IMDb RATING
6.0/10
561
YOUR RATING
The film follows an American captain searching for sunken treasure who becomes entangled with criminals and is arrested by the Dutch police.The film follows an American captain searching for sunken treasure who becomes entangled with criminals and is arrested by the Dutch police.The film follows an American captain searching for sunken treasure who becomes entangled with criminals and is arrested by the Dutch police.
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Ted Carroll
- Bar Patron
- (uncredited)
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Featured reviews
This is not exactly an excellent drama but it sure is very entertaining.
It has elements that remind me of Bogart and features a well written plot and believable characters.
I'd happily watch this one every couple of years as, although the plot-line is fairly simple,. it's also quite good.
All in all a very entertaining drama definitely upscale from it's B-movie moniker.
An entertaining movie, not great, but OK. At one point, I felt like the screenplay was written with a cast of Humphrey Bogart, Sidney Greenstreet, and Peter Lorre in mind, but instead, they got Robert Taylor, Eric Pohlmann, and David Kossoff. That point was when the characters Rohner and Dekker were explaining the situation to Nordley. It reminded me of The Maltese Falcon hotel room scene where Greenstreet likes "talking to a man who likes to talk".
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I wasn't expecting anything when I came across this film late one night, but it hooked me from the get-go and I thoroughly enjoyed discovering a new movie that I thought had wit, suspense and intrigue aplenty.
As other positive reviews have noted, it's not a cinematic masterpiece, just a well-written little bit of mystery and adventure-- with quite a good performance from Robert Taylor in a kind of Bogart-esque role as a boat captain based in England whose vessel is chartered by a mysterious man. Before long, our man Nordley (Taylor) has to deal with corpses and plot twists galore, taking him to Holland, where a lot of the film takes place.
The supporting cast includes two beautiful European ladies, Nicole Maurey and Linda Christian, and a fine group of character actors (Donald Wolfit, Eric Pohlmann, David Kossoff, and others).
I really enjoy films like this, set and filmed in European countries, in the 1950s and '60s, that have to do with the still fairly recent World War.
The plot will keep you guessing, and there's drama and a surprising amount of comedy to keep the film entertaining during its roughly 90 minute running time. Richard Thorpe was one of MGM's reliable directors, who had directed Taylor before, and the star seems very comfortable in his role.
I don't know if you'll enjoy it, but I did.
As other positive reviews have noted, it's not a cinematic masterpiece, just a well-written little bit of mystery and adventure-- with quite a good performance from Robert Taylor in a kind of Bogart-esque role as a boat captain based in England whose vessel is chartered by a mysterious man. Before long, our man Nordley (Taylor) has to deal with corpses and plot twists galore, taking him to Holland, where a lot of the film takes place.
The supporting cast includes two beautiful European ladies, Nicole Maurey and Linda Christian, and a fine group of character actors (Donald Wolfit, Eric Pohlmann, David Kossoff, and others).
I really enjoy films like this, set and filmed in European countries, in the 1950s and '60s, that have to do with the still fairly recent World War.
The plot will keep you guessing, and there's drama and a surprising amount of comedy to keep the film entertaining during its roughly 90 minute running time. Richard Thorpe was one of MGM's reliable directors, who had directed Taylor before, and the star seems very comfortable in his role.
I don't know if you'll enjoy it, but I did.
"The House of Seven Hawks" would have been much better had it been produced by Robert Taylor's old employer, MGM.
Instead, the film turned out to be quite a disappointment for Taylor, a man who had been a major star for two decades. I will say this; the opening is quite intriguing. Taylor's character agrees to transport a man from England to the Continent by boat, and does so. After arrival, however, he soon discovers that this simple business deal is quite a bit more complicated than what he expected.
Sadly, the film does not take advantage of this clever opening. From that point on, it is rather routine.
As others have suggested, this ends up being a rather lackluster B effort not close to the level of the films Taylor made for MGM. In that regard, this movie is similar to the 1959 efforts of Alan Ladd, a man whose great success in the 1940s and early 1950s was followed by some very mediocre productions. (In Ladd's case, the actor himself was largely to blame due to very poor judgment regarding choice of film projects.)
