poor, sweet, adorable me," according to her. No wonder Billie Hayes remains deeply touched when she recalls how many children flocked as much to her as Witchiepoo as they did to Pufnstuf himself.
I don't have much to say regarding the plot of the film; what I can tell you is, just see this film for yourselves. Bringing Mama Cass Elliott, Martha Raye and the Krofft world together in the same movie was a feat unheard of, even for its time --- 1970. Then again, Krofft was always somehow psychedelic. It still is today. Rock on, Pufnstuf! Rock on, Witchiepoo!
Pufnstuf is the story of the rivalry between an insecure witch and a lonely Dickensian teen pin up model over a talking flute in a land of goofy puppet people. If that sounds crazy it's because it kind of is.
Jimmy is an English transplant in America having difficulty adjusting. One day, after getting kicked out of band practice, his flute magically comes to life and promises to be his new best friend. They sing a song about it and, surprisingly, the song is pretty good. Jimmy then comes across an odd boat which he decides to jump into. Unfortunately, the boat is cursed or something and he is beset upon by a witch on a gigantic broom who wants the flute in order to impress her witch friends because she's kind of unpopular.
Jimmy escapes only to find himself on a magic island where all sorts of strange puppet things live in a world of brightly colored hand-drawn sets. This includes a silly looking dragon lizard character who also happens to be the mayor and sounds like Gomer Pyle. In fact, most of the puppet characters act like bland impressions of vaudeville comedians. Witchiepoo and Jimmy are the only two humans despite the fact that they are themselves modeled on famous fictional characters.
It turns into a literal popularity contest when the witches convention comes to town. Jimmy tries to rescue his friend using his usual strategy from the television series, dressing up in silly costumes and trying to trick witchiepoo, which seems to work less than half the time.
The goofy, children's show plot hides a fundamental message about friendship and the two human characters are misfits who really only want to be accepted. Jack Wilde is charming as Jimmy. He has an off-beat charm and seems disarmingly earnest but he's rarely given much to do.
The character of Witchiepoo, played by Billie Hayes, is such a lively and fully realized character that she stand apart from her surroundings. In a world that's bland and boring she parades around screeching and cackling. It's such a bravura performance from Hayes that she fills the screen with her presence. She combines a larger-than-life musical theater style character with expressive mime and slapstick. There's really no moment she's on screen she's not full of energy.
The counterpoint is the citizens of Living Island are silly animals with voices of old comedians doing terrible, corny jokes all day is so striking. You really feel her frustration being trapped in a land of dum dums without anybody to really connect with. In contrast, Jimmy is good-natured and has a positive attitude. He's willing to look past how boring the relentless cheerfulness of Pufnstuf and his neighbors are so he can enjoy himself in a world where everyone likes him. It's like there's a sort of sibling rivalry between the two as they fight over friends. Jimmy is sincere and easygoing while Witchiepoo is manipulative and bossy. Really Witchiepoo is trying to make friends but she feels different from other people and she rejects them before they can reject her. She does steal and hit people and call them names so that doesn't help either.
The sets are fantastic and give the film a distinct psychedelic tone. The songs are hummable and the score is surprisingly memorable. During the witch convention there are some really great visuals, costumes and bits of humor that show them really making the best of a lower budget.
It's amazing this was made within the same year as the show aired. I was never really familiar with the series before seeing this movie and was genuinely surprised by how good it was. You certainly don't need to have watched the show though and I'd recommend the movie first anyway.This movie is the show's victory lap and and captures the spirit of the show nicely.
Jimmy is an English transplant in America having difficulty adjusting. One day, after getting kicked out of band practice, his flute magically comes to life and promises to be his new best friend. They sing a song about it and, surprisingly, the song is pretty good. Jimmy then comes across an odd boat which he decides to jump into. Unfortunately, the boat is cursed or something and he is beset upon by a witch on a gigantic broom who wants the flute in order to impress her witch friends because she's kind of unpopular.
Jimmy escapes only to find himself on a magic island where all sorts of strange puppet things live in a world of brightly colored hand-drawn sets. This includes a silly looking dragon lizard character who also happens to be the mayor and sounds like Gomer Pyle. In fact, most of the puppet characters act like bland impressions of vaudeville comedians. Witchiepoo and Jimmy are the only two humans despite the fact that they are themselves modeled on famous fictional characters.
It turns into a literal popularity contest when the witches convention comes to town. Jimmy tries to rescue his friend using his usual strategy from the television series, dressing up in silly costumes and trying to trick witchiepoo, which seems to work less than half the time.
The goofy, children's show plot hides a fundamental message about friendship and the two human characters are misfits who really only want to be accepted. Jack Wilde is charming as Jimmy. He has an off-beat charm and seems disarmingly earnest but he's rarely given much to do.
The character of Witchiepoo, played by Billie Hayes, is such a lively and fully realized character that she stand apart from her surroundings. In a world that's bland and boring she parades around screeching and cackling. It's such a bravura performance from Hayes that she fills the screen with her presence. She combines a larger-than-life musical theater style character with expressive mime and slapstick. There's really no moment she's on screen she's not full of energy.
The counterpoint is the citizens of Living Island are silly animals with voices of old comedians doing terrible, corny jokes all day is so striking. You really feel her frustration being trapped in a land of dum dums without anybody to really connect with. In contrast, Jimmy is good-natured and has a positive attitude. He's willing to look past how boring the relentless cheerfulness of Pufnstuf and his neighbors are so he can enjoy himself in a world where everyone likes him. It's like there's a sort of sibling rivalry between the two as they fight over friends. Jimmy is sincere and easygoing while Witchiepoo is manipulative and bossy. Really Witchiepoo is trying to make friends but she feels different from other people and she rejects them before they can reject her. She does steal and hit people and call them names so that doesn't help either.
