John Paul Jones, maître des mers

I enjoyed the movie despite its historical inaccuracies, and okay action but that is what I expect and enjoy in old Hollywood movies especially when they were made in color. This movie caught my eye when I saw that it was a Robert Stack movie. Always an imposing figure. And then the added benefit of seeing the lovely Marisa Paven in color! She was Italian, so I must say, Che Bella Donna! Molto bene per me a guadarla a lei. (That is if my Italian is any good?!?). So, while my wife found it boring and quickly gave up on it, I found its slow pace with vivid color a welcome.

Just a question; where was JPJ filmed? (I'm looking for ALL locations)and does the movie archive keep a list of unnamed and uncredited extras who appeared (in the backdrop) of the film? My folks have had a replica of the Declaration of Independence in our living room that they say was a souvenir given to people (i.e. my uncle) who were hired by the producers as extras. He said that he was a signer of the document. He and my aunt also kept a copy in their house. It's been awhile since I've seen the movie, but I will look more closely next time to see if I recognize him. My uncle wasn't an actor, but a military man (retired, I think, by that time). He had to have been in the right place at the right time to be chosen as an extra. I'd love to have more info. Jeff

I was delighted to see this film as I am a voracious consumer of anything about the American Revolution. Aside from any possible historical flaws mentioned by others I found some of the directing touches quite interesting. Most novel was the way George Washington was portrayed when Jones went to visit him at Valley Forge. He was filmed only from the back as would be seen by some observer (e.g. news reporter ) in the room. The effect was quite powerful. It saved us worrying about things like if the actor playing Washington looked enough like him etc. and simply gave us a ghostly impression of the Washington we read about in the history books - namely, a giant of a man both physically and morally and probably the greatest man in history. It occurred to me that Director John Farrow was portraying not the man but rather alluding to the LEGEND on screen. If that was the aim he certainly succeeded.

The 'living presence' of the legend was enhanced by the fact that the image spoke in that arcane English of the time.

The net result was that a huge cinematic impression was provided of a very great man. Nice directing twist innovation !

Not entirely accurate but at times rousing nautical adventure purporting to tell the story of the early American naval hero.

Stack is okay in the lead but some of his early career zest would have benefited the character. What we get instead is a rigid and mostly humorless stick figure in the lead. Some reverence for Jones is that man's due but a bit more animation in Stack's performance would have made him more accessible.

What helps deflect from his wooden performance is an incredibly colorful and sumptuous production with several maritime battles thrown in for good measure that's a treat to the eyes. Aside from that there are some very well cast performers in key roles. MacDonald Carey makes a fine Patrick Henry and Bette Davis, dolled up in a sky high wig, ermine and pearls, has a lot of fun in her tiny cameo as Catherine the Great. The real standout though is Charles Coburn as Benjamin Franklin. So right is he for the role, not just in appearance but getting the balance of the pattern of Franklin's personality right, a mix of seriousness and the twinkle in his eye and sense of fun that old Ben was renown for that it makes you regret that he never had a chance to more fully portray Franklin in a biography.

As a true document of John Paul Jones life it may miss the mark but it's still a decent entertainment.

JOHN PAUL JONES is certainly a colorful film to look at, but the script is rather stately and dull when it should be tense and exciting and a lot of this may be due to the casting of ROBERT STACK in the title role. He cuts a handsome figure in his period costumes and is certainly a man who can speak forcefully on occasion, but he tends to wear the same solemn expression throughout. His outbursts of anger are sometimes hard to comprehend but he does get things done and everyone seems to bend to his will no matter what the circumstances are--that's the kind of hero he's depicted as being.

It's a handsome looking film with a capable cast including CHARLES COBURN as Benjamin Franklin and MARISA PAVAN as Jones' love interest in a rather colorless role. But BETTE DAVIS has fun with her brief scenes and actually brings a lively flavor to the film once she appears as Catherine the Great and falls under the spell of the man with a commanding presence.

It may not be accurate as history, but it's spectacular to watch in some of the lushest Technicolor from the '50s with a nice score by Max Steiner that gives the film a lift when it needs it. Under John Farrow's direction, the film is a bit talky at times but comes to life during the battle scenes. Farrow shares credit for the script with contributions from Ben Hecht and others.