You know the Tolstoy quote about all happy families being the same, but “every unhappy family is unhappy in their own way?” The quartet at the center of Steven Soderbergh’s ghost story Presence has refined their own particular brand of dysfunction to perfection. The mom, Rebecca (Lucy Liu), is a first-class control freak, has become involved in some shady financial dealings, and dotes on her teenage son, Tyler (Eddy Maday), in a way that would make Freud’s head explode. He’s a champion swimmer, and she has her...
- 1/22/2025
- by David Fear
- Rollingstone.com
French New Wave fans, rejoice. One of Jean-Luc Godard’s most colorful, joyful, and unapologetically playful masterpieces of the 1960s has received a new 4K restoration. And New Yorkers will have the chance to catch it on the big screen this February.
Godard’s 1961 musical romantic comedy “A Woman Is a Woman” will screen at Film Forum in New York City from February 7-20, which will mark the U.S. premiere of the restoration.
Released in 1961, a year after the Cahiers du Cinema veteran secured himself filmmaking immortality with “Breathless,” “A Woman Is a Woman” was Godard’s tribute to Hollywood’s Technicolor musical comedies. Featuring the bright color scheme that he would return to for films like “Contempt” and “Pierrot Le Fou,” the film stars Godard’s then-wife and frequent collaborator Anna Karina as a dancer who, eager to have a child, entertains the romantic pursuits of two men...
Godard’s 1961 musical romantic comedy “A Woman Is a Woman” will screen at Film Forum in New York City from February 7-20, which will mark the U.S. premiere of the restoration.
Released in 1961, a year after the Cahiers du Cinema veteran secured himself filmmaking immortality with “Breathless,” “A Woman Is a Woman” was Godard’s tribute to Hollywood’s Technicolor musical comedies. Featuring the bright color scheme that he would return to for films like “Contempt” and “Pierrot Le Fou,” the film stars Godard’s then-wife and frequent collaborator Anna Karina as a dancer who, eager to have a child, entertains the romantic pursuits of two men...
- 1/14/2025
- by Christian Zilko
- Indiewire
French production-distribution-sales powerhouse Studiocanal, which holds one of the largest film libraries in the world with some 9,000 titles, has completed its Jean-Pierre Melville collection with the acquisition of his 1950 classic “The Terrible Children” (“Les Enfants Terribles”).
This latest high-profile addition joins the ranks of the studio’s Melville lineup, which includes “Army of Shadows,” “Le Cercle Rouge,” “Bob le Flambeur,” and “Le Doulos.” This acquisition solidifies Studiocanal’s position as a leading player in both the French and international film markets
A subsidiary of the Canal+ Group, Studiocanal’s acquisition policy focuses not just on contemporary film rights, but on the preservation and restoration of cinematic treasures. By securing rights from other studios and investing in the preservation of older titles, the company not only controls distribution and remake rights but also breathes new life into some of cinema’s most revered works.
Ahead of the International Classic Film Market...
This latest high-profile addition joins the ranks of the studio’s Melville lineup, which includes “Army of Shadows,” “Le Cercle Rouge,” “Bob le Flambeur,” and “Le Doulos.” This acquisition solidifies Studiocanal’s position as a leading player in both the French and international film markets
A subsidiary of the Canal+ Group, Studiocanal’s acquisition policy focuses not just on contemporary film rights, but on the preservation and restoration of cinematic treasures. By securing rights from other studios and investing in the preservation of older titles, the company not only controls distribution and remake rights but also breathes new life into some of cinema’s most revered works.
Ahead of the International Classic Film Market...
- 10/18/2024
- by Lise Pedersen
- Variety Film + TV
The National Union of Journalists (Nuj) has condemned an Israeli government spokesman for a BBC interview during which he accused presenter Mishal Husain of warranting being made “pro-Palestinian reporter of the year.”
The at-times almost unlistenable interview this morning was conducted between Today host Husain and David Mencer, who the Nuj said behaved in an “abusive” manner.
Mencer was speaking with Husain following an air strike on a school building in Gaza that was sheltering displaced people, which killed more than 70, according to the director of a nearby hospital. Kamala Harris was amongst those condemning the killings yesterday.
Mencer was forthright with his attitude that the BBC is biased and at times Husain struggled to get a word in edgeways.
The Nuj accused him of double standards. “The hypocrisy of condemning news reports coming from Gaza, including the latest figures of civilians killed, as speculation and baseless propaganda, whilst refusing...
The at-times almost unlistenable interview this morning was conducted between Today host Husain and David Mencer, who the Nuj said behaved in an “abusive” manner.
Mencer was speaking with Husain following an air strike on a school building in Gaza that was sheltering displaced people, which killed more than 70, according to the director of a nearby hospital. Kamala Harris was amongst those condemning the killings yesterday.
Mencer was forthright with his attitude that the BBC is biased and at times Husain struggled to get a word in edgeways.
The Nuj accused him of double standards. “The hypocrisy of condemning news reports coming from Gaza, including the latest figures of civilians killed, as speculation and baseless propaganda, whilst refusing...
- 8/12/2024
- by Max Goldbart
- Deadline Film + TV
A year ago, the Cannes Film Festival presented the world premiere of what was widely taken to be Jean-Luc Godard’s final film. He had died by assisted suicide eight months before, and the 20-minute-long “Trailer of the Film That Will Never Exist: ‘Phony Wars'” felt, by nature, like the aestheticized version of a last will and testament. It was a collage film, and it was (surprise!) oblique, yet it offered tea leaves to read about Godard’s state of mind as he prepared to leave the world.
As it turns out, “Trailer of the Film…” was not Godard’s final work. The 18-minute-long “Scénarios,” also made in a collage style, but simpler and more direct, was unveiled today at Cannes, along with a 34-minute documentary about the making of the short. “Scénarios” has the feel of a minor but purefied late-period work, like a Matisse paper cutout. What’s...
As it turns out, “Trailer of the Film…” was not Godard’s final work. The 18-minute-long “Scénarios,” also made in a collage style, but simpler and more direct, was unveiled today at Cannes, along with a 34-minute documentary about the making of the short. “Scénarios” has the feel of a minor but purefied late-period work, like a Matisse paper cutout. What’s...
- 5/17/2024
- by Owen Gleiberman
- Variety Film + TV
In this year’s Berlinale Shorts, cinema is distilled to its most essential features. Conventional narratives are very much eschewed in favour of complex ideas, bold left turns and bravura filmmaking gestures. This is my fifth time covering the programme for Directors Notes, and once again I am pleased by the aesthetic unity of the offerings as well as their unorthodox filmmaking techniques. You’d be hard-pressed to find another section at the festival with so much diversity. As usual, there may be some films that I found confounding, odd or interminable, but I can’t accuse them of peddling cliché or well-worn narratives. Most notably, while the feature competition at Berlinale contains no animated movies this year, the Shorts has plenty, putting them on an equal footing with their live-action and documentary counterparts. From the unclassifiable to classical filmmaking, strange 3D models to lo-fi romance, here are ten excellent...
- 2/23/2024
- by Redmond Bacon
- Directors Notes
Martin Scorsese Honors Robbie Robertson’s Legacy with Tribute Concert: The Musician ‘Broke Barriers’
Martin Scorsese honored late rocker Robbie Robertson with the tribute concert “Robbie Robertson: A Celebration of His Life and Music,” during which the auteur recalled how Robertson’s scores marked a “turning point” in his career.
The private memorial concert was hosted at Village Studios in Los Angeles, with artists Jackson Browne, Rocco Deluca, Angela McCluskey, Blake Mills Group, and Citizen Cope performing. Robertson, the former The Band guitarist, died at age 80 in August 2023. Scorsese first met Robertson during concert documentary film “The Last Waltz” in 1976; the duo collaborated for decades after, with Robertson serving as the music producer and composer on films like “The King of Comedy,” “Silence,” “The Aviator,” “The Wolf of Wall Street,” and most recently, “Killers of the Flower Moon.”
“We kept working together for the next 45 years,” Scorsese said of Robertson scoring “Raging Bull” and adding another working layer to their friendship. “Forty-five years of...
The private memorial concert was hosted at Village Studios in Los Angeles, with artists Jackson Browne, Rocco Deluca, Angela McCluskey, Blake Mills Group, and Citizen Cope performing. Robertson, the former The Band guitarist, died at age 80 in August 2023. Scorsese first met Robertson during concert documentary film “The Last Waltz” in 1976; the duo collaborated for decades after, with Robertson serving as the music producer and composer on films like “The King of Comedy,” “Silence,” “The Aviator,” “The Wolf of Wall Street,” and most recently, “Killers of the Flower Moon.”
“We kept working together for the next 45 years,” Scorsese said of Robertson scoring “Raging Bull” and adding another working layer to their friendship. “Forty-five years of...
- 11/16/2023
- by Samantha Bergeson
- Indiewire
Fifty years ago to the month, a little-known film director would release a chilling and somewhat hysterical gangster picture called Mean Streets (1973). It would suddenly catapult unknown filmmakers into glamorous superstardom, names which would eventually become synonymous with the gangster film genre itself, names like Harvey Keitel, Robert De Niro, and Martin Scorsese.
