PrincessAnanka

If you're looking for Steve Reeves to unveil that magnificent torso of his in this movie, then skip it. He's clad from head to toe throughout a decent adventure film that could have starred any number of action stars. Reeves trademark: his phenomenal body remains hidden throughout. Even in the scenes where other men are barechested, Reeves coyly keeps his shirt on. This is akin to movie producers putting Marilyn Monroe in potato sacks to prove her dramatic talents. I loved the earlier Reeves movies, especially his masterpiece, "Giant of Marathon" because it was like studying a marvel of nature: a phenomenal physique with charisma to spare. Perhaps Reeves thought it a good idea to downplay his body to show the world that he could act. In any case, this isn't a typical Reeves movie. In fact, it seems that the more movies he made over the years, the more he tried to hide his torso by cloaking it in capes and tunics and cloaks. So enjoy "Hercules," "Hercules Unbound" and "Giant of Marathon" while you can because his body-beautiful movies began wounding down soon after.

Forget the papier mache monsters and the terrible costumes of the cast. Feast your eyes on Mae West's favorite muscle hunk--Reg Lewis--in his only foray into the explosion of muscle men movies made in Italy during the early 60s. Lewis had a glorious, muscled body that was full and sensuous. Beautifully portioned, there was nothing lean or overly chiseled on this Adonis. With his hair bleached blonde, this enhanced his sexy personae and his mouth was both cynical and humorous. I loved the brief, hip-baring loincloth he wore since nearly all the musclemen from that area kept their loin clothes securely wrapped around their waists. Lewis exuded a raw masculinity, especially when he's with his heroine, who wastes no time climbing into those brawney arms for a deep kiss. No wonder Mae West was nuts about him. My only complaint is there's not enough of Lewis since so much of the film is devoted between the battles of two warring tribes, neither of whom boasts any hot looking hunks. In fact, I think they were chosen for their flat chested looks so that Lewis would appear heroic in comparison and that he does in spades. Perhaps Lewis was dismayed by the very low budget of this movie and the rubber hydra they devised for his mighty battle underwater. We can only wish Italian producers had found something worthy to showcase his sexy torso like they did with Steve Reeves in "Giant of Marathon" in which he appears nearly naked in most of this vastly entertaining swords and sandals epic.

Mark Forest, aka Lou Degni from the Bronx, made his movie debut in this colorful swords and sandals saga and became an overnight sensation. No one had ever seen muscles that big--or beautiful--with a body and a sensually beautiful face to go along with it. No, not even Steve Reeves could match Forest in this department. His torso is incredible. With the biggest pectorals and lats in the business and a justly famed ridged stomach. Although born in the Bronx, he became the most sought after physique model of the 50s and later won Mr. America and Mr. Universe. Everyone agreed it wasn't just his stupendous physique that made him a sensation. He had a smile and charisma to burn. This is captured in this film and he went on to make a string of highly successful muscle men features, the best of them, "Kindar the Invulnerable" and "Hercules versus the Mongols" and "Hercules versus the Barbarians." Forest left Italy at the peak of his career to return to America to study opera and performed all over Europe. Today, he still teaches voice and sings and works--surprise--as a personal trainer to a handful of lucky stars in Los Angeles.. Reeves may have been the king of Italy's muscle movies during the 60s but his prince was Mark Forest--perhaps the biggest and most fabulous of them all.