Jeunesse tracassée

From the title I was expecting some fluffy 50's style juvenile delinquency. Actually, for folks wishing to bridge the gap between conformist youth 50's style and the rebellious 60's youth, this is a good flick to catch. 50's teacher Shatner is tired of processing his high school classes into dull adult conformity. So, he tries one day to get them to discuss topics that interest them apart from the settled curriculum. It just so happens that many of the kids attended an all-night stay-over at a beach house where many boy-girl things happened. Thus sex is upper-most for many, even though that's not fit subject matter outside of hygiene class. Still, teacher Shatner wants to fudge precedent and thus has them write about their concerns. However, one thing leads to another and the innovative-minded teacher's job is jeopardized once parents learn of the assignment and take their traditionalist concerns to the principal. Things reach a climax when the kids, hungering for treatment of their personal issues, react to Shatner's dismissal.

In many ways the script confronts the cultural conformity of the 50's with issues simmering beneath the outward calm. Among them-- education is more than simply preparing students for adult-level jobs; sex is as much a personal issue as a parental one; pressure to conform is reinforced by profits at the business level (Dunne's used car lot); real reform only comes about through mass action.

There may be more, but these are issues brought to the fore by what amounts to a daring script for its time (1961). It's also revealing that the movie was produced by independents and not a big studio. Anyway, the acting is skillfully unmannered and doesn't overshadow the important topics, while the staging uses location shots rather than studio sets giving the results a better sense of realism, even though I found the upshot to be a little too "Hollywood". All in all, the movie may be obscure; still, the 90-minutes reflects a significant undercurrent in the evolution of modern American culture. After all, Vietnam may have triggered the youth explosion, but the fuse was smoldering long before as the movie providentially suggests.

A high school teacher (Wiliam Shatner) gets in trouble when he tries to teach a class in sex education.

This was the directing debut of Buzz Kulik, who went on to make the cult classic "Bad Ronald" as well as several episodes of "Twilight Zone" (though not, oddly, the ones with William Shatner).

I had low expectations for this film and only watched it because today was Shatner's 82nd birthday. Seemed like a good time to check out career highlights. And this one is a bit of a stunner.

For being 1961, which is really more the 1950s than the 1960s, it has a very honest look at sex and the idea that high school teenagers engage in sexual activity. While times have changed and kids today are certainly more "free" than fifty years ago, it is nice to see a film that actually addressed the subject rather than pretending it did not exist.

William Shatner stars in this B&W classroom drama about the changing mores of the last 50s and early 60s. Released in 1961, this film would ring true to both adult and teenage viewers of the time. Only a few years before, Rebel Without a Cause had set the table for a new teenage paradigm. When we see a convertible full of teenagers speeding dangerously through a town (accentuated by a hand held camera in a trailing vehicle), we immediately recognize the form--a dangerous mix of freedom and rebellion.

It is in this setting that Shatner, as the young teacher, does his best to teach his students what they really need to know. One student (played by Patty McCormack only a few years after The Bad Seed!) suggests that the most relevant topic is sex, meaning the role of sex in teenage relationships. The newly claimed freedom of teenagers and their rebellion against the values of their parents made sexual behavior a volatile subject. When the parents discover the teacher is "making them" discuss sex, the town is ready to march with pitchforks (with a capital P, that rhymes with T, and that stands for Trouble!).

Except for the very obvious boom mike hanging over the classroom, I found the production values of this film excellent. The story was interesting. And Shatner doesn't even_talk with his_halting rhythms he became known for.

A previous comment wondered whether 21st century sarcasm should be applied to this film...I believe there's genuine enjoyment to watching this vintage film in that manner - the soundtrack alone is truly priceless.

And you should walk into this story with 21st century cynicism, sneer at the plastic performances and ridiculousness of the script, the scenarios it portrays...because it's only then that the real power of the film - I'm not kidding - comes through. When you're absolutely convinced that this generation and movie couldn't be further from "explosive" you are, with all the others, focused on the moment when our protagonist Janet reveals that which started all the fuss.

Then, even in this century, could a truth be more plainly and easily revealed to all. I danced to its music (for kicks) and ended astounded at its simple honesty. A great catalyst for discussion, if you can convince folks to relish, then release, their cynicism...

The Explosive Generation is a harbinger of things to come. Little did they know about student protests in 1961. The best that kids could come up with as a protest concern is the dismissal of a popular English teacher. This was way before an unpopular war, a slew of assassinations, and the spread of drugs. This was before half of the Sixties was over.

These kids are as normal a group of Eisenhower era teens as you can find. But when William Shatner asks them about topics they want to discuss in his class and Patty McCormack mentions sex and not in the hygiene manual way it all mushrooms from there.

The parents of these kids particularly Arch Johnson who is McCormack's father get hysterical when their kids want to discuss grownup topics. When Shatner is canned, the protesters led by McCormack, Lee Kinsolving, Suzi Carnell and Billy Gray get creative in their protest. They would have made the kids who sat in in Columbia later in the decade proud.

The Explosive Generation isn't exactly atomic in its impact. More like a few pounds of TNT. Still those nostalgic for the era and its music will like it.