The Italian-American director would make a career of collecting Academy Awards, nurturing decades-long collaborations with actors, restoring prints of old movie reels, and even reviving Jesus Christ himself. All the ingredients of an illustrious career can be found within the blueprint of Mean Streets. With his first feature, Who’s That Knocking At My Door? (1967) released after graduating from college, Scorsese was hired to direct Boxcar Bertha (1972) for esteemed movie producer Roger Corman. But neither film would capture the attention of a mainstream audience.
As Will Hersey from Esquire writes, “[John Cassavettes] told him, affectionately, ‘nice work’ but ‘don...
The Italian-American director would make a career of collecting Academy Awards, nurturing decades-long collaborations with actors, restoring prints of old movie reels, and even reviving Jesus Christ himself. All the ingredients of an illustrious career can be found within the blueprint of Mean Streets. With his first feature, Who’s That Knocking At My Door? (1967) released after graduating from college, Scorsese was hired to direct Boxcar Bertha (1972) for esteemed movie producer Roger Corman. But neither film would capture the attention of a mainstream audience.
As Will Hersey from Esquire writes, “[John Cassavettes] told him, affectionately, ‘nice work’ but ‘don...
- 10/25/2023
- by Kevin Kodama
- MovieWeb
Above: first US teaser poster for Poor Things. Design by Vasilis Marmatakis.I don’t know whether it’s because of the power of Yorgos Lanthimos, or the popularity of Emma Stone, or the sheer genius of designer Vasilis Marmatakis, or a combination of all of them, but three out of the four most liked posters on my Movie Poster of the Day Instagram over the past six months have all been posters for Lanthimos’s latest, Poor Things. The teaser above is now the most liked poster ever on my feed.Breaking up the Poor Things monopoly at number two is Polish designer Maks Bereski’s fan-art design for Ridley Scott’s yet-to-be-released Napoleon, which also went through the roof with over 4,000 likes when I posted it in June in conjunction with my article on Bereski and his favorite movie posters. Instagram likes are a fickle thing but it...
- 10/12/2023
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSNext week, we are holding a launch event for Issue 3 of Notebook in London. Join us at the Ica London on September 28 for a screening of a new 4K restoration of Jean-Luc Godard’s Contempt, followed by a conversation between issue contributor Erika Balsom and critic Simran Hans. We are sorry to say that the event is now sold out, but you can still enter our competition to win a pair of tickets. Lee Kang-sheng’s Instagram seems to indicate that he and Tsai Ming-liang shot another installment of their ongoing Walker series in Washington, DC: a few images are posted here.REMEMBERINGPressure.Horace Ové has died aged 86: His debut Pressure (1975) is considered the first full-length feature by a Black British filmmaker; it centers on a Trinidadian teenager living with his family in West London,...
- 9/20/2023
- MUBI
In 2022, Jane Campion made history as the first female director to be nominated for Best Director twice. And then, for “The Power of Dog,” she followed through and won, becoming the third female director to take home the top prize.
The win was a triumphant and long overdue achievement for Campion, who has consistently been one of the best directors actively working since her 1989 feature debut “Sweetie.” The black comedy about a dysfunctional family marked the New Zealand-born director as a great talent immediately, entering the Cannes Film Festival and taking home an Independent Spirit Award for Best Foreign Film shortly afterwards. Just a year later, Campion released her first masterpiece: the Janet Frame biopic, “An Angel at My Table.”
From there, her 1993 feature “The Piano” netted Campion her first Best Director nomination, while efforts like “The Portrait of a Lady,” “Holy Smoke,” “In the Cut,” and “Bright Star” received acclaim.
The win was a triumphant and long overdue achievement for Campion, who has consistently been one of the best directors actively working since her 1989 feature debut “Sweetie.” The black comedy about a dysfunctional family marked the New Zealand-born director as a great talent immediately, entering the Cannes Film Festival and taking home an Independent Spirit Award for Best Foreign Film shortly afterwards. Just a year later, Campion released her first masterpiece: the Janet Frame biopic, “An Angel at My Table.”
From there, her 1993 feature “The Piano” netted Campion her first Best Director nomination, while efforts like “The Portrait of a Lady,” “Holy Smoke,” “In the Cut,” and “Bright Star” received acclaim.
- 8/23/2023
- by Wilson Chapman
- Indiewire
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
The Headless Woman and Sun Ra: A Joyful Noise screen on Friday; prints of Pee-Wee’s Big Adventure, I’m Still Here, Cool Runnings: The Reggae Movie, Girl 6, and Dick Tracy play.
Anthology Film Archives
“Shopping Worlds” is a cinematic exploration of malls, offering the likes of Jackie Brown, Nocturama, and Akerman’s Golden Eighties; works by Michael Snow and von Stroheim play in Essential Cinema.
Museum of Modern Art
“Views from the Vault” closes with films by Sofia Coppola, Jia Zhangke, and more.
Museum of the Moving Image
Malcolm X, Nope, Inception, and 2001 play on 70mm in a new series; Barbershop screens on Saturday.
Film Forum
Contempt and Thelma & Louise continue screening, while the Tarantino-presented Winter Kills play on 35mm.
Bam
A restoration of the recently rediscovered Tokyo Pop continues.
IFC Center
Sucker Punch, Brüno,...
Roxy Cinema
The Headless Woman and Sun Ra: A Joyful Noise screen on Friday; prints of Pee-Wee’s Big Adventure, I’m Still Here, Cool Runnings: The Reggae Movie, Girl 6, and Dick Tracy play.
Anthology Film Archives
“Shopping Worlds” is a cinematic exploration of malls, offering the likes of Jackie Brown, Nocturama, and Akerman’s Golden Eighties; works by Michael Snow and von Stroheim play in Essential Cinema.
Museum of Modern Art
“Views from the Vault” closes with films by Sofia Coppola, Jia Zhangke, and more.
Museum of the Moving Image
Malcolm X, Nope, Inception, and 2001 play on 70mm in a new series; Barbershop screens on Saturday.
Film Forum
Contempt and Thelma & Louise continue screening, while the Tarantino-presented Winter Kills play on 35mm.
Bam
A restoration of the recently rediscovered Tokyo Pop continues.
IFC Center
Sucker Punch, Brüno,...
- 8/11/2023
- by Nick Newman
- The Film Stage
When director Jeff Rowe (co-director of “The Mitchells vs. the Machines”) and producer Seth Rogen (“Sausage Party”) first talked about making their animated “Teenage Mutant Ninja Turtles: Mutant Mayhem” edgier and scarier than the rest of the beloved franchise, they both seized on “Jurassic Park” as a touchstone.
“One of my favorite movies as a kid was ‘Jurassic Park,’ and I saw that when I was seven in a theater because I love dinosaurs,” Rowe told IndieWire. “And the opening of that film is terrifying — it scared the shit out of me. I was crying and immediately wanted to leave the theater, but I stayed through it all. It successfully established the Raptors as one of the coolest villains ever, and it established a world where bad things could happen.
“Seth had a similar experience and he said a great thing: ‘Jurassic Park’ is like a monster movie for kids.
“One of my favorite movies as a kid was ‘Jurassic Park,’ and I saw that when I was seven in a theater because I love dinosaurs,” Rowe told IndieWire. “And the opening of that film is terrifying — it scared the shit out of me. I was crying and immediately wanted to leave the theater, but I stayed through it all. It successfully established the Raptors as one of the coolest villains ever, and it established a world where bad things could happen.
“Seth had a similar experience and he said a great thing: ‘Jurassic Park’ is like a monster movie for kids.
- 8/4/2023
- by Bill Desowitz
- Indiewire
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
The 35mm print of Howard Hawks’ Rio Bravo we presented last weekend has an encore appearance on Saturday afternoon, while prints of two Spielberg sequels (The Lost World and Temple of Doom) play alongside Shadows and Fog, Bloodhounds of Broadway, and My Blueberry Nights.
Anthology Film Archives
“Shopping Worlds” is a cinematic exploration of malls, offering the likes of Jackie Brown, Nocturama, Wiseman’s The Store, Dawn of the Dead, and Akerman’s Golden Eighties.
Museum of the Moving Image
Inception and John Carpenter’s Starman play on 70mm in a new series.
Film Forum
Contempt and Thelma & Louise play in 4K restorations, while the ’50s creature feature Robot Monster play in 3D on Sunday.
Museum of Modern Art
“Views from the Vault” closes with films by Jia Zhangke and more, while “Silent Movie Week” is underway.
Roxy Cinema
The 35mm print of Howard Hawks’ Rio Bravo we presented last weekend has an encore appearance on Saturday afternoon, while prints of two Spielberg sequels (The Lost World and Temple of Doom) play alongside Shadows and Fog, Bloodhounds of Broadway, and My Blueberry Nights.
Anthology Film Archives
“Shopping Worlds” is a cinematic exploration of malls, offering the likes of Jackie Brown, Nocturama, Wiseman’s The Store, Dawn of the Dead, and Akerman’s Golden Eighties.