The sets are fantastic and give the film a distinct psychedelic tone. The songs are hummable and the score is surprisingly memorable. During the witch convention there are some really great visuals, costumes and bits of humor that show them really making the best of a lower budget.
It's amazing this was made within the same year as the show aired. I was never really familiar with the series before seeing this movie and was genuinely surprised by how good it was. You certainly don't need to have watched the show though and I'd recommend the movie first anyway.This movie is the show's victory lap and and captures the spirit of the show nicely.
I'm always amazed at the following certain films I thought of as totally obscure actually have.
This is one of the funniest films I've ever seen. Admittedly the humor is of its time and really stoned out, but it works straight too, the best of both worlds.
I would also like to point out the great songs and musical score by Charles Fox.
One of the songs, "If I Could," sung by Jack Wild, is really touching and poignant, and Mama Cass's "Different" is a great 60s up-tune with a timeless message.
Charles Fox had scored another great trip movie, BARBARELLA, about this time, and this score is like Barbarella meets Witchie-Poo.
The score, originally on Capitol Records, belongs on CD, and the film itself should have a deluxe release on DVD.
This is one of the funniest films I've ever seen. Admittedly the humor is of its time and really stoned out, but it works straight too, the best of both worlds.
I would also like to point out the great songs and musical score by Charles Fox.
One of the songs, "If I Could," sung by Jack Wild, is really touching and poignant, and Mama Cass's "Different" is a great 60s up-tune with a timeless message.
Charles Fox had scored another great trip movie, BARBARELLA, about this time, and this score is like Barbarella meets Witchie-Poo.
The score, originally on Capitol Records, belongs on CD, and the film itself should have a deluxe release on DVD.
I used to watch Pufnstuf every weekend when I was about 10. It was on right after Bay City Rollers. I saw it come on to Family Channel one day, and taped it for my then three-year old daughter. I'd forgotten all the things I'd loved as a child, the magic flute, the zoom broom, Witcheepoo's makeup.
This show is decidedly low tech. The mayor is surely a precedent to Mayor McCheese, and everyone is a stuffed creature with annoying googly eyes. But kids love this stuff. They would way, way rather watch a guy work a sock puppet than sit in front of high-tech computer animation. There is (mild) slapstick, but no adult themes such as sex or people dying, and kids accept Jimmy's schemes. Kids think it would be neat to carry a bag of smoke around and convince someone their house was on fire, and I loved how every time my daughter saw a jet stream in the sky she thought Witchypoo was flying overhead. The music is old, but you really get used to it, and my daughter really loved it. She used to sing "different is hard, different is lonely" in the car. My daughter watched this show at least once a day for about 5 months, and it's still one of her favourites.
I see that a new Pufnstuf 2000 is in the works. I really hope they try to keep the old flavour and don't do anything like computer-animating characters etc. I think a whole new generation would love Pufnstuf.
This show is decidedly low tech. The mayor is surely a precedent to Mayor McCheese, and everyone is a stuffed creature with annoying googly eyes. But kids love this stuff. They would way, way rather watch a guy work a sock puppet than sit in front of high-tech computer animation. There is (mild) slapstick, but no adult themes such as sex or people dying, and kids accept Jimmy's schemes. Kids think it would be neat to carry a bag of smoke around and convince someone their house was on fire, and I loved how every time my daughter saw a jet stream in the sky she thought Witchypoo was flying overhead. The music is old, but you really get used to it, and my daughter really loved it. She used to sing "different is hard, different is lonely" in the car. My daughter watched this show at least once a day for about 5 months, and it's still one of her favourites.
I see that a new Pufnstuf 2000 is in the works. I really hope they try to keep the old flavour and don't do anything like computer-animating characters etc. I think a whole new generation would love Pufnstuf.
Did you know
- TriviaJack Wild did not like the songs for the film, especially "If I Could." He said he had a sore throat on the day he recorded it. He referred to Martha Raye as "a right old cow."
- GoofsWrong way wind reveals that the boat is being towed when it takes Jimmy to Living Island. It moves forward against the wind, which wraps the sails onto the mast and rigging, both before and after Witchiepoo transforms it to evil.
- Quotes
Googy Gopher: Hey, bub, is this the witch's castle?
Pillar in Dungeon: It ain't Disneyland.
- Alternate versionsFour seconds of footage was shaved off when the movie was first issued on DVD in 2009. Notable differences: Immediately following "Living Island" is an exterior shot of Witchiepoo's castle. Following the title song, Shirley Pufnstuf exclaims, "That's my brother!" As Jimmy and Freddie abandon the community, Jimmy turns back, waves at the cave, and Freddie says, "Bye, Pufnstuf." The Witches laugh after the convention officially commences, so Boss Witch says, "Aw, shut up!" After Witchiepoo says, "Come back, Boss Witch, come back," she cries, "Anybody!"
- ConnectionsFeatured in Mondays with Marty Krofft: H. R. Pufnstuf's 52nd Birthday (2021)
- SoundtracksIf I Could
(uncredited)
Music by Charles Fox
Lyrics by Norman Gimbel
Sung and later reprised by Jack Wild
- How long is Pufnstuf?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- La Isla de las Maravillas
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $296,700
- Runtime
- 1h 38m(98 min)
- Aspect ratio
- 1.85 : 1
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