Rebel

I recall the filming of this film in my upstate NY town of Livingston Manor in 1972. So the making date is inaccurate. The scene of them driving up to the country is on Route 17 which is now Interstate 86 at the exit near Parksville,NY. The old boarding house is actually a bed and breakfast now and they make no claims to this pretty awful film. It was definitely a period piece and fun to see how Sly started in this industry. He was a looker even then before all the excesses. Does anyone else remember this film from the Catskills of Sullivan County? The Bed and Breakfast is located on Debruce Road in Livingston Manor and is known as the Debruce Inn. It has been restored but still the structure looks like it did in the film. As I watched this film I realized how much of our area in the country is timeless and other than trees being bigger the road is unchanged. I still would like to know how many people actually paid to see this one?

REBEL" (aka "NO PLACE TO HIDE") is mostly like an independent film that when it came out had little to no interest, but as decades passed it somewhat caught the eye of a ''few'' for the casting of its upcoming star. Still I wouldn't bother with it, unless you're a fan of Sylvester Stallone and want to see everything he's done. Outside of that, there's not much to recommend. The story follows a college dropout Jerry Savage, turned homegrown terrorist involved in an underground movement wanting to take down the corporate war machine while the FBI closes in.

This clunky low-budgeter is very much a product of its era. The movement of the late 1960s shines through and the backdrop of New York City is authentically brought across. Be it through stock footage, or gritty location shooting with its documentary-like style. Being made during the Vietnam era the political tailoring is at the forefront, yet the narrative is pretty long on its build-up consisting of numerous exchanges (capitalism, propaganda, spiritualism & etc) and tactical scheming of what needs to be done for this group to get their point across. Also the FBI is in the same boat in trying to weed out these organized bombers. Editing between scenes can be ragged and the script is more talk and ideas, than anything of action. So tension, or its attempts of it stems mainly from the character interactions. In spite of one or two minor visual moments towards the end. Even so there's a lot of sitting around and trivial waxing, causing it drag at times. Strangely though, the presence of Stallone keeps you watching. It's a raw, yet affecting performance of confliction that you can see why he went onto bigger, better things.

An incredibly sexy handsome young Sly thrown in the political turmoil of the ending sixties, the Vietnam war protests, the anti multi national firms activism. A must see, Stallone on screen from the first to the last second of the movie embodies the disarray of an entire generation, which at some point contemplated terrorism against its own institutions public or private. Sly's performance is brilliant conveying the confusion of the times, as in the wake of 1969 America was on the verge of civil war. Beautiful soundtrack of protest songs. Classic direction by Robert Schnitzer. Look for the fully remastered version of 2006.

Plot In A Paragraph: A young Sly Stallone plays a sixties radical who must choose between his love for a beautiful country girl and his loyalties to a terrorist group planning to bomb a Manhattan skyscraper.

This movie had all unknown actors, including a then unknown Sly, he looks really youthful and for me his performance shows early promise.

It starts with Sly hitchiking, stopping to feed a horse, before finally getting a lift to New York. Real life war footage is mixed with a guy singing a protest song " what are we fighting for". A random conversation about hamburger sales that wouldn't look out of place in a Tarantino movie later, Sly meets a guy in the street, it's revealed "everything is in place", and that Sly used to have a beard ("a lot happens in a year") as a movie It's OK. not great quality on my DVD, and the audio is out in places, which is annoying.

It's a bit slow, (I was tempted to turn it off after 20 minutes to do some ironing) despite a short running time it really feels like much, much longer. But it does have a plot, and takes the time to build the tension. With some reworking and a decent soundtrack, this could be a decent 70's thriller, but as it is, it's very cheap and only my devotion to Sly got me all the way through it...wonder if he could actually watch this movie now a days.

However Sly's performance is brilliant at conveying the confusion of the times. The end is a very emotional one for Sly as he's seen stumbling through fields, It also has a beautiful soundtrack (not counting the 70's horror music) with some good songs.

I can see why some people may not get all the way through this movie, I would like to know how many people actually paid to see this one when it was first released.

First of all, when i saw it listed in the TV guide, the year was listed as 1973. But the movie was re-released in 1980, with some extra footage added. However, the extra footage mostly covers the FBI office scenes. This movie had all unknown actors, including an unknown Sylvester Stallone. Sly looked so youthful and handsome. The film was based on a true story about 1960s radical, Jerry Savage, who infiltrates a terrorist group who plan on blowing up a building in New York. He also falls for a beautiful country girl, who's opposed to his association with the group. It would've been nice for Sly to be the first unknown actor to be nominated for an Oscar for this film. The end is a very emotional one for Sly as he's seen stumbling through fields.