Museum of the Moving Image
Inception and John Carpenter’s Starman play on 70mm in a new series.
Film Forum
Contempt and Thelma & Louise play in 4K restorations, while the ’50s creature feature Robot Monster play in 3D on Sunday.
Museum of Modern Art
“Views from the Vault” closes with films by Jia Zhangke and more, while “Silent Movie Week” is underway.
- 8/4/2023
- by Nick Newman
- The Film Stage
Return To Dust, an arthouse hit in China last summer before being pulled from release, opens Stateside this weekend with Film Movement presenting on two screens – NYC’s Bam Rose Cinema and the Gene Siskel Film Center in Chicago, expanding to LA and Seattle next Friday.
The distributor acquired the film directed by Li Ruijun after it premiered in Berlin in March, 2022 to glowing reviews, see Deadlines’s here. Hai Quing and Wu Renlin star as a middle-aged couple in a rural province encouraged to marry by their families, who see them as a burden. Love and respect slowly as they scratch out a living of extreme hardship working the land. A 95% with critics on Rotten Tomatoes.
First released last July in China, it played unusually well for an arthouse title there and appeared on streaming platforms in early September before disappearing later that month without explanation.
Regulators don’t...
The distributor acquired the film directed by Li Ruijun after it premiered in Berlin in March, 2022 to glowing reviews, see Deadlines’s here. Hai Quing and Wu Renlin star as a middle-aged couple in a rural province encouraged to marry by their families, who see them as a burden. Love and respect slowly as they scratch out a living of extreme hardship working the land. A 95% with critics on Rotten Tomatoes.
First released last July in China, it played unusually well for an arthouse title there and appeared on streaming platforms in early September before disappearing later that month without explanation.
Regulators don’t...
- 7/21/2023
- by Jill Goldsmith
- Deadline Film + TV
Brigitte Bardot suffered breathing issues Wednesday related to the heat at her home in France, bringing first responders who administered oxygen and stayed to observe the 88-year-old film icon, husband Bernard d’Ormale told Page Six.
“It was around 9 a.m. when Brigitte had trouble breathing,” he told local outlet Var-matin.
Also Read:
Los Angeles’ On-Location TV Production Dropped 36% After WGA Strike, FilmLA Says
“[Her breathing] was stronger than usual but she did not lose consciousness. Let’s call it a moment of respiratory distraction,” he added. “Like all people of a certain age, she can no longer bear the heat. … It happens at 88 years old. She must not make useless efforts.”
Bardot shot to fame in the 50’s and 60’s as an actress, starring in movies like “…And God Created Woman” (1956), “La Vérité” (1960), “Love on a Pillow” (1962) and “Contempt” (1963).
She quit acting in 1973 before she turned 40. Her biography “Being Bardot,” by James Clarke,...
“It was around 9 a.m. when Brigitte had trouble breathing,” he told local outlet Var-matin.
Also Read:
Los Angeles’ On-Location TV Production Dropped 36% After WGA Strike, FilmLA Says
“[Her breathing] was stronger than usual but she did not lose consciousness. Let’s call it a moment of respiratory distraction,” he added. “Like all people of a certain age, she can no longer bear the heat. … It happens at 88 years old. She must not make useless efforts.”
Bardot shot to fame in the 50’s and 60’s as an actress, starring in movies like “…And God Created Woman” (1956), “La Vérité” (1960), “Love on a Pillow” (1962) and “Contempt” (1963).
She quit acting in 1973 before she turned 40. Her biography “Being Bardot,” by James Clarke,...
- 7/19/2023
- by Dessi Gomez
- The Wrap
Iconic French Actress Brigitte Bardot Receives Emergency Care After Suffering Breathing Difficulties
Brigitte Bardot has been dealing with health issues.
According to The Daily Mail, emergency services rushed to the home of the iconic French actress on Wednesday after she began experiencing breathing difficulties.
Read More: Actor And Activist Brigitte Bardot Urges Longueuil Mayor To Stop Deer Cull
Her husband, Bernard d’Ormale, confirmed the news to French outlet Var-Matin, telling them, “It was around 9 a.m. when Brigitte had trouble breathing.”
The incident occurred at their home in Saint-Tropez, though d’Ormale said that the ambulances “got the wrong” address at first, before finally arriving.
“[Her breathing] was stronger than usual but she did not lose consciousness. Let’s call it a moment of respiratory distraction,” he said.
Read More: French Actress Brigitte Bardot Slams #MeToo Movement As ‘Hypocritical’
The emergency services put the 88-year-old actress on oxygen, and according to their husband, they “stayed to watch her” for a while afterward.
“Like all people of a certain age,...
According to The Daily Mail, emergency services rushed to the home of the iconic French actress on Wednesday after she began experiencing breathing difficulties.
Read More: Actor And Activist Brigitte Bardot Urges Longueuil Mayor To Stop Deer Cull
Her husband, Bernard d’Ormale, confirmed the news to French outlet Var-Matin, telling them, “It was around 9 a.m. when Brigitte had trouble breathing.”
The incident occurred at their home in Saint-Tropez, though d’Ormale said that the ambulances “got the wrong” address at first, before finally arriving.
“[Her breathing] was stronger than usual but she did not lose consciousness. Let’s call it a moment of respiratory distraction,” he said.
Read More: French Actress Brigitte Bardot Slams #MeToo Movement As ‘Hypocritical’
The emergency services put the 88-year-old actress on oxygen, and according to their husband, they “stayed to watch her” for a while afterward.
“Like all people of a certain age,...
- 7/19/2023
- by Corey Atad
- ET Canada
Emergency services were called to Brigitte Bardot’s Saint Tropez home on Wednesday after the iconic French actress and animal rights activist suffered breathing difficulties, according to French media reports.
News of her malaise sent French media outlets into overdrive amid fears for the well-being of the 88-year-old actress.
Her husband Bernard d’Ormale was later reported to have told local newspaper Var Martin that his wife’s breathing was back under control and she was feeling better.
“It was around 9 o’clock when Brigitte had trouble breathing. It was stronger that usual but she didn’t lose consciousness… the fireman came and gave her oxygen and then stayed to monitor her,” he said.
He suggested high temperatures in Saint Tropez as Southern Europe suffers a prolonged heatwave had been a contributing factor.
“Like all people of a certain age, she can no longer stand the heat,” he said.
Bardot remains...
News of her malaise sent French media outlets into overdrive amid fears for the well-being of the 88-year-old actress.
Her husband Bernard d’Ormale was later reported to have told local newspaper Var Martin that his wife’s breathing was back under control and she was feeling better.
“It was around 9 o’clock when Brigitte had trouble breathing. It was stronger that usual but she didn’t lose consciousness… the fireman came and gave her oxygen and then stayed to monitor her,” he said.
He suggested high temperatures in Saint Tropez as Southern Europe suffers a prolonged heatwave had been a contributing factor.
“Like all people of a certain age, she can no longer stand the heat,” he said.
Bardot remains...
- 7/19/2023
- by Melanie Goodfellow
- Deadline Film + TV
The following contains spoilers for The Witcher Season 3 Vol. 1, which is now streaming on Netflix.
The Witcher Season 3 Volume 1 has finally been released and fans seem to be cautiously optimistic about the new entry into the franchise. Many of these fans felt burned by the previous season, citing that it took huge divergences away from the beloved source material. Some even speculate that this is a huge reason behind Henry Cavill's departure from The Witcher. Season 3 is much more loyal to the books, but this has left fans wondering is Season 2 even necessary? Many of the elements of the second season are swept aside, and it now feels like a pointless chapter in The Witcher's story.
Season 2 took a huge chance when it chose to move away from the story of the books and create a new villain for that season. Voleth Meir presented as a demon that...
The Witcher Season 3 Volume 1 has finally been released and fans seem to be cautiously optimistic about the new entry into the franchise. Many of these fans felt burned by the previous season, citing that it took huge divergences away from the beloved source material. Some even speculate that this is a huge reason behind Henry Cavill's departure from The Witcher. Season 3 is much more loyal to the books, but this has left fans wondering is Season 2 even necessary? Many of the elements of the second season are swept aside, and it now feels like a pointless chapter in The Witcher's story.
Season 2 took a huge chance when it chose to move away from the story of the books and create a new villain for that season. Voleth Meir presented as a demon that...
- 7/12/2023
- by Jamie Parker
- Comic Book Resources
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
Godard’s Contempt and Midnight Cowboy play in 4K restorations.
Museum of the Moving Image
E.T., Roger Rabbit, and An American Werewolf in London play on 35mm in a summer movie series, while a print of The Royal Tenenbaums screens on Sunday; The Beast from 20,000 Fathoms also shows.
Bam
A series of recent restorations brings films by Claire Denis, Orson Welles, Hou Hsiao-hsien, and the Three Colors trilogy.
Film at Lincoln Center
The Mother and the Whore begins a run in its 4K restoration; Friday plays for free (when else) Friday night in Damrosch Park.
