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Le Procès de Julie Richards

Original title: One Potato, Two Potato
  • 1964
  • Tous publics
  • 1h 32m
IMDb RATING
7.2/10
990
YOUR RATING
Le Procès de Julie Richards (1964)
Drama

In his wanderlust, Joe Cullen moves from the US to South America to work in a mining camp, he leaving behind his wife Julie and their infant daughter, Ellen Mary. After Joe stops writing and... Read allIn his wanderlust, Joe Cullen moves from the US to South America to work in a mining camp, he leaving behind his wife Julie and their infant daughter, Ellen Mary. After Joe stops writing and sending money, Julie, not expecting Joe ever to return to her in he being dissatisfied wi... Read allIn his wanderlust, Joe Cullen moves from the US to South America to work in a mining camp, he leaving behind his wife Julie and their infant daughter, Ellen Mary. After Joe stops writing and sending money, Julie, not expecting Joe ever to return to her in he being dissatisfied with married life, files for divorce, and moves with Ellen Mary to the town of Howard to sta... Read all

  • Director
    • Larry Peerce
  • Writers
    • Raphael Hayes
    • Orville H. Hampton
  • Stars
    • Barbara Barrie
    • Bernie Hamilton
    • Richard Mulligan
  • See production info at IMDbPro
  • IMDb RATING
    7.2/10
    990
    YOUR RATING
    • Director
      • Larry Peerce
    • Writers
      • Raphael Hayes
      • Orville H. Hampton
    • Stars
      • Barbara Barrie
      • Bernie Hamilton
      • Richard Mulligan
    • 27User reviews
    • 22Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Nominated for 1 Oscar
      • 2 wins & 4 nominations total

    Photos75

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    Top cast21

    Edit
    Barbara Barrie
    Barbara Barrie
    • Julie Cullen Richards
    Bernie Hamilton
    Bernie Hamilton
    • Frank Richards
    Richard Mulligan
    Richard Mulligan
    • Joe Cullen
    Harry Bellaver
    Harry Bellaver
    • Judge Warren Powell
    Martha L. Mericka
    Martha L. Mericka
    • Ellen Mary
    • (as Marti Mericka)
    Robert Earl Jones
    Robert Earl Jones
    • William Richards
    Vinnette Carroll
    • Martha Richards
    • (as Vinette Carroll)
    Anthony Spinelli
    • Johnny Hruska
    • (as Sam Weston)
    Faith Burwell
    • Ann Hruska
    Jack Stamberger
    Jack Stamberger
    • Minister
    Michael Shane
    • Jordan Hollis
    Kenny Bass
    Kenny Bass
    • Orchestra Leader
    • (uncredited)
    Joel Ehrlich
    • Bart
    • (uncredited)
    Dick Flaisman
    • Saxophone Player
    • (uncredited)
    Doris Helsel
    • Minister's Wife
    • (uncredited)
    Paul S. Orgill
    • Lawyer
    • (uncredited)
    Bea Pestotnik
    • Wedding Guest
    • (uncredited)
    John Pestotnik
    • Wedding Guest
    • (uncredited)
    • Director
      • Larry Peerce
    • Writers
      • Raphael Hayes
      • Orville H. Hampton
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews27

    7.2990
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    Featured reviews

    9tonytomato9

    Watch this film all the way through.

    I just finished watching One Potato Two Potato, which TCM aired. The film is terrific, and by today's standards, it still holds up as a film that resonates emotionally and socially. Without saying too much about what happens, I'll just say that I was simply stunned by the film overall. I'm so glad to have seen it. I'm still affected by what I just saw. Anyone who isn't moved by OPTP is surely in need of a heart transplant. This was a great vehicle for actress Barbara Barrie. And the little girl who plays her daughter is top drawer. Such a good movie!
    8ulicknormanowen

    Gone with the dust .

    Three years before "guess who's coming to dine?" , Larry Peerce broached a taboo subject in a more convincing way ,at least in my book : no big star ,no brilliant fiance with a Nobel Prize in sight, no wide screen and no color, a shoestring budget .

    Both heroes,when the movie begins (it's a long flashback) , have begun a fight which is lost in advance;the husband's lawyer , a friend though , reluctantly accepts to defend him. Religion lends a helping hand,in a the shape of a wise minister ,but the others do not (look at the face of the woman who attends the ceremony ;even the husband 's father urges his son to stick to his own kind ;it takes the birth of a baby boy to win him over).

    If the final scene does not make you cry,nothing will.
    9tavm

    One Potato, Two Potato is a compelling drama about the interracial troubles concerning child custody

    Continuing to review African-Americans in film in chronological order for Black History Month, we're once again in 1964 when another independent film is made to address the issues of the day, this time being about controversial interracial marriage and the ramifications of an ex-husband wanting custody of a child because of it. Dark-skinned Frank Richards (Bernie Hamilton) falls for Caucasian Julie Cullen (Barbara Barrie) and her little girl Ellen Mary (Marti Mericka). Though his parents William (Robert Earl Jones) and Martha (Vinnette Carroll) have warned him what to expect, Frank goes through with the plans. Then when Julie's former spouse Joe Cullen (Richard Mulligan) shows up and he finds out what's what, he decides for himself what's best for Ellen Mary despite not having seen her in four years. The final decision is left to Judge Powell (Harry Bellaver). I'll stop there and just say that this is a very compelling drama about a real-life issue at the time. The only flaw I can think of is we're never really shown how much Ellen Mary loves Frank despite her saying so to Joe who first appears bringing a Teddy Bear and playing shoot-'em-up with her despite his being a stranger at the time. Every cast member is excellent and how funny is hearing that familiar voice of James Earl Jones coming from his father, Robert! So on that note, One Potato, Two Potato comes highly recommended. P.S. Among the players from previous movies I so far reviewed for this month: Hamilton from The Jackie Robinson Story and Take a Giant Step, Robert Earl Jones from Lying Lips and Odds Against Tomorrow, and Harry Bellaver from Sidney Poitier's No Way Out. Oh, and Ms. Barrie and Mr. Bellaver are from my birth state of Illinois, Barbara from Chicago and Harry from Hillsboro.
    8planktonrules

    Sad and frustrating to watch--but that WAS the way it was.

