The Broken Land

This short 1-hour Western movie centers on a drifter who comes to a small town and has run-in with its sadistic sheriff. A string of circumstances leads to running from a posse, robbery, and murder. Considering the limited length of this movie, it's a good story, the characters are likable, the dialog is literate, the performances are good (particularly Jack Nicholson), and it's well directed. If you collect Western movies, this one is worth having.

Director John Bushelman rings no bells for me but I see that he directed the 1978 TV mini series THE DARK SECRET OF HARVEST HOME, which was a better than tolerable horror effort.

Regrettably, the low budget puts paid to any hopes one might have of a hidden gem, particularly after one learns that a very young Jack Nicholson is in the jail of nasty Marshall Jim Cogan (Kent Taylor), who runs the place with whip and Colt .45, and does not hesitate to press false charges, even against the mentally retarded town idiot, amateurishly played by Gary Sneed.

Double chin Diana Darrin seems more than a tad old for the part of love interest to Robert Sampson, but at least she has some information about Marshall Cogan that she imparts to the populace at the decisive moment.

Nicholson and his mordant smile inevitably catch your eye as the sole spirited performance. Clearly, budget limitations did not permit contracting better players and script writing team, but at least the cinematography stands as better than usual for a B (C?) Western, all shot on rocky and dusty Arizona location.

Worth a watch, though probably not a rewatch. 5/10.

Featuring outstanding Arizona scenery in Cinemascope color, one interestingly written character (Billy), and Jack Nicholson in a young anti-hero performance, what is wrong with this Western? The answer is: Nothing is wrong. Having a budget that obviously consists of little more than pennies does not negatively impact this film much, except for some low-paid "discount" acting at times.

To me the most intriguing Westerns are ones that portray some aspect of the Old West based at least partly on fact. I put this film in that category as it does portray a phenomenon of those days, namely the existence of a few Sheriffs who were little more than legalized executioners.

The cast and crew just went out to Arizona and filmed this on the desert in a straightforward manner. It works for me.

I enjoy westerns but have noticed that about 95% of them have 3-4 different plots. Originality is NOT a trademark of the genre! Because of this, while "The Broken Land" is far from a great film, it IS original and kept my interest.

The film is set in some old western town. Soon you realize that the Marshal is insane or a total sadist. I'd vot for him being BOTH!! For him, the law is a meant to control everyone and soon he locks up one guy for having a father who was a crook! Then, he insists that a poor feeble-minded guy is a thief and is about to shoot him!! A stranger in town attacks the Marshal to stop this murder...and ends up getting locked up as well! And, it only gets worse!

While the film has a very nice plot, it was far from perfect...hence the score of 6. The actors were all no-names at the time (of course, Jack Nicholson has gone on to better things....or so I've been told). Most were reasonably good but not outstanding. The script also had a few loose ends such as the 'big revelation' from the lady at the end...which turned out to be not much of a revolation. Still, it IS original and kept my interest. Plus, if you aren't sure about investing your time, it's only a hour in length!

To Put it in Perspective, Anthony Mann and Budd Boetticher put a "New Face" on the Western in the 1950's and Sam Peckinpah put an Amen to it with Ride the High Country (1962) and then Reincarnated the "New" Western with The Wild Bunch (1969). Peckinpah, it Could be Said, Ended the New Wave of Westerns and Started the New New Wave of Westerns. No Mean Feat.

While Hardly in the Mann/Boetticher/Peckinpah Camp, This Little Movie is Indeed a Bit Different from Standard Stuff in its Introspection of Some Off Beat Characters that Include a Brutal Dictatorial Sheriff, a Dim-Witted Likable Stiff, a Good Hearted Drifter, and Jack Nicholson as a Slightly Miscast Bad/Good Guy. Diana Darin is the Damaged Goods still Managing to Look Good and Emote Kindness.

Overall, Worth a Watch for Early Nicholson, a Good but Short Story, and Some Colorful Cinemascope Landscapes.