Museum of Modern Art
Prints from the 20th Century Fox vault begin playing in a new series.
Roxy Cinema
35mm prints of Manhattan, A Dirty Shame, Uncle Sam, and The Rocky Horror Picture Show screen, while Fassbeinder’s Whity also plays.
IFC...
Film Forum
Godard’s Contempt and Midnight Cowboy play in 4K restorations.
Museum of the Moving Image
E.T., Roger Rabbit, and An American Werewolf in London play on 35mm in a summer movie series, while a print of The Royal Tenenbaums screens on Sunday; The Beast from 20,000 Fathoms also shows.
Bam
A series of recent restorations brings films by Claire Denis, Orson Welles, Hou Hsiao-hsien, and the Three Colors trilogy.
Film at Lincoln Center
The Mother and the Whore begins a run in its 4K restoration; Friday plays for free (when else) Friday night in Damrosch Park.
Museum of Modern Art
Prints from the 20th Century Fox vault begin playing in a new series.
Roxy Cinema
35mm prints of Manhattan, A Dirty Shame, Uncle Sam, and The Rocky Horror Picture Show screen, while Fassbeinder’s Whity also plays.
IFC...
- 6/30/2023
- by Nick Newman
- The Film Stage
‘Across The Spider-Verse’ made nearly seven times that of its predecessor on its opening weekend.
Rank Film (distributor) Three-day gross (May 19-21) Total gross to date Week 1. Spider-Man: Across The Spiderverse (Sony) £8.3m £9.2m 1 2. The Little Mermaid (Disney) £4.2m £16.2m 2 3. Fast X (Universal) £1.1m £13.3m 3 4. Guardians Of The Galaxy Vol. 3 (Disney)
£994,000 £34.6m 5 5. The Boogeyman (Disney) £493,000 £493,000 1
Spider-Man: Across The Spider-Verse caught an impressive £8.2m for Sony during its opening weekend at the UK-Ireland box office.
Opening in 674 locations, the animation grossed nearly seven times that of its predecessor in its opening weekend, with Spider-Man: Into The Spider-Verse taking £1.2m when...
Rank Film (distributor) Three-day gross (May 19-21) Total gross to date Week 1. Spider-Man: Across The Spiderverse (Sony) £8.3m £9.2m 1 2. The Little Mermaid (Disney) £4.2m £16.2m 2 3. Fast X (Universal) £1.1m £13.3m 3 4. Guardians Of The Galaxy Vol. 3 (Disney)
£994,000 £34.6m 5 5. The Boogeyman (Disney) £493,000 £493,000 1
Spider-Man: Across The Spider-Verse caught an impressive £8.2m for Sony during its opening weekend at the UK-Ireland box office.
Opening in 674 locations, the animation grossed nearly seven times that of its predecessor in its opening weekend, with Spider-Man: Into The Spider-Verse taking £1.2m when...
- 6/5/2023
- by Ellie Calnan
- ScreenDaily
Also new this weekend: Disney’s ‘The Boogeyman’ and Paul Mescal-starring musical drama ‘Carmen’.
Spider-Man: Across The Spider-Verse leads this weekend’s new releases, hoping to catch audiences for Sony at a wide release of 674 locations.
The computer animated sequel to Spider-Man: Into The Spider-Verse sees lead character Miles Morales now aged 15 (voiced by Shameik Moore) and pushed to take greater risks to protect those he cares about, grappling with a villain who can jump between dimensions, and his crush, a Spider-Woman from a different realm, voiced by Hailee Steinfeld.
The voice cast also includes Brian Tyree Henry, Luna Lauren Velez,...
Spider-Man: Across The Spider-Verse leads this weekend’s new releases, hoping to catch audiences for Sony at a wide release of 674 locations.
The computer animated sequel to Spider-Man: Into The Spider-Verse sees lead character Miles Morales now aged 15 (voiced by Shameik Moore) and pushed to take greater risks to protect those he cares about, grappling with a villain who can jump between dimensions, and his crush, a Spider-Woman from a different realm, voiced by Hailee Steinfeld.
The voice cast also includes Brian Tyree Henry, Luna Lauren Velez,...
- 6/2/2023
- by Mona Tabbara
- ScreenDaily
Disney’s “The Little Mermaid” made a splashy debut at the U.K. and Ireland box office, topping the charts with £5 million ($6.2 million), per numbers from Comscore.
The film accounted for 49% of all ticket sales across the three-day weekend, according to Disney.
In its second weekend, Universal’s “Fast X” held strong with £2.2 million in second place for a total of £10.2 million. In third position, in its fourth weekend, Disney’s “Guardians Of The Galaxy Vol. 3” collected £1.5 million for a total of £31.6 million.
Universal’s “The Super Mario Bros. Movie” earned £292,155 in fourth place in its eighth weekend for a total of £52.2 million. Warner Bros.’ “Hypnotic” rounded off the top five, debuting with £217,252.
There were two more debuts in the top 10. Sony’s “Sisu” bowed in sixth place with £144,567 while National Amusements/Vue’s concert film “Tomorrow X Together World Tour – Act: Sweet Mirage – Live” debuted in...
The film accounted for 49% of all ticket sales across the three-day weekend, according to Disney.
In its second weekend, Universal’s “Fast X” held strong with £2.2 million in second place for a total of £10.2 million. In third position, in its fourth weekend, Disney’s “Guardians Of The Galaxy Vol. 3” collected £1.5 million for a total of £31.6 million.
Universal’s “The Super Mario Bros. Movie” earned £292,155 in fourth place in its eighth weekend for a total of £52.2 million. Warner Bros.’ “Hypnotic” rounded off the top five, debuting with £217,252.
There were two more debuts in the top 10. Sony’s “Sisu” bowed in sixth place with £144,567 while National Amusements/Vue’s concert film “Tomorrow X Together World Tour – Act: Sweet Mirage – Live” debuted in...
- 5/31/2023
- by Naman Ramachandran
- Variety Film + TV
One of the grand paradoxes of Jean-Luc Godard is that he was a radical, an outlier, a filmmaker who guarded his purity and always looked askance at “the system,” yet because the nature of filmmaking is that it requires a lot of money, and is connected to fame, and produces images that can spread with iconic power, Godard was an outsider who was also an insider; a poet of cinema who made himself a celebrity; an artist who bridged the larger-than-life, old-school ethos of movies with the forbidding imperatives of the avant-garde.
All of that contradiction is on full display, with a luscious kind of resonance, in “Godard par Godard,” an hour-long documentary, written by Frédéric Bonnaud and directed by Florence Platarets, that was presented at the Cannes Film Festival today as a tribute to Godard, eight months after his death on September 13, 2022. The documentary was shown along with Godard’s final film,...
All of that contradiction is on full display, with a luscious kind of resonance, in “Godard par Godard,” an hour-long documentary, written by Frédéric Bonnaud and directed by Florence Platarets, that was presented at the Cannes Film Festival today as a tribute to Godard, eight months after his death on September 13, 2022. The documentary was shown along with Godard’s final film,...
- 5/22/2023
- by Owen Gleiberman
- Variety Film + TV
Exclusive: International sales rights for late iconic director Jean-Luc Godard’s final work Trailer Of The Film That Will Never Exist: Phony Wars have been acquired by Goodfellas ahead of its world premiere in Cannes Classics on Sunday.
The 20-minute work was written and directed by Godard in collaboration with Jean-Paul Battaggia, Fabrice Aragno and Nicole Brenez.
Godard often transformed his synopses into aesthetic programs. This film follows that tradition and remains his ultimate gesture of cinema.
The filmmaker accompanied the trailer with the following statement: “Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots while keeping track of modern times.”
The work is billed as A Saint Laurent by Anthony Vaccarello and Vixens production, in coproduction with L’Atelier.
“Saint Laurent is honored to present a special work Jean-Luc Godard was working on before passing,...
The 20-minute work was written and directed by Godard in collaboration with Jean-Paul Battaggia, Fabrice Aragno and Nicole Brenez.
Godard often transformed his synopses into aesthetic programs. This film follows that tradition and remains his ultimate gesture of cinema.
The filmmaker accompanied the trailer with the following statement: “Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots while keeping track of modern times.”
The work is billed as A Saint Laurent by Anthony Vaccarello and Vixens production, in coproduction with L’Atelier.
“Saint Laurent is honored to present a special work Jean-Luc Godard was working on before passing,...
- 5/19/2023
- by Melanie Goodfellow
- Deadline Film + TV
There’s allowing one’s work to commingle with one’s life, and then there’s ensuring your funeral has a good soundtrack. Yet one of Ryuichi Sakamoto’s greatest attributes was trying to make the world sound better––not simply through his art, but such as when his favorite restaurant played the world’s worst music (an experience any New Yorker knows too well) and he pro bono made them a splendid replacement.
Echoing that, and marking what is surely among the most graceful final notes any man could hope for, Sakamoto curated the soundtrack for his own funeral: a 162-minute collection including film scores, piano-led jazz, and Glenn Gould’s interpretations of Bach. Having found great nourishment in his restaurant playlist, I’ve hardly been happier to hear a funeral march.