    "One Potato, Two Potato" is a very low budget production that made a bit of commotion back when it debuted in 1964. Despite its lowly pedigree (it was filmed in the Cleveland area and the actors were mostly unknowns at the time), the lead actress (Barbara Barrie) received the Best Actress award at Cannes and the film was nominated for an Oscar (Best Writing, Story and Screenplay - Written Directly for the Screen). Sadly today, it's a pretty obscure picture.

    Julie (Barrie) is a divorced mother of a young girl. The father abandoned them years ago and Julie works at the company where Frank (Bernie Hamilton) works. The meet and through the course of spending time together, they find that there is an attraction. Eventually, they decide to get married--even though they realize it might cause a few heads to turn. After all, she is white and he is black. Despite a bumpy start, things work out and the young family prospers and grows. Things look pretty good, right? Well, they do until the child's biological father shows up unexpectedly. Now the man (?) wants his daughter--mostly because his ego cannot stand that his ex- is with a black man.

    This is a well made film but I must warn you that it will rip your heart out. This is NOT a complaint. Heck, back in 'the good old days', it was STILL illegal for blacks and whites to marry in many southern states and in others it was quite possible to lose custody of a child simply because you married someone of another race. Crazy...and pretty stupid. So, it's great that the movie draws attention to it. My only complaint is that the film, while very interesting, is way underplayed--too underplayed. Some more emotion in the acting and relationship between Frank and Julie would have made the movie better overall.
    10crsytt

    Powerful movie

    I saw this movie in the mid-60s in a theater and the last scene was heart-wrenching. I felt like I had been hit by a baseball bat. Several years later I saw the movie on TV and was surprised to find that, as that final scene approached, I could feel the same emotions building. The movie had not lost its effect! I would love to watch this movie again to see if it would have the same impact. It would be interesting if young people today would see the power of this film or if, because "things have changed," the story line would seem outdated. Apparently this film is NOT available on video, unfortunately. I wonder why? Who makes that decision?

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    Drama

    Storyline

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    Did you know

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    • Trivia
      Intermarriage between African-Americans and Caucasians was illegal in 16 states until the US Supreme Court decision Loving v. Virginia was handed down on June 12, 1967. The court unanimously ruled that anti-miscegenation marriage laws were unconstitutional. In his opinion, Chief Justice Earl Warren wrote, "The freedom to marry has long been recognized as one of the vital personal rights essential to the orderly pursuit of happiness by free men. Marriage is one of the 'basic civil rights of man, fundamental to our very existence and survival. To deny this fundamental freedom on so unsupportable a basis as the racial classifications embodied in these statutes, classifications so directly subversive of the principle of equality at the heart of the Fourteenth Amendment, is surely to deprive all the State's citizens of liberty without due process of law. The Fourteenth Amendment requires that the freedom of choice to marry not be restricted by invidious racial discriminations. Under our Constitution, the freedom to marry, or not marry, a person of another race resides with the individual and cannot be infringed by the State." Interestingly, many anti-miscegenation marriage laws were enacted in the wake of African-American heavyweight champion Jack Johnson's marriages to two Caucasian women, as pointed out in Ken Burns' documentary Unforgivable Blackness: The Rise and Fall of Jack Johnson (2004). Johnson married his white mistress Etta Duryea in late 1910 or early 1911, then married another white woman, Lucille Cameron, soon after his first wife's September 1911 suicide. The two marriages outraged white America, and Johnson and Cameron fled America for Canada and then Europe under threat of lynching. Their relationship was fictionalized in the stage play, and subsequent movie, L'Insurgé (1970), for which the Caucasian playwright Howard Sackler won the Pulitzer Prize. The 1913 Massachusetts anti-miscegenation marriage law, which did not recognize any marriage made in a state forbidding the marriage of different classifications of people (the law left unspoken the racial issue of black and white; in Virginia, blacks were allowed to marry other, non-white "races"), was considered inoperative after Loving v. Virginia until in 2005, then-governor Mitt Romney used it as the basis to deny out-of-state couples the right to wed in the Commonwealth of Massachusetts after the Bay State's Supreme Court legalized gay marriage.
    • Quotes

      Jordan Hollis: What do I have to kid you for. I could get a black eye out of a case like this. What the Hell did you have to come to me for? Why do you have to do this to your friend?

    • Connections
      Featured in C'est assez noir pour vous?!? (2022)

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    FAQ15

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    Details

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    • Release date
      • August 28, 1964 (France)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • One Potato, Two Potato
    • Filming locations
      • Painesville, Ohio, USA(".............where this picture was shot in its entirety, our thanks.")
    • Production company
      • Bawalco Picture Company
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $340,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      • 1h 32m(92 min)
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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