My admiration for Robert Taylor has grown over time. He was a better actor than many gave him credit for. (I recommend his performances in "Bataan" and "Johnny Eager.") Sadly, this particular movie, though watchable, did nothing to enhance his reputation.
Instead, the film turned out to be quite a disappointment for Taylor, a man who had been a major star for two decades. I will say this; the opening is quite intriguing. Taylor's character agrees to transport a man from England to the Continent by boat, and does so. After arrival, however, he soon discovers that this simple business deal is quite a bit more complicated than what he expected.
Sadly, the film does not take advantage of this clever opening. From that point on, it is rather routine.
As others have suggested, this ends up being a rather lackluster B effort not close to the level of the films Taylor made for MGM. In that regard, this movie is similar to the 1959 efforts of Alan Ladd, a man whose great success in the 1940s and early 1950s was followed by some very mediocre productions. (In Ladd's case, the actor himself was largely to blame due to very poor judgment regarding choice of film projects.)
My admiration for Robert Taylor has grown over time. He was a better actor than many gave him credit for. (I recommend his performances in "Bataan" and "Johnny Eager.") Sadly, this particular movie, though watchable, did nothing to enhance his reputation.
This is a good 'rainy afternoon film'. It is harmless, entertaining and well made. It was directed by old pro Richard Thorpe. Robert Taylor plays an independent sailboat owner based on the southern coast of England (with the script explaining why he is an American) who 'takes people where they want to go'. One day a mysterious man with a briefcase who calls himself Mr. Anselm books his boat for a coastal tour. After setting out, he says he wants instead to go to a port in the Netherlands. Taylor is not supposed to do foreign trips without permission from his harbour master, but as he is offered a substantial amount of money by the man (whose briefcase is stuffed with cash), he agrees. The man says he is Dutch and hence does not normally get seasick, but on this occasion he says he does not feel well at all, and goes to lie down in his cabin. Later when Taylor takes him a cup of tea, he finds the man lying dead on his bed. We later discover that he has been murdered by someone tampering with his insulin supply before boarding, as he was a diabetic. Taylor uses the little key hanging round the man's neck on a chain to open the briefcase, and takes the cash owing to him, leaving the rest intact and shutting the briefcase. In using the key, he accidentally discovers that the man has taped to his chest, under his shirt, a small envelope containing a little hand-drawn map. He puts it back and goes back on deck, to steer into the Dutch harbour. Before he can get there, however, a pretty girl comes up in a small motorboat saying that she is the dead man's daughter. Taylor breaks the news to her and she says she wants to look at her father, and goes down below. Taylor follows her after a while and finds her ransacking the cabin, looking urgently for something. She has pried open the briefcase and is searching everywhere. She runs away, gets back in her boat and goes back into the harbour. Taylor looks and sees that the map is still taped to the man's chest, and that she has missed it. He takes it and hides it in his private stowaway with his gun. He later discovers that the girl was an impostor and was not the dead man's daughter at all. The intrigue deepens as Taylor is taken into custody by the Dutch police and removed to the Hague, where a senior Dutch police inspector is played by a gruff Donald Wolfit. He informs Taylor that the dead man was really a Mr Sluiter, who was head of the Hague Police Force. He had made a secret trip to England as part of a confidential investigation. The plot thickens and thickens and thickens, with villains turning up, some unctuous and rich, some thuggish. The fake daughter gets murdered, and there is menace all around. David Kossof is particularly brilliant as a supporting actor, playing a character named Willem Dekker. He adds a great deal of liveliness to the film. This is all good fun and well recommended.
Did you know
- TriviaLa maison des sept faucons (1959) was the final film by Robert Taylor under his 25-year contract with MGM, although he returned for one picture, the film Les ranchers du Wyoming (1963).
- GoofsCaptain Rohner says that the Nazis left Holland in late 1945. In fact, Liberation Day (when the Nazis surrendered) for Holland was May 5, 1945.
- ConnectionsReferenced in Svengoolie: The Curse of Frankenstein (2020)
Details
- Release date
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- Also known as
- The House of the Seven Flies
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- See more company credits at IMDbPro
Box office
- Budget
- $535,000 (estimated)
- Runtime
- 1h 32m(92 min)
- Color
- Aspect ratio
- 1.78 : 1
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