Listen below:
The post Listen to Ryuichi Sakamoto’s Self-Curated Funeral Playlist first appeared on The Film Stage.
Echoing that, and marking what is surely among the most graceful final notes any man could hope for, Sakamoto curated the soundtrack for his own funeral: a 162-minute collection including film scores, piano-led jazz, and Glenn Gould’s interpretations of Bach. Having found great nourishment in his restaurant playlist, I’ve hardly been happier to hear a funeral march.
Listen below:
The post Listen to Ryuichi Sakamoto’s Self-Curated Funeral Playlist first appeared on The Film Stage.
- 5/15/2023
- by Nick Newman
- The Film Stage
The 2023 Cannes Film Festival will pay tribute to late auteur Jean-Luc Godard with a special screening of “Drôles de Guerres (Phoney Wars)” as a highlight of the program.
Godard died at age 91 in September 2022, and this year’s Cannes will screen “Contempt” and documentary “Godard by Godard” to commemorate the filmmaker as part of the Cannes Classics lineup. Godard’s final project is a 20-minute trailer for “Drôles de Guerres (Phoney Wars),” a film he never finished.
“Jean-Luc Godard often transformed his synopses into aesthetic programs,” an official Cannes statement read. “‘Phoney Wars’ follows in this tradition and will remain as the ultimate gesture of cinema.”
The description of “Phoney Wars” reads: “To no longer trust the billions of diktats of the alphabet to give back freedom to the incessant metamorphoses and metaphors of a true language by returning to the places of past shoots while taking into account the present stories.
Godard died at age 91 in September 2022, and this year’s Cannes will screen “Contempt” and documentary “Godard by Godard” to commemorate the filmmaker as part of the Cannes Classics lineup. Godard’s final project is a 20-minute trailer for “Drôles de Guerres (Phoney Wars),” a film he never finished.
“Jean-Luc Godard often transformed his synopses into aesthetic programs,” an official Cannes statement read. “‘Phoney Wars’ follows in this tradition and will remain as the ultimate gesture of cinema.”
The description of “Phoney Wars” reads: “To no longer trust the billions of diktats of the alphabet to give back freedom to the incessant metamorphoses and metaphors of a true language by returning to the places of past shoots while taking into account the present stories.
- 5/5/2023
- by Samantha Bergeson
- Indiewire
In keeping with tradition, the 2023 edition of Cannes Classics promises to be a feast for cineastes with tributes to global masters and restored versions of all-time classics.
Cannes Classics’ Memories of Jean-Luc Godard strand pays homage to the master who died in 2022 by screening a restored version of “Contempt” (1963); “Godard by Godard,” a self-portrait of the auteur; and the world premiere of “Phony Wars,” a trailer for a film that will never get made, described by the festival as a venture where the filmmaker “transformed his synopses into aesthetic programs.”
Liv Ullman will be present at the strand with “Liv Ullmann – A Road Less Travelled,” a documentary directed by Dheeraj Akolkar.
Japanese master Ozu Yasujiro will be paid tribute to with screenings of “Record of a Tenement Gentleman” (1947) and “The Munekata Sisters” (1950) off restored prints. “Return to Reason” – where four films of painter, photographer and director Man Ray have been...
Cannes Classics’ Memories of Jean-Luc Godard strand pays homage to the master who died in 2022 by screening a restored version of “Contempt” (1963); “Godard by Godard,” a self-portrait of the auteur; and the world premiere of “Phony Wars,” a trailer for a film that will never get made, described by the festival as a venture where the filmmaker “transformed his synopses into aesthetic programs.”
Liv Ullman will be present at the strand with “Liv Ullmann – A Road Less Travelled,” a documentary directed by Dheeraj Akolkar.
Japanese master Ozu Yasujiro will be paid tribute to with screenings of “Record of a Tenement Gentleman” (1947) and “The Munekata Sisters” (1950) off restored prints. “Return to Reason” – where four films of painter, photographer and director Man Ray have been...
- 5/5/2023
- by Naman Ramachandran
- Variety Film + TV
The Cannes Film Festival will pay tribute to iconic late director Jean-Luc Godard, following his death last September, with a trio of works in its Cannes Classic cinema heritage line-up.
A highlight of the homage to Godard, who died last year at 91, will be the world premiere of the 20-minute trailer he created for a film that will never get made: ‘Drôles de Guerres (Phoney Wars).
The 20-minute work is billed as A Saint Laurent by Anthony Vaccarello and Vixens production, in coproduction with L’Atelier.
“Jean-Luc Godard often transformed his synopses into aesthetic programs. Phoney Wars follows in this tradition and will remain as the ultimate gesture of cinema,” said the festival.
It quoted the text that accompanies the short work to give an indication of the director’s intention. It reads: “To no longer trust the billions of diktats of the alphabet to give back freedom to the incessant...
A highlight of the homage to Godard, who died last year at 91, will be the world premiere of the 20-minute trailer he created for a film that will never get made: ‘Drôles de Guerres (Phoney Wars).
The 20-minute work is billed as A Saint Laurent by Anthony Vaccarello and Vixens production, in coproduction with L’Atelier.
“Jean-Luc Godard often transformed his synopses into aesthetic programs. Phoney Wars follows in this tradition and will remain as the ultimate gesture of cinema,” said the festival.
It quoted the text that accompanies the short work to give an indication of the director’s intention. It reads: “To no longer trust the billions of diktats of the alphabet to give back freedom to the incessant...
- 5/5/2023
- by Melanie Goodfellow
- Deadline Film + TV
While we’ve known the results of Jeanne Dielman Tops Sight and Sound‘s 2022 Greatest Films of All-Time List”>Sight & Sound’s once-in-a-decade greatest films of all-time poll for a few months now, the recent release of the individual ballots has given data-crunching cinephiles a new opportunity to dive deeper. We have Letterboxd lists detailing all 4,400+ films that received at least one vote and another expanding the directors poll, spreadsheets calculating every entry, and now a list ranking how many votes individual directors received for their films.
Tabulated by Genjuro, the list of 35 directors, with two pairs, puts Alfred Hitchcock back on top, while Chantal Akerman is at number two. Elsewhere in the top ten are David Lynch, Francis Ford Coppola, Jean-Luc Godard, Agnès Varda, Orson Welles, Yasujirō Ozu, and Stanley Kubrick, and tied for the tenth spot is Wong Kar Wai and Ingmar Bergman.
Check out the list below,...
Tabulated by Genjuro, the list of 35 directors, with two pairs, puts Alfred Hitchcock back on top, while Chantal Akerman is at number two. Elsewhere in the top ten are David Lynch, Francis Ford Coppola, Jean-Luc Godard, Agnès Varda, Orson Welles, Yasujirō Ozu, and Stanley Kubrick, and tied for the tenth spot is Wong Kar Wai and Ingmar Bergman.
Check out the list below,...
- 3/5/2023
- by Jordan Raup
- The Film Stage
As 2022 came to a close, we asked seven writers and filmmakers to reflect on Jean-Luc Godard's memory. Starting from a single aspect of his filmmaking—a particular film, image, sound cue, or affecting experience with his work—their responses evoke the breadth of his revolutionary legacy. We're thankful they found the words.The pieces below are written by Ephraim Asili, Richard Brody, A.S. Hamrah, Rachel Kushner, Miguel Marías, Andréa Picard, and Lucía Salas.In Memoriam JLGWhen I was in high school in the 1980s, I drove 50 miles with some friends to see Breathless at a student screening in a big auditorium at UConn. How did we know this screening was happening? How did we know how to get there? How did we even know anything was happening anywhere, ever? We saw listings in newspapers and paid attention to flyers. We had maps in our cars. But above all, it...
- 1/30/2023
- MUBI
Actor / Filmmaker Alex Winter joins Josh Olson and Joe Dante to discuss movies featuring a cog in the machine – the individual struggling to exist within the system.
Show Notes: Movies Referenced In This Episode
Bill And Ted’s Excellent Adventure (1989) – Alex Kirschenbaum’s Bill and Ted character power rankings
Bill And Ted’s Bogus Journey (1991)
Bill And Ted Face The Music (2020)
The Game (1997)
Showbiz Kids (2020)
The Panama Papers (2018)
Zappa (2020)
200 Motels (1971)
Modern Times (1936)
Metropolis (1927) – Glenn Erickson’s Blu-ray review
Avatar (2009)
Things To Come (1936) – Jesus Trevino’s trailer commentary
M (1931)
M (1951)
The Last Laugh (1924) – Glenn Erickson’s Blu-ray review
Brazil (1985)
Gremlins (1984) – Glenn Erickson’s Blu-ray review, Tfh’s Mogwai Madness
City Lights (1931)
Goin’ Down The Road (1970)
The Discreet Charm of the Bourgeoisie (1972) – Glenn Erickson’s Blu-ray review
The Young And The Damned (1950)
Shock Corridor (1963) – Katt Shea’s trailer commentary
The Naked Kiss (1964)
Stroszek (1977)
Even Dwarves Started Small (1970)
Ikiru (1952) – Glenn Erickson’s trailer...
