Le Mystère de la plage perdue

A simple, clear plot that doesn't interfere with the power of the personal stories within. In its day it would've been shocking for showing the murder, and the discovery of the body. Good acting from a young Montalban.

This is an unusually-well-photographed detective film, starring Ricardo Montalban as a handsome and improbable young Boston detective. It has a first-rate villain, an interesting investigational format, some very good actors in minor parts and very fine B/W production values. The script was by Leonard Spigelglass, Sydney Boehm and Richard Brooks with first-rate direction by John Sturges. Rudolph G. Kopp did the music, Edwin Willis the sets with Ralph S. Hurst, Cedric Gibbons and Gabriel Scognamillo the art direction and John Alton the beautiful cinematography. In the unusually large cast besides Montalban as Pete Morales were Sally Forrest, Marshall Thompson, Elsa Lanchester, Edmon Ryan as the villain, Bruce Bennet as a forensics professor, Betsy Blair, Jan Sterling and many others. The storyline is actually fairly simple. A "B" girl being told to get lost by her rich married boyfriend has to hijack a car driven by a second man to get from Boston to Cape Cod. Months later, she turns up as a skeleton near Cape Cod. Working from clues with a forensics professor, Morales tries to free the innocent motorist she had hijacked from suspicion, prevent another killing and catch the guilty man. This is a very attractive and well-mounted production; Forrest is somewhat wasted as a housewife; but many people, Lanchester and Ryan especially, have small to large telling parts in this very good narrative. Not a great film but far-above-average in every respect.

See it for the Boston locations, for an early gritty performance by Montalban before he became a Latin heartthrob joke, for the intricate plot, vivid characterizations and snappy editing, but see it most of all for the extraordinary cinematography of John Alton. What he does with composition, deep focus and lighting is amazing. That he often does it on locations where he did not have the control of a soundstage is astonishing.

Though the script is B-grade, the terrific cast and cinematography make "Mystery Street" a fun movie to watch. The story lacks depth and substantive twists, and the fractured plot suggests a weak structure. Focus oscillates back and forth among a number of characters. As a result, viewers come away with a sense that the film is an ensemble piece when in fact it isn't.

Jan Sterling is well cast as Vivian, a young, blonde hussy who is in trouble with the wrong people. The great Elsa Lanchester provides grotesque comic relief as the dithering but nervy Mrs. Smerrling, Vivian's smarmy, slithery landlady who's very fond of money. And Ricardo Montalban is surprisingly good as Morales, a novice Boston detective trying to solve a murder. Part of the plot provides a good account of then-current forensic science, as Morales pieces together detailed biological clues.

Gorgeous B&W photography makes this film quite atmospheric. Off-kilter angles in some scenes, shadows, silhouettes, a forced perspective, along with Gothic set decoration render interesting visuals. I especially liked those scenes that contain mostly blackness punctuated with bits of light. The look and feel is very 1940s, with scenes at a seedy rooming house, a tawdry bar called the Grass Skirt, and sleazy music to match.

The main reason I chose to watch this film is because of the mystery genre and the casting of wonderful Elsa Lanchester. The "mystery" was a tad disappointing, but Elsa was sheer delight.

"Mystery Street" contains a story that is acceptable if not first rate. But the cast and B&W noir visuals are terrific, making this an above-average film, one I would recommend.

Accurately described by many as "C.S.I. style noir", the mystery-procedural "Mystery Street" is cracking entertainment for devotees of the noir genre. It's also ahead of its time for its approach to solving a case of murder. It bears some of the trademarks of the genre, such as the extremely moody and effective black & white lighting by John Alton.

Ever charming Ricardo Montalban stars as Boston detective Pete Morales, working an interesting case. A skeleton is found buried under beach sand, and Morales must first find out who the person is. So he calls upon Harvard forensic specialist Dr. McAdoo (Bruce Bennett), who determines that the person was a woman named Vivian Heldon (Jan Sterling), who as we saw from the prologue, met a bad end while desperately trying to get in touch with a particular man.

"Mystery Street" is quotable and enjoyable, and snappily paced. It gets points for its casting of Montalban in the lead role, and he's highly watchable as our hero. It also gives fine showcases to its supporting cast: Bennett, a fun Elsa Lanchester in an amusing turn as an eccentric landlady, Marshall Thompson as an unfortunate sap who falls under suspicion due to his circumstances, Sally Forrest as the saps' agitated wife, Edmon Ryan as an upper class type, and Betsy Blair as an associate of the murder victim. Lanchester ends up walking away with the film.

John Sturges directed, and he's in fine form, working from a script by Sydney Boehm and Richard Brooks. This is the kind of story where savvy viewers pretty much figure it all out early on, and thus wait for our hero to play catch-up. At least, he's a reasonably smart guy, if somewhat stubbornly fixated on his red herring, so one doesn't much mind.

Well made and engrossing for an hour and a half.

Eight out of 10.