Les Maîtresses de Dracula

I'm not a big fan of this type of films, but this movie stands out for its good production.

Hammer films have made numerous Dracula based films to a point where seeing yet another Dracula themed movie is a torture. But if there's a movie that's worth seeing amongst all of its mediocre Dracula movies, this one is it. Peter Cusing, and Yvonne Monlaur are superb in this movie as are some of the other casts. The atmosphere is stuffy as usual, and there's not a moment to lighten up, but if there's an element that adds color to this movie is that all the women at the girls school are eye candies. A rare situation in a movie of this sorts, and amongst all the ugliness, makes the movie tolerable to watch.

No masterpiece by any means, but if you're looking for a classic horror movies, this movie is one worth watching.

This lush, hypnotic horror extravaganza from Hammer Studios improves steadily with age. The magnificent color design, the sets and the all-out performances of the superb cast makes this a classic right along with "Bride of Frankenstein." Each scene is filmed like a work of art, with purple and azure lighting in the backgrounds, marvelous set pieces and a knockout finale. One cannot say enough about the extraordinary cast. Two Shakespearian pros, Martita Hunt (the wizened Baroness Meinster) and her crazed maid, Freda Jackson (Greta)knock everyone else off the screen. Both also performed in the classic, "Great Expectations" and Martita had a stellar career in films. David Peele is stunning as the vampire. Beautiful, evil, arrogant, it's like watching Dorian Gray (which he performed on radio)at his peak. Yvonne Molnaur as the beautiful heroine is perfect. The vampire girls are all superb. I would put this superb classic at the top of any great horror films. You watch it today and see how modern horror films have degenerated. "Brides" was made by masters at their peak. Now, if we can only get this on DVD, maybe as a double feature with "Horror of Dracula." Bravo Martita, Freda and David Peele! If you never did anything else, you did yourself proud with this glimmering jewel of evil,incest and sex.

The film begins by a narrator telling us Dracula is dead..but his disciples live on to spread vampirism. It's all about a beautiful woman named Marianne Danielle (Yvonne Monlaur) going to a woman's academy to teach French. It gets complicated but she ends up spending the night in castle Meinster. She also meets young, handsome Baron Meinster (David Peel) who's chained up in the castle by his mother...because he is a vampire. She doesn't know this and lets him loose. It's a good thing Dr. van Helsing (Peter Cushing) is around!

OK--this isn't perfect. Some of the plotting is clumsy (i.e.--why didn't the Baron just turn into a bat and fly out of his chains?), Manlaur is a TERRIBLE actress and the fake bats are pretty laughable (I saw the strings at one point!). Still this is just great. It moves quickly and has some great performances by Cushing (of course), Feda Jackson (as Greta--tearing the scenery) and a GREAT performance by Peel. He's sexy, handsome and scary as hell as the vampire. Hard to believe he was FORTY when he did this! Also I'm lucky enough to have a copy of the pristine print they released on laser disc and VHS in the early 1990s. The color is incredible and the picture and sound are crystal clear.

I'm giving it an 8--I WANT to give it a 10 but Monlaur and some clumsy plotting (what happens to the two female vampires at the end?) really work against it. Still--a must-see!

As in the tradition of the B western Dracula makes no appearance in this Hammer horror film The Brides Of Dracula. But there are brides aplenty for the Count Meinster and there's also Dr. Van Helsing making house calls as it were.

Peter Cushing is the intrepid vampire hunter who knows well that Dracula is not the only undead creature out there. The Count Meinster has been terrorizing the population of his area of Germany for some time now and he's collected a bevy of beauties to do his bidding.

The Dowager Countess Meinster is played by Martita Hunt and for her kid's own good she has him chained up. Never mind that though, a passing woman takes pity and frees him. That brings in Van Helsing.

Cushing is always good and David Peel is the matinée idol vampire who was a trendsetter without knowing it. It would be another thirty years before Frank Langella, Tom Cruise and folks like that would start playing undead creatures let alone the whole Twilight Saga.

You'll have a few frights before this one is over.

An excellent slice of early Hammer, showcasing all of the Gothic atmosphere we have come to expect from the company. THE BRIDES OF Dracula has a fast pace, which is somewhat unusual compared to other films of the time, but it keeps the action moving along nicely and the tension never lets up for a second. The sets for this film are excellent and the camera-work also impressive. It is an injustice to merely say that the film looks nice; it is in fact beautiful. If one film were needed to showcase Hammer horror at it's finest, then this would be it.

Peter Cushing is once again superb in his role as the stern Doctor Van Helsing, courageous and brave, battling the vampires at every turn. Yvonne Monlaur is also very pretty in her role as the heroine, and is not the screaming girl we are used to seeing in some other Hammer films. She is more than adequate and quite memorable too. David Peel looks suitably handsome as the Baron, and there is something strange about him which makes him a very good vampire.

There are a number of substantial supporting actors and actresses, such as Martita Hunt, a suitably fearsome old woman, and Freda Jackson who gives a performance which recalls Dwight Frye in some aspects (the manic laughter being one). Miles Malleson turns up as comic relief yet again after his role in Hammer's original Dracula, and it is always a pleasure to see Michael Ripper in a role, however small.

With excellent production values, an appropriately powerful score, and some very memorable scenes, as well as a brilliant ending (truly ingenious), this film is a good, well-rounded slice of Gothic dread from Hammer. There are even some Freudian elements added into the brew. The only criticism would be that the plot is rather shallow and simple, but that doesn't detract from the film at all. A worthy sequel in every sense of the word.