Show Notes: Movies Referenced In This Episode
Bill And Ted’s Excellent Adventure (1989) – Alex Kirschenbaum’s Bill and Ted character power rankings
Bill And Ted’s Bogus Journey (1991)
Bill And Ted Face The Music (2020)
The Game (1997)
Showbiz Kids (2020)
The Panama Papers (2018)
Zappa (2020)
200 Motels (1971)
Modern Times (1936)
Metropolis (1927) – Glenn Erickson’s Blu-ray review
Avatar (2009)
Things To Come (1936) – Jesus Trevino’s trailer commentary
M (1931)
M (1951)
The Last Laugh (1924) – Glenn Erickson’s Blu-ray review
Brazil (1985)
Gremlins (1984) – Glenn Erickson’s Blu-ray review, Tfh’s Mogwai Madness
City Lights (1931)
Goin’ Down The Road (1970)
The Discreet Charm of the Bourgeoisie (1972) – Glenn Erickson’s Blu-ray review
The Young And The Damned (1950)
Shock Corridor (1963) – Katt Shea’s trailer commentary
The Naked Kiss (1964)
Stroszek (1977)
Even Dwarves Started Small (1970)
Ikiru (1952) – Glenn Erickson’s trailer...
- 10/11/2022
- by Kris Millsap
- Trailers from Hell
Formula One Shifts Gears
Fresh from a soggy Singapore Grand Prix on Sunday, TV coverage of Formula One motor racing is set to shift broadcasting partner in Asia-Pacific. Sports Business reports that pay-tv broadcaster beIN Sports is finalizing a multi-year deal beginning in 2023 reaching across most of its Asia-Pacific footprint, but excluding Australia, where Foxtel recently renewed its deal, and New Zealand. The anticipated deal would cover Brunei, Cambodia, Hong Kong, Indonesia, Laos, Malaysia, Philippines, Thailand, Timor-Leste and Singapore. The rights were previously operated by Fox Sports Asia, which Disney closed down this time last year.
Godard Masterclass
The Busan International Film Festival, which starts later this week, will hold an event to commemorate the late director Jean-Luc Godard, icon of the Nouvelle Vague and director of “numerous masterpieces for over half a century,” including “Contempt,” “Alphaville” and “Breathless.” Godard died on Sept. 13, 2022. The festival has tapped Serge Toubiana, already...
Fresh from a soggy Singapore Grand Prix on Sunday, TV coverage of Formula One motor racing is set to shift broadcasting partner in Asia-Pacific. Sports Business reports that pay-tv broadcaster beIN Sports is finalizing a multi-year deal beginning in 2023 reaching across most of its Asia-Pacific footprint, but excluding Australia, where Foxtel recently renewed its deal, and New Zealand. The anticipated deal would cover Brunei, Cambodia, Hong Kong, Indonesia, Laos, Malaysia, Philippines, Thailand, Timor-Leste and Singapore. The rights were previously operated by Fox Sports Asia, which Disney closed down this time last year.
Godard Masterclass
The Busan International Film Festival, which starts later this week, will hold an event to commemorate the late director Jean-Luc Godard, icon of the Nouvelle Vague and director of “numerous masterpieces for over half a century,” including “Contempt,” “Alphaville” and “Breathless.” Godard died on Sept. 13, 2022. The festival has tapped Serge Toubiana, already...
- 10/3/2022
- by Patrick Frater
- Variety Film + TV
It was a leap of faith.
When Isabelle Huppert started working with Jean-Luc Godard on 1980’s “Every Man for Himself,” there wasn’t a script for her to consult.
“There were only fragments of scenes, poems, songs and paintings,” she remembers. “I simply knew my name in the film was Isabelle.
But Godard was a legend at that point, having helped pioneer the French “New Wave” movement with the likes of “Breathless” and “Contempt” and then undertaken an even more daring and experimental phase in films such as “Weekend” and “Masculin Féminin.” Something about their partnership worked. “Every Man for Himself,” was a rare commercial success for the auteur, and marked a milestone in Godard’s career as the the first movie he presented in competition at Cannes and the first which was nominated at the Cesar Awards (France’s highest film honors). Huppert would reunite with Godard for his follow up movie “Passion,...
When Isabelle Huppert started working with Jean-Luc Godard on 1980’s “Every Man for Himself,” there wasn’t a script for her to consult.
“There were only fragments of scenes, poems, songs and paintings,” she remembers. “I simply knew my name in the film was Isabelle.
But Godard was a legend at that point, having helped pioneer the French “New Wave” movement with the likes of “Breathless” and “Contempt” and then undertaken an even more daring and experimental phase in films such as “Weekend” and “Masculin Féminin.” Something about their partnership worked. “Every Man for Himself,” was a rare commercial success for the auteur, and marked a milestone in Godard’s career as the the first movie he presented in competition at Cannes and the first which was nominated at the Cesar Awards (France’s highest film honors). Huppert would reunite with Godard for his follow up movie “Passion,...
- 9/21/2022
- by Elsa Keslassy
- Variety Film + TV
French New Wave auteur Jean-Luc Godard’s lasting legacy on cinema was embodied by the thousands of tributes to the late “Breathless” director.
Godard died at age 91 of assisted suicide in Switzerland, where the elective injection is legal. “He was not sick, he was simply exhausted,” a Godard family member told press outlets. The director’s longtime legal advisor Patrick Jeannere confirmed to The New York Times that Godard suffered from “multiple disabling pathologies.”
“He could not live like you and me, so he decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough,’” Jeanneret said.
Fellow directors, film critics, and actors paid tribute to the late “Band of Outsiders” icon.
French President Emmanuel Macron honored Godard in a social media statement, writing, “It was like an appearance in French cinema. Then he became a master. Jean-Luc Godard, the most iconoclastic of New Wave filmmakers,...
Godard died at age 91 of assisted suicide in Switzerland, where the elective injection is legal. “He was not sick, he was simply exhausted,” a Godard family member told press outlets. The director’s longtime legal advisor Patrick Jeannere confirmed to The New York Times that Godard suffered from “multiple disabling pathologies.”
“He could not live like you and me, so he decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough,’” Jeanneret said.
Fellow directors, film critics, and actors paid tribute to the late “Band of Outsiders” icon.
French President Emmanuel Macron honored Godard in a social media statement, writing, “It was like an appearance in French cinema. Then he became a master. Jean-Luc Godard, the most iconoclastic of New Wave filmmakers,...
- 9/15/2022
- by Samantha Bergeson
- Indiewire
Jean-Luc Godard, a leading figure of the French New Wave, has died. He was 91.
Best known for his radical and politically driven work, Godard was among the most acclaimed directors of his generation with classic films such as Breathless (À bout de souffle), which catapulted him onto the world scene in 1960.
Jean-Luc Godard Dies: Pioneering French Director Was 91
President Emmanuel Macron of France paid tribute to the director with a statement on Twitter, calling him the “iconoclastic of New Wave filmmakers.”
Jean-Luc Godard Tributes Pour In From The World Of Cinema And Beyond: “National Treasure”
Born in Paris in 1930, Godard grew up and attended school in Nyon, Switzerland. After moving back to Paris after finishing school in 1949, Godard found a home amongst the burgeoning group of young film critics in the city’s ciné clubs.
Godard is best known for his seminal work of the 1960s, including Le mépris (Contempt), starring Brigitte Bardot,...
Best known for his radical and politically driven work, Godard was among the most acclaimed directors of his generation with classic films such as Breathless (À bout de souffle), which catapulted him onto the world scene in 1960.
Jean-Luc Godard Dies: Pioneering French Director Was 91
President Emmanuel Macron of France paid tribute to the director with a statement on Twitter, calling him the “iconoclastic of New Wave filmmakers.”
Jean-Luc Godard Tributes Pour In From The World Of Cinema And Beyond: “National Treasure”
Born in Paris in 1930, Godard grew up and attended school in Nyon, Switzerland. After moving back to Paris after finishing school in 1949, Godard found a home amongst the burgeoning group of young film critics in the city’s ciné clubs.
Godard is best known for his seminal work of the 1960s, including Le mépris (Contempt), starring Brigitte Bardot,...
- 9/15/2022
- by Zac Ntim
- Deadline Film + TV
If the reverberations of Jean-Luc Godard’s life should ring well after we’re all gone, his passing could be nothing but seismic. As we revisit favorites, discover masterpieces, and discuss and debate in equal measure, filmmakers are taking time to pay Godard tribute—today feeling like the first step of what might become a new, postmortem chapter in cinema.
As is customary in such times, various filmmakers spoke to The Guardian about Godard. Rather than lift their entire feature, we’ll share some favorites and leave the rest—including Luca Guadagnino, Kelly Reichardt, and Mike Leigh—to the link. We’ve also added comments Leos Carax gave to Libération, dutifully translated by @pontdevarsovia.
Martin Scorsese:
From Breathless on, Godard redefined the very idea of what a movie was and where it could go. No one was as daring as Godard. You’d watch Vivre Sa Vie or Contempt...
