The Cry Baby Killer

There's one reason to watch The Cry Baby Killer, but it's a good one: to see Jack Nicholson's film debut. Most people remember he played the dentist's patient in Little Shop of Horrors, but few know he made a slew of teen flicks around the same period. It's low-budget, simple, and not something you'd ever really choose to watch - but it's Jack Nicholson at twenty-one years old! And you don't have to worry that you might not recognize him. Some people just look exactly the same throughout the decades, and Jack's one of them. His cute little pouty face is the same little pouty face in his last film in 2012. As you can expect from the title, you'll see a lot of pouting and crying.

He plays a punk kid who gets in a brawl over a girl and shoots a couple of other kids. He flees the scene and takes hostages, afraid he'll get arrested. He's such a little kid! He doesn't realize that he's making it worse, and his sweet little face just melts your heart - even though he's taken a baby hostage and killed people. Trust me, as the film unfolds, it turns out he's not as evil as he sounds. He's just a punk kid who made a mistake and is afraid of getting in trouble. Don't you just want to give him a hug? Or maybe three Academy Awards in the next thirty years?

So after watching this movie, another curiosity was sated: I got to see Jack Nicholson's first film and find out if it was any good. Well, it's not too bad and since it's only an hour, not too much time was wasted watching it. Nicholson certainly does well when he becomes desperate enough to hold up a woman with a baby and a middle-aged black man hostage after shooting at a couple of punks who beat him up at the beginning of the movie. Roger Corman was the executive producer only here so there's not much of his creative hand in the finished product though it was interesting seeing his cameo when he briefly talks to the TV reporter before he was going on the air to broadcast the standoff. So on that note, The Cry Baby Killer is worth a look for any Nicholson completists.

Entertaining 50's B-Movie. In an era of over acting the B-Movies of this timeline occasionally strip that off a bit and come across more realistic. With saying that this was not completely void of that curse as some still had the theatrical urges to over perform.

Without beating around the bush, the movie dives straight into it with Jimmy getting a beatdown. Jimmy Wallace (Jack Nicholson) is a good kid, who has recently lost his girl to hoodlum Manny Cole (Brett Halsey). A serious of events transpire when Jimmy attempts to win back the absolute stunning Carole Fields (Carolyn Mitchell). Carole is the true tragedy in this film, whether she is easily led or is afraid to leave Manny for fear of what he might do to her or Jimmy, isn't fully deciphered, but it is obvious she still cares for Jimmy. And the poor girl is the brunt of blame from everybody, the cops, Jimmy's parents, the hoodlum's da and even Julie who works in the diner can't say a good word about Carole.

Can Jimmy win back his girl and can Lt. Porter (Harry Lauter) the most laidback cop in the history of television, bring the situation under control without lives being lost. Will they listen to Carole who could actually bring the whole hostage crisis to an end?

The acting is pretty good, especially the main cast and apart from Jack Nicholson, Brett Halsey, Carolyn Mitchell and Harry Lauter. Some others really standout including Ralph Reed as Joey one of Manny's punks with his own agenda and Julie played by Lynn Cartwright.

It does have its plot holes but a very good viewing, easy to watch and just over an hour long so you can squeeze it in when short on time.

For the cheesemeister fans: The police have a conundrum about approaching the building that Jimmy is held out in, in case he sees them, but the only window is about 8ft high.

6.5*

Cry Baby Killer, The (1958)

*** (out of 4)

This is somewhat of a Holy Grail for me because I've been dying to see this flick since I became a fan of Jack Nicholson back in the late 80s. I've been pretty lucky to know people who own rare movies but not a single one ever had this film and in fact, I never he knew anyone who had actually seen it. In the film Nicholson (in his debut) plays a hot headed teen who is upset when the town's tough guy steals his girl. After being jumped, Nicholson gets ahold of a gun, kills the tough guy and then takes another man, a woman and her baby hostage. A tough as nails cop (Harry Lauter) tries to talk him out as the television station and onlookers gather outside. This moral/teenage flick is in the same vein as Rebel Without a Cause but it stands out due in large part to being Nicholson's debut. I wouldn't say he gives a good performance as he goes way too over the top in a few scenes but you can see certain trademarks that'll show up in some of his classic performances. The scenes with him screaming at the crying baby get some unintentional laughs as does a few other scenes but this just adds to the cult appeal. Since this film is on DVD now I'm sure it will become a cult classic of the Drive-In teenage films. Producer Roger Corman and screenwriter Leo Gordon have cameos.

Jack Nicholson made his debut on the big screen with this acceptable thriller from the series B, subsection youth and violence, produced by Roger Corman, in which he shares the cast with Carolyn Mitchell, a beautiful and young actress totally forgotten, who shortly after the end of filming would become nothing more and nothing less than the fourth wife of Mickey Rooney before passing away tragically.

Virtually the entire career of the director, Jus Addiss, was focused on television, and that is something that shows for good in the planning and staging of the film, with a sustained rhythm and without ups and downs. The youthful story of love, jealousy and violence in which Nicholson takes refuge in a small grocery store armed with a gun and with hostages is nothing to write home about and even focuses more on what happens around those hours than in the Nicholson himself, who in his performance already accurately outlines some of the grimaces of a patient with hemorrhoids that later made him famous. But the movie, I already said, is quite effective and has its charm, especially in the opening sequences in the dive where Mitchell and the badass thug for which she has left Nicholson (Brett Hasley) are whisteling sweet nothings surrounded of some other guys.

Without lacking from a sociological point of view, although seasoned with humor, the usual morality of the B-series movies of the time that deal with the subject of youth and delinquency, another of its assets is the elegant and beautiful presence as a secondary role of Lynn Cartwright, a lady who would later have a long career in projects of a different kind. Among the presences that one cannot fail to notice in the large casting there is also, although it does not even appear in the credits, the always friendly and usual characteristic of the Corman gang at that time, Bruno VeSota, a guy who always gives a consistent looking to the shots and that, as director, that same year he had done for the "The Brain Eaters". As with Corman everyone did everything, may be someone told him to stay and gave him a phrase so that the tape in its final section would not decay.

In the same way that in moments of tension, the soundtrack resorts to more sandunguero Latin jazz, in the vein of Gillespie's Latinbop, so that things do not go downhill. Those are the kind of things that are appreciated in this type of cinema.