Les ailes brûlées

When this film had been completed an official from the Home Office viewed it and as a result the Labour government tries to stop the film being released.The reason for this was the poor light in which the approved school system was shown.So the producers had to shoot the framing device with Flora Robson.It is clear that the authorities did not know what to do about teenagers.In fact this film shows Jean Kent's character in a favourable light and authority less so.After all because Kent has been beaten by her father and cant go home she is given 3 years in an approved school.So rather typical of the period Kent has a whale of a time till the last reel when she must pay for misdeeds.The last part of the film is based on real events which were portrayed in a later film with Emily Lloyd Pack.

The 27-year-old Jean Kent plays 16-year-old Gwen in this excellent and harrowing British film that looks at the downfall of a good-time girl.

Told as a cautionary tell by Flora Robson (a court officer) to Diana Dors (a possible delinquent), the story of Gwen combines parts of all those Hollywood movies starring Lana Turner or Susan Hayward in which the good girl goes bad---and PAYS for it.

Gwen is a well-meaning girl who comes from a violent home and likes nice things. After a final beating from her father on being fired from a job in a pawn shop, she runs away and gets an apartment in London. There she meets a man who gets her a job in a nightclub. From then on she's on a descent into a world of booze and sleazy men. She never really does anything wrong but she crosses the wrong guy and he gets even by framing her in a jewel heist. She's sent to a reform school, learns to be really tough, and escapes to live an even wilder life of men and booze. The final sequence of events is mesmerizingly horrible as Gwen gets framed one last time.

Jean Kent is terrific and totally believable as the willful teenager and party girl. She's as good as any tough girl in any Hollywood film. Supporting cast offers a few great roles here: Griffith Jones, usually a nice guy, plays a sadistic thug; Jill Balcon (mother of Daniel Day-Lewis) is great as the vicious Roberta; Herbert Lom is subdued as Maxie the nightclub owner; Beatrice Varley is good as the hapless mother; Dennis Price is memorable as Red; and Flora Robson scores again as the court official.

Just a terrific little film.....

England was in a terrible state in the late forties: the cost of the war had bankrupted the country, industry and employment was decimated and crime rates were through the roof. Not too different to America in the early thirties. So, to cheer us up - to give us some escapist entertainment Rank Films gave us this misery fest!

It's no GOLD DIGGERS OF 1933! Optimistic is not an adjective anyone would use to describe this but nevertheless it will keep you glued to the screen. It's not escapist fun, it's not sexy but it is beautifully made.

You'll be cringing as Gwen, 'the good time girl' played brilliantly by Jean Kent, makes stupid decision after stupid decision plunging her life spiralling down the toilet. Virtually every man she pairs up with is worst than the last one - indeed it doesn't paint a pleasant picture of men at all. What it does do is paint a picture of a land where the victory jubilation has given way to an utterly grim and cold reality.

If you've watched lots of pre-code Hollywood movies you'll be familiar with such plots but because it feels much more realistic than a lot of what Hollywood made during those lean years of the thirties, it feels more personal. You can really empathise with poor Gwen and think; there but by the grace of God go I.

Personally I think this would benefit from not having what feels like a morality lecture bolted on to the beginning and the end but the main body of this film is incredibly compelling. Unless you've just watched BICYCLE THIEVES, which manages to be even more relentlessly grim, you're not going to feel especially happy after watching this but it's very satisfying. It's a superbly well made film.

"Imagine - they say I'm aged 25-30!" scoffs 28 year old Jean Kent in the role of 16 year old Gwen Rawlings. Without knowing her real age, you'd scoff too. If a 30 year old Patricia Roc can play an 18 year old ingenue, all sweetness and honey, then an almost 30 year old Jean Kent is the ideal for a teenage runaway. A young Diana Dors also features in the film, as the recipient of Flora Robson's warning tale. Though ten years younger than Ms. Kent, they easily both pass for being the same age, without any stretch of the imagination.

I'd watch Ms. Kent read the phone book so I am openly admitting that I am terribly biased towards her, but I do believe that she sure gave one of her best performances in Good Time Girl. The character is almost an extension of some of her bit parts - what might happen to them if Phyllis Calvert or Margaret Lockwood were out of the picture, and she was given the film.

Poor Gwen is a victim of circumstance if ever there was one. First she borrows a brooch from work and is caught returning it. Since she won't sleep with the manager to keep him quiet, and he won't believe the truth, she is fired and in turn beaten by her father when he discovers this. She leaves home to stay at a boarding house and gets a new job through another man there, who also has designs on her. At this point, Gwen is still a sensible young lady and she pushes him away until he beats her up in a fit of rage - and it's her black eye that gets him fired. Vowing revenge, he leaves for a time but then returns briefly enough to frame her for a petty crime, and Gwen is sent to a reform school for three years. You really have to feel sorry for her because she's not at all a bad seed, just rebellious and headstrong. She doesn't get on the wrong side of the tracks until nearly the end of the movie, when all the bad types she's been hanging around with finally rub off on her and she joins a small crime ring. Alas, it is this one change of heart that ultimately ends in tragedy for Gwen.

Good Time Girl is an absolutely harrowing story and certainly one of the most gripping movies I've ever seen. 10/10

Jean Kent ("Gwen") is at the top of her game in this fast moving drama. After what can only be described as a violent childhood, a period in borstal and getting sacked from her job in a jewellery shop, she has a little too much to drink one evening, drives home and accidentally collides with a policeman! Desperate to avoid the law, she hooks up with deserting American soldier - "Mallone" (Bonar Colleano) and shortly afterwards they are becoming the petty-thievery bane of the lives of just about everyone. It's told by way of a sort of optimistically redemptive series of flashbacks as another young woman "Lyla" (Diana Dors) is regaled with this tale of her flawed life - largely in the hope that it will dissuade her from taking the same path. Each episode, if you like, of her life seems to have had a bad influence that has led her to behave as she has, and none more pernicious that the magistrate "Miss Thorpe" (Flora Robson) who epitomises the role of an uncaring woman expertly. We've also got dodgy nightclub owner Herbert Lom who would sell his own mother, and her untrustworthy house-mate "Rosso" (Peter Glenville) - all of whom take considerable responsibility for the moulding of this young woman. Indeed, it is only really "Red" (Dennis Price) who has had anything like a benign influence on her life. The story is bleak, no other word for it, and at times that makes the whole thing a little relentless to watch - but for Kent and Robson, it is well worth watching for the performances from these two ladies alone.