As is customary in such times, various filmmakers spoke to The Guardian about Godard. Rather than lift their entire feature, we’ll share some favorites and leave the rest—including Luca Guadagnino, Kelly Reichardt, and Mike Leigh—to the link. We’ve also added comments Leos Carax gave to Libération, dutifully translated by @pontdevarsovia.
Martin Scorsese:
From Breathless on, Godard redefined the very idea of what a movie was and where it could go. No one was as daring as Godard. You’d watch Vivre Sa Vie or Contempt...
- 9/14/2022
- by Nick Newman
- The Film Stage
My favorite tracking shot in film history is not a tracking shot. It's a shot of a tracking shot.
The scene in question opens Jean Luc-Godard's "Contempt," and, visually, consists of little more than a movie camera gliding down a dolly track toward a stationary camera, which serves as the audience's Pov. As the camera moves closer into view, we see that it is shooting, at a 90-degree angle square to our perspective, a young woman (Giorgia Moll) scribbling notations in a book. Eventually, the camera rolls to a stop directly in front of our camera, which is now a low-angle shot of the film's cinematographer, Raoul Coutard, who pans his implement 90-degrees before pointing it downward at the audience. The effect is at once startling and amusing. We have, in essence, locked eyes with the filmmaker.
This may not sound terribly thrilling in writing, but factor in a...
The scene in question opens Jean Luc-Godard's "Contempt," and, visually, consists of little more than a movie camera gliding down a dolly track toward a stationary camera, which serves as the audience's Pov. As the camera moves closer into view, we see that it is shooting, at a 90-degree angle square to our perspective, a young woman (Giorgia Moll) scribbling notations in a book. Eventually, the camera rolls to a stop directly in front of our camera, which is now a low-angle shot of the film's cinematographer, Raoul Coutard, who pans his implement 90-degrees before pointing it downward at the audience. The effect is at once startling and amusing. We have, in essence, locked eyes with the filmmaker.
This may not sound terribly thrilling in writing, but factor in a...
- 9/14/2022
- by Jeremy Smith
- Slash Film
The inarguably true cliché about Jean-Luc Godard was that the late filmmaker, who died this week at the age of 91, was a rule-breaker, an artist whose style changed the course of film history by revealing the medium for everything it had already been and pointing to the future of what it could eventually be. Obviously, his body of work has been influential — but that’s an understatement.
And not only for his extensive, time- and media-spanning filmography, ranging from his cucumber-cool debut, Breathless, to the didactic political experiments of the 1960s and 1970s,...
And not only for his extensive, time- and media-spanning filmography, ranging from his cucumber-cool debut, Breathless, to the didactic political experiments of the 1960s and 1970s,...
- 9/14/2022
- by K. Austin Collins
- Rollingstone.com
Jean-Luc Godard, who died Tuesday at 91, was the filmmaker who changed everything. He directed “Breathless,” the 1960 landmark that helped to launch the French New Wave, employing a new, fast, leaping-ahead technique and style — the jump cut — that altered the DNA of how movies were made. In the ’60s, he took his camera out into the streets and into cafés, stores, offices, and apartments, so that a Godard film often seemed like a documentary about fictional characters. He drew many of those characters from Old Hollywood, a world he’d grown up on and remained obsessed with, but one that he always made seem a million miles away, like some black-and-white Garden of Eden the world had fallen from. So even as you were watching Jean-Paul Belmondo play a glamorous hoodlum or Anna Karina play a femme fatale, you knew that you were also seeing an actor toy with the very...
- 9/13/2022
- by Owen Gleiberman
- Variety Film + TV
Click here to read the full article.
Hollywood and other movie industry representatives are paying tribute to Jean-Luc Godard on social media following the news on Tuesday that the Franco-Swiss legend had died.
A former film critic who wrote for the legendary Cahiers du Cinéma during its heyday of the 1950s, Godard burst onto the scene in 1960 with his debut Breathless, which won the Silver Bear at the Berlin Film Festival. The Paris-set crime caper, starring Jean Seberg and Jean-Paul Belmondo, heralded the arrival of cinematic modernism. Using jump cuts, nods to the camera and other meta-fictional devices, it commented on the story as it was unfolding.
Goddard’s career would go on to span half a century, with the filmmaker directing upwards of 70 projects including features, documentaries, shorts and TV. His work was known at various times throughout his long career for everything from its pop-art homages and historical...
Hollywood and other movie industry representatives are paying tribute to Jean-Luc Godard on social media following the news on Tuesday that the Franco-Swiss legend had died.
A former film critic who wrote for the legendary Cahiers du Cinéma during its heyday of the 1950s, Godard burst onto the scene in 1960 with his debut Breathless, which won the Silver Bear at the Berlin Film Festival. The Paris-set crime caper, starring Jean Seberg and Jean-Paul Belmondo, heralded the arrival of cinematic modernism. Using jump cuts, nods to the camera and other meta-fictional devices, it commented on the story as it was unfolding.
Goddard’s career would go on to span half a century, with the filmmaker directing upwards of 70 projects including features, documentaries, shorts and TV. His work was known at various times throughout his long career for everything from its pop-art homages and historical...
- 9/13/2022
- by Georg Szalai and Abbey White
- The Hollywood Reporter - Movie News
Jean-Luc Godard, the legendary filmmaker who revolutionized the medium as a leader of the French New Wave of the 1960s, died Tuesday at age 91.
Godard’s partner, Anne-Marie Mieville, confirmed to the Swiss news agency Ats that he died peacefully at his home in the Swiss town of Rolle near Lake Geneva.
French President Emmanuel Macron also confirmed his death on Twitter, calling him a “national treasure” who “invented a resolutely modern, intensely free art.”
Godard burst on the international scene with his debut feature, 1960’s “À bout de souffle” (“Breathless”), which revolutionized cinematic storytelling with its fractured nonlinear narrative about a petty criminal and his girlfriend, improvisational choreography and rapid editing. The film became an international sensation, making a star of its lead actor, Jean-Paul Belmondo, and earning Godard the best director prize at the Berlin Film Festival.
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Godard’s partner, Anne-Marie Mieville, confirmed to the Swiss news agency Ats that he died peacefully at his home in the Swiss town of Rolle near Lake Geneva.
French President Emmanuel Macron also confirmed his death on Twitter, calling him a “national treasure” who “invented a resolutely modern, intensely free art.”
Godard burst on the international scene with his debut feature, 1960’s “À bout de souffle” (“Breathless”), which revolutionized cinematic storytelling with its fractured nonlinear narrative about a petty criminal and his girlfriend, improvisational choreography and rapid editing. The film became an international sensation, making a star of its lead actor, Jean-Paul Belmondo, and earning Godard the best director prize at the Berlin Film Festival.
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- 9/13/2022
- by Thom Geier
- The Wrap
A pioneering, revolutionary titan of the cinematic form, Jean-Luc Godard has passed away at the age of 91, as reported by French newspaper Liberation. The paper also reported he died by assisted suicide in Switzerland, where it is authorized and supervised. “He was not sick, he was simply exhausted,” noted a relative of the family. “So he had made the decision to end it. It was his decision and it was important for him that it be known.”
Born on December 3, 1930, Godard would go on to become a film critic for Cahiers du Cinéma before changing the very language of the cinematic medium with his French New Wave contributions, including Breathless, Vivre Sa Vie, Contempt, Band of Outsiders, Alphaville, Pierrot le Fou, and many more. Going through an evolution virtually every decade, the director recently delivered the most radical usage of 3D in a film yet with Goodbye to Language in 2014 and his last feature,...
Born on December 3, 1930, Godard would go on to become a film critic for Cahiers du Cinéma before changing the very language of the cinematic medium with his French New Wave contributions, including Breathless, Vivre Sa Vie, Contempt, Band of Outsiders, Alphaville, Pierrot le Fou, and many more. Going through an evolution virtually every decade, the director recently delivered the most radical usage of 3D in a film yet with Goodbye to Language in 2014 and his last feature,...
- 9/13/2022
- by Jordan Raup
- The Film Stage
Critic-turned-filmmaker Godard is known for films including ‘Breathless’ and ‘Contempt’.
Influential French filmmaker Jean-Luc Godard has died aged 91, according to a report in French newspaper Liberation.
The publication cites people close to the filmmaker as the source of the news.
Born in Paris in 1930, Godard was a central figure in the French New Wave movement of the late 1950s and 60s. He worked as a critic for then newly-founded French magazine Cahiers du cinéma in 1952, before making his first fiction short Une femme coquette in 1955.
The filmmaker’s first feature, 1960’s Breathless (French title: A Bout De Souffle) is among...
Influential French filmmaker Jean-Luc Godard has died aged 91, according to a report in French newspaper Liberation.
The publication cites people close to the filmmaker as the source of the news.
Born in Paris in 1930, Godard was a central figure in the French New Wave movement of the late 1950s and 60s. He worked as a critic for then newly-founded French magazine Cahiers du cinéma in 1952, before making his first fiction short Une femme coquette in 1955.
