Le manoir de la terreur

A very atmospheric Gothic styled horror - it's right up my alleyway! This this is the kind of horror that sends shivers up and down my spine: madness, twisting plot, fog, big old castle, revenge, murder, coffins, cobwebs, creaking noises etc... it's subtle horror mixed with a bit of a mystery that kept me highly entertained! To me, the film had the feeling or look of a 60s B&W TV Show or made for TV movie rather than something that played on the large screen at the picture shows - yet that seemed to add to the film rather than take away from it. OH expect to hear things like "he's wanting to murder you" followed by the Da-dumb music like the old TV mystery or horror shows - it's not just the look & overall feel of the film but the music that adds to the TV show feeling when watching.

Very good movie! I recommend to fans of Hammer, Amicus and other classic horror film studios and to those that like the older mysteries.

8/10

Though it has somehow or other managed to escape all the standard reference books, this film is a real and unheralded discovery--a visually distinguished and absorbing Gothic thriller, halfway between Bava country and the Mexican gothics like "The Witch's Mirror".

"Blancheville Monster" where have you been hiding? Right off the bat, we are treated to a deliciously evocative visual opening--a wintry, bare tree ridden country road, awash with an icy looking rain, beyond which stands the distant castle on the mountain.

Ann Radcliffe would be well pleased! And the film keeps on delivering: two attractive female leads, a mysterious and scarred man locked in a tower room, frequent thunder and lightning, and all the necessary accoutrements of remote castle Gothic, from flickering torches to doleful turns on the family harpsichord.

The countryside in which the film is shot has the desolate beauty of a November day, and strongly suggests the Brittany in which the film is set, (though not shot). In this sense, some of the landscapes resemble those in Bresson's "Diary of a Country Priest." Devotees of the genre are herewith advised to seek this out. It's far more deserving than some of its over-hyped relatives.

This is a dubbed Italian horror film that takes place in 1884 France. Emily has just come home to the huge spooky family castle after finishing school. With her are her fiancé John Taylor and his sister Alice. At home she discovers her father has died and her brother is in charge with all new servants and a suspicious doctor. Then there are screams in the night, a disfigured monster roaming about and a family curse that threatens Emily.

It doesn't make a whole lot of sense but it works. This is they type of horror film they used to show late at night on local TV stations. There's no nudity, sex or swearing and very minor blood and no gore. It takes place in a beautiful and very eerie castle drenched with atmosphere. The black and white photography only helps and there are even a few dark and stormy nights thrown in! This isn't really scary but it is lots of fun. The kind of horror movie to watch late at night with the lights off and some popcorn handy. I give it a 7.

This "pretty good" Corman-styled quasi-Poe entry complete with Vincent Price lookalike, and red herrings, is a little too plodding for it's own good and needs some more frequent and stronger moments of horror to make it to the "very good" level. The same can be said of the Corman-Poe films and such, yet they had great indelible scare moments, fabulous art direction in color and Vincent Price to keep them interesting. This looks like a late night spook show staple from the 60s and 70s, and is fine as such, except I saw it without commercials. I kept thinking it would be better if I'd watched it on an old B&W 20" portable TV on a wire-rack TV stand with potato chips and soda, and a chair with lumpy cushion on a chilly and windy October night just to get into the period.

I sought out this little gem after reading about it in Tim Lucas' bio of Mario Bava. Lucas believes the effects in this 1962 b/w strongly resemble Bava's technical flourishes. I sought out this title for this reason, but also because I collect films of the era containing the word 'monster' in the title. I also have a growing appreciation for Gothic Italian horror and mystery. After snapping it up on Amazon for about five bucks including postage, I am pleased to announce that it was well worth my time and effort.

There is a lot to like about this movie, including an eerie score and loads of captivating locations and sets; the crumbling abbey is reminiscent of Universal's "Dracula" but much more realistic and effectively photographed. Moments of the film seem over the top, and overcooked, but it stands up well for its time overall. This is especially desirable to those of us who recall the old Shock Theatre days of television, and enjoy Italian Gothic horror of the 60s.