L'Intruse

Bette Davis plays the "femme fatale" as no other actress before or since. Every scene she plays gives us a riveting performance even though at times we may think it a trifle theatrical. In "Dangerous" she plays the role of Joyce Heath, a great actress, yearning for love which is denied to her. Her frantic outbursts make life for those around her difficult to comprehend. Desperate situations require desperate remedies and in a fit of madness Joyce Heath decides to resolve her difficulties in her own dangerous way.

The ending may appear rather glib but the actors themselves give performances not to be missed and Bette Davis is a worthy recipient of an Academy Award.

In Dangerous, Davis plays Joyce Heath, a former stage star who believes she's cursed and has fallen into despair and drunkenness. Don Bellows (Franchot Tone), an architect engaged to Gail Armitage (Margaret Lindsay), finds Joyce destitute and drunken in a dive bar. Struck by her past brilliance, he takes her to his farmhouse to dry out, where she exhibits her fiery, self-destructive nature. Despite her erratic behavior, Don becomes obsessed and vows to revive her career by producing her dream play, But to Die. Don demands that they marry before the play opens, but they cannot because Joyce is already married to someone else, someone Don knows nothing about.

She goes to her estranged husband and begs for her freedom, but Gordon loves her and the big lug refuses to divorce her, ever. In a desperate act to free herself, she crashes Don's car with Gordon inside, proclaiming, "If you're killed, I'll be free... If we both die, good riddance!" The crash leaves her hospitalized and Don financially ruined. Nobody died in her crash, she got none of her wishes, AND she's jinxed another person - Don. How will this work out? Watch and find out.

Dangerous and Of Human Bondage showcased Davis's groundbreaking acting style: a raw, emotionally charged intensity that revolutionized the femme fatale persona. Davis's performance, under Alfred E. Green's direction, is theatrical and mesmerizing, marked by dramatic gestures and rapid emotional shifts. Franchot Tone also shines as her intelligent yet conflicted admirer, making this film a highlight in both their careers.

Bette Davis plays a down and out actress who believes she curses everyone she becomes involved with in "Dangerous," one of Davis' Oscar-winning performances.

It is in this film and the earlier "Of Human Bondage" that the Davis image really solidifies - high energy, strong, smoking, and smokin'. If she seems at times a little over the top, it can be attributed to the acting style of those days, which was a carryover from the stage.

What Davis gives is very much a stage performance - with the invention of talkies, the studios raided the theater for actors who could speak, and Bette Davis was among them. Over the years, with the advent of television, acting has become more intimate, more natural, and Davis' complaint about the newer approach was that it can also be boring. She never was.

Davis costars in this film with Franchot Tone, who plays an architect that brings the Davis character out of the gutter, only to find himself face down in it himself. Smooth and classy, he's the type of leading man that one doesn't see anymore, and he's a good romantic lead for her.

The lovely Margaret Lindsay is Tone's discarded fiancé, and there's a wonderful performance by Alison Skipworth as Tone's housekeeper.

Davis, of course, draws all of the focus, with the fire in her eyes, the bite in her voice, and those flashes of vulnerability. She was always a fascinating screen presence, and she won't disappoint you in "Dangerous." "Dangerous" is a little bit dated, but what isn't, 70 years later.

Bette Davis plays a former actress turned low-life drunk in this highly emotional drama. She is convinced she has a 'jinx' on her because she seems to make bad things happen. A wealthy man recognizes her drunk in a bar and takes her to his country house. Sparks fly. The problem - he's engaged.

Dangerous is a terribly beautiful bittersweet tale and Bette Davis carries it off perfectly. When she is in the scene, your eyes are always on her and nothing else. She is a captivating and riveting actress with pure talent. Her acting style is so easy to like.

The story is incredibly realistic and very thoughtful. The script is very good, every line believable.

Dangerous is a truly good movie with moving, touching and believable performances. Bette Davis shines in her role - one of her earlier dramas. I was surprised and very satisfied with the ending. Wonderful movie.

Unlike some users ,I do not consider "Dangerous" one of Davis's best parts.Her career is so rich that you can name at least twenty movies that are far superior to this old hat melodrama:have you heard about " little foxes" "All about Eve" "Now voyager "whatever happened to Baby Jane" and the unfairly unknown "lo scopone scientifico" which might be the most extraordinary part she ever played.

"Dangerous" casts Davis as an alcoholic has been actress ;Tone wants her redemption ,so he sacrifices everything,money and fiancée to make the dream come true.The story is finally terribly sententious ,in "the magnificent obsession" mold ,but without Stahl's "enough is enough" side,which makes that director's works so priceless.