The filmmaker’s first feature, 1960’s Breathless (French title: A Bout De Souffle) is among...
- 9/13/2022
- by Ben Dalton
- ScreenDaily
Jean-Luc Godard, the father of modern cinema whose impish, combative provocations threw down a gauntlet with which all those who came in his wake must contend, died Tuesday. He was 91.
The director died at his home by assisted suicide in Rolle, Switzerland, where that practice is legal, Godard’s longtime legal adviser Patrick Jeanneret told The New York Times.
Jeanneret added that the filmmaker had “multiple disabling pathologies” and “decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough.’ “
In a career that began with 1960’s groundbreaking Breathless,...
The director died at his home by assisted suicide in Rolle, Switzerland, where that practice is legal, Godard’s longtime legal adviser Patrick Jeanneret told The New York Times.
Jeanneret added that the filmmaker had “multiple disabling pathologies” and “decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough.’ “
In a career that began with 1960’s groundbreaking Breathless,...
- 9/13/2022
- by Tim Grierson
- Rollingstone.com
Jean-Luc Godard, a leading figure of the French New Wave, has died. He was 91. The French newspaper Liberation first reported the news which was confirmed to Deadline by a source close to the filmmaker.
Best known for his radical and politically driven work, Godard was among the most acclaimed directors of his generation with classic films such as Breathless (À bout de souffle), which catapulted him onto the world scene in 1960. The film was from a treatment by his contemporary and former friend François Truffaut and followed the story of a young American woman in Paris, played by Hollywood star Jean Seberg, and her doomed affair with a young rebel on the run, played by Jean-Paul Belmondo.
Hollywood & Media Deaths 2022: A Photo Gallery
President Emmanuel Macron of France paid tribute to the director with a statement on Twitter, calling him the “iconoclastic of New Wave filmmakers.”
Born in Paris...
Best known for his radical and politically driven work, Godard was among the most acclaimed directors of his generation with classic films such as Breathless (À bout de souffle), which catapulted him onto the world scene in 1960. The film was from a treatment by his contemporary and former friend François Truffaut and followed the story of a young American woman in Paris, played by Hollywood star Jean Seberg, and her doomed affair with a young rebel on the run, played by Jean-Paul Belmondo.
Hollywood & Media Deaths 2022: A Photo Gallery
President Emmanuel Macron of France paid tribute to the director with a statement on Twitter, calling him the “iconoclastic of New Wave filmmakers.”
Born in Paris...
- 9/13/2022
- by Zac Ntim
- Deadline Film + TV
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
As Three Colors: Blue returns, “New York, 1962–1964: Underground and Experimental Cinema” offers some of this year’s most fun, eye-opening programming.
Roxy Cinema
The series “Woman as Witch” offers plenty scintillating—prints of The Craft, Showgirls, Femme Fatale, and Wild Things all have multiples showings this weekend—while the Yale Film Archive has two 16mm prints of films by Nicholas Doob on Sunday.
IFC Center
A series on Los Angeles films is underway—including They Live, The Long Goodbye, and the new restoration of Heat—while the Lost Highway restoration begins a run and Taxi Driver has late showings.
Film Forum
The new restoration of The Discreet Charm of the Bourgeoisie and “Mifune Redux” continue, the series on films from 62-64 includes work by Varda, Kubrick, Godard, Coppola, Hitchcock, and James Bond.
Anthology Film Archives...
Film at Lincoln Center
As Three Colors: Blue returns, “New York, 1962–1964: Underground and Experimental Cinema” offers some of this year’s most fun, eye-opening programming.
Roxy Cinema
The series “Woman as Witch” offers plenty scintillating—prints of The Craft, Showgirls, Femme Fatale, and Wild Things all have multiples showings this weekend—while the Yale Film Archive has two 16mm prints of films by Nicholas Doob on Sunday.
IFC Center
A series on Los Angeles films is underway—including They Live, The Long Goodbye, and the new restoration of Heat—while the Lost Highway restoration begins a run and Taxi Driver has late showings.
Film Forum
The new restoration of The Discreet Charm of the Bourgeoisie and “Mifune Redux” continue, the series on films from 62-64 includes work by Varda, Kubrick, Godard, Coppola, Hitchcock, and James Bond.
Anthology Film Archives...
- 7/28/2022
- by Nick Newman
- The Film Stage
Richard E. Grant bags guest role in ‘20,000 Leagues Under the Sea’ retelling
Withnail & I star Richard E. Grant has joined Disney+’s live-action drama Nautilus, with Muki Zubis (This is Going to Hurt) Benedict Hardie (The Luminaries), Jacob Collins Levy (Young Wallander) and Luke Arnold (Black Sails) also signing up to the cast. The show, from Moonriver TV and Seven Stories, is currently shooting at Village Roadshow Studios in Queensland, Australia. The show tells Jules Verne’s 20,000 Leagues Under the Sea from the point of view of Indian prince Captain Nemo (Shazad Latif) for the first time. Grant will guest star as the leader of Karajaan, a port town Nemo and his crew encounter on their adventures.
Vue International appoints Chief Operating Officer
Privately-held European cinema operator Vue International has hired Claire Arksey as Chief Operating Officer. She joins from clothing store Urban Outfitters, where she was responsible for 269 standalone stores across 14 countries.
Withnail & I star Richard E. Grant has joined Disney+’s live-action drama Nautilus, with Muki Zubis (This is Going to Hurt) Benedict Hardie (The Luminaries), Jacob Collins Levy (Young Wallander) and Luke Arnold (Black Sails) also signing up to the cast. The show, from Moonriver TV and Seven Stories, is currently shooting at Village Roadshow Studios in Queensland, Australia. The show tells Jules Verne’s 20,000 Leagues Under the Sea from the point of view of Indian prince Captain Nemo (Shazad Latif) for the first time. Grant will guest star as the leader of Karajaan, a port town Nemo and his crew encounter on their adventures.
Vue International appoints Chief Operating Officer
Privately-held European cinema operator Vue International has hired Claire Arksey as Chief Operating Officer. She joins from clothing store Urban Outfitters, where she was responsible for 269 standalone stores across 14 countries.
- 5/19/2022
- by Jesse Whittock
- Deadline Film + TV
Brigitte Bardot to Be Focus of Documentary From ‘Ma Vie en Rose’ Director Alain Berliner (Exclusive)
Alain Berliner, who directed the BAFTA-nominated and Golden Globe-winning “Ma vie en rose,” is in pre-production on feature documentary “Bardot,” about French actor, singer and animal rights activist Brigitte Bardot. Bardot is giving the project her full support, and will narrate the film herself.
“Bardot” is produced by Julien Loeffler, James Kermack and James Barton-Steel at Featuristic Films, teaming with Nicolas Bary at TimpelPictures. They have released an exclusive first look image from the film.
The film will offer Bardot an opportunity “to speak openly about her life and revisit some of the issues she feels passionately about,” such as women’s place in society, animal welfare, deforestation and global warming, according to a statement from the producers. It will contain never seen before archive film and photos, as well as music from the 1950s and 1960s.
Berliner said: “The icon that is Brigitte Bardot remains a mystery. Today, she should be considered a feminist,...
“Bardot” is produced by Julien Loeffler, James Kermack and James Barton-Steel at Featuristic Films, teaming with Nicolas Bary at TimpelPictures. They have released an exclusive first look image from the film.
The film will offer Bardot an opportunity “to speak openly about her life and revisit some of the issues she feels passionately about,” such as women’s place in society, animal welfare, deforestation and global warming, according to a statement from the producers. It will contain never seen before archive film and photos, as well as music from the 1950s and 1960s.
Berliner said: “The icon that is Brigitte Bardot remains a mystery. Today, she should be considered a feminist,...
- 5/18/2022
- by Leo Barraclough
- Variety Film + TV
The film is based on the writer-director’s own novel.
Michael Cowan’s UK-based sales company Phoenix Worldwide Entertainment has acquired international rights, excluding Poland and Italy, to Lech Majewski’s Brigitte Bardot Forever.
Phoenix will introduce the Polish title to international buyers in Cannes as well as festival programmers.
Majewski, whose credits include The Garden of Earthly Delights andThe Mill and the Cross, based the film on his own novel Pilgrimage to the Tomb of Brigitte Bardot the Wonderful, in which he settles accounts with his youth, childhood, and all that Poland meant to him.
Set in mid-century communist Poland,...
Michael Cowan’s UK-based sales company Phoenix Worldwide Entertainment has acquired international rights, excluding Poland and Italy, to Lech Majewski’s Brigitte Bardot Forever.
Phoenix will introduce the Polish title to international buyers in Cannes as well as festival programmers.
Majewski, whose credits include The Garden of Earthly Delights andThe Mill and the Cross, based the film on his own novel Pilgrimage to the Tomb of Brigitte Bardot the Wonderful, in which he settles accounts with his youth, childhood, and all that Poland meant to him.
Set in mid-century communist Poland,...
- 5/17/2022
- by Ellie Calnan
- ScreenDaily
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