Lost Continent

A synopsis of this film and a list of the cast members is bound to raise false hopes. Sad to say, it sounds much better than it looks.

An atomic rocket crashes atop a lofty plateau on a South Sea island, a plateau where dinosaurs still survive. Three military men and three scientists climb to the top of the plateau and struggle through the savage environment to recover important data from the rocket. The cast consists of B-movie sci-fi veterans: Cesar Romero ("The Jungle"), John Hoyt ("Attack of the Puppet People"), Hugh Beaumont ("The Mole People"), White Bissell ("The Time Machine" and others), Hillary Brooke ("Invaders from Mars"), Sid Melton ("Captain Midnight"), and a bit part by Acquanetta ("Captive Wild Woman").

The jungle sets and tabletop miniatures bear a pleasing resemblance to a poor-man's Skull Island (misty and surrealistic). The special effects during the climactic earthquake are nicely done. The cast does a fair job with Richard Landau's script. Admirable music by Paul Dunlap. Directed by Sam Newfield.

In spite of these assets, the film is defeated by a low budget and the poorly done animation (the credits do not name the animator). Only two triceratops, one brontosaurus, and one pterodactyl are shown. The dinosaur models lack detail. "The Lost Continent" came out early in the sci-fi craze of the 1950s, before any of Harryhausen's movies. The producers didn't realize how hungry the public was for rampaging stop-motion monsters.

This film features three elements commonly found in science fiction movies; rockets, dinosaurs and radiation, although the latter plays only a minor part in the proceedings. It is interesting that this Lippert production features both rockets and dinosaurs since the original treatment for Lipperts ROCKET SHIP XM, made the previous year, the Martian explorers were originally supposed to find a dinosaur inhabited Mars, not the nuclear bomb destroyed Mars found in the finished film.

I first saw this film when I was a pre-schooler in the early sixties on a weekly saturday morning show called "Super Adventure Theater". Because I saw this film at a very young age, it's probably the only reason why I recall this film with fondness. Viewed as an adult, THE LOST CONTINENT is a fairly standard science fiction movie. The film moves along a good pace, except for the overly long rock climbing sequence mentioned several times in this forum by the films detractors. The stop motion dinosaurs are only moderately interesting. The effects seem to have been done by effects men who lacked experience in employing this technique. Note how the dinosaurs in most scenes only move one limb at a time and appear not to have been anchored down tight enough. However, despite the faults in the stop motion animation in this film, I will give the films producers credit for at least employing this technique instead giving us tired looking, put upon photographically enlarged lizards.

The films cast is acceptable, but no one gives a performance that would win any major awards either. Hillary Brooke was given top billing in the films ads, but her role here is minor, so minor that her scenes are often cut from many of the TV prints I have seen. Whit Bissel, who soon become a stalwart in fifties science fiction movies, is cast in a superfluous role as a scientist who falls off the mountain (in a surprisingly effective scene where he falls into a mist) before our band of merry mountain climbers encounter the dinosaurs. John Hoyt has the best part a the Russian exile scientist who becomes the films hero, in that it is rather unusual for a fifties film to have a Russian as a hero. However, all the characters except for Hoyt's, are stereotypes, but the not kind that was typically found in fifties science fiction movies. Thats because the typical fifties science fiction movie characters had not yet been invented. Instead, THE LOST CONTINENT features the kind of stereotype characters found in war movies.

The best part of THE LOST CONTINENT is use of green tinting in the scenes when the explorers are on the dinosaur inhabited mountain top. I had to chance to see the tinted version and thought it to give the film an interesting look. Its a shame so many black and white films that included tinting or colour sequences are shown only in black and white today.

THE LOST CONTINENT isn't a bad film really, I can't really sight anything, except for the overly long rock climbing sequence, thats done all that bad that would make someone dislike it, nor does anything stand out as exceptionally well done to make this film anyones favorite either. Its simply undistinguished. It is just another film, I don't think anyone back in 1951 saw this film and raved about it to their friends, but I don't think anyone walked out on this film demanding their money back either. THE LOST CONTINENT is like a great number of movies, the kind one sits through with only mild interest and enthusiasm.

The Lost Continent is an excellent, low budget dinosaur adventure from 1951. Although we don't get to see any dinosaurs until the last half hour, this is worth the wait.

A party is sent to a South Seas island to search for a missing atomic rocket. They eventually arrive there after a long flight and a lot of rock climbing. While resting on the rock face, one of the party sees an enlarged lizard, but no one else believes him. When they get there, they discover an uncharted plateau where time has stood still. It is tinted green. On the plateau, they battle a Brontosaurus, some Triceratops and a Pterodactyl. These stop-motion monsters look quite impressive, even though they are not done by Willis O'Brien or Ray Harryhausen. The party eventually finds the rocket, get the information they want off it and escape from the plateau which is then destroyed by an earthquake.

This movie stars Cesar Romero and several familiar faces from 50's sci-fi movies: Whit Bissell (Creature From the Black Lagoon), John Hoyt (When Worlds Collide) and Hillary Brooke (Invaders From Mars). All play good parts. The score in this movie is excellent throughout and the green tint looks good too.

I had been after this movie for ages and was pleased when I obtained an NTSC copy.

This is a must for fans of dinosaur movies and 1950's sci-fi. A treat.

Rating: 4 stars out of 5.

Plot—a retrieval team is dispatched to the Pacific to bring back vital info from a downed rocket. Their plane, however, crashes on a prehistoric island, so adventure follows.

Considering the production's barrel bottom pedigree, it's better than I expected. Not that this says much—the monsters are poorly done, the rescue team climbs endlessly the same rocks, the pacing sometimes drags, while the green tint is stomach churning. Still, producer Neufeld hired a capable cast, even if the women's roles dangle like appendages, (added no doubt for marquee value). Then too, low-rent comedian Melton restrains his usual buffoonery as one of the team.

On a different note, catch the brief Cold War dialog between Rostov (Hoyt) and Nolan (Romero). Judging from the release date, I expect the movie was filmed at the height (late 1950) of the Korean War, so maybe the departure's not surprising. Anyway, the ambitions may greatly exceed the budget, but the cast manages some interest in an adventure movie that could have easily been a total loss.

I saw this flick first on MST3k, but I have since seen it in its original splendor. Lemme tell ya, it really didn't change all that much. I mean, *sure*, it wasn't as funny without the shadows at the bottom of the screen, but the film really does make fun of itself.

Honestly, if I'd wanted to see a documentary about rock climbing (especially the climbing of the same styrofoam rock set shot from different angles) I'd turn on the discovery channel. This film is obviously one of those intended for the 50's drive-in couples that weren't there to watch the movie anyway.