Champagne for Caesar

On one level, Champagne for Caesar showcases the comic talent of Vincent Price and Ronald Colman in one of the best screwball comedies to come from the tail end of Hollywood's golden age. Colman and Price are not two names commonly associated with comedy but as this movie shows they should have been.

This movie deserves to be rediscovered by an audience niche who will appreciate it. On a deeper level this movie displays the willful innocence of the Fifties with a tongue-in-cheek manner. The comedy is both of it's time and mocking the institutions of its time. It is the first movie I know that examines the emerging world of television, crass commercialism and the hypocrisy and hype that it brought with it. You might consider it the grandfather of the Truman Show. A comedy that goes deeper than it first seems. Besides any comedy that uses Mel Blanc as the voice of a parrot is worth looking into.

It has always amazed me what a wonderful job of casting was done on this film. Ronald Colman in a departure from his normal films, Celeste Holm as the vamp with a giggle/laugh that would keep anyone awake, Vincent Price, Art Linkletter and Barbara Britton doing what they each do so splendidly. This film was quite underrated originally, but true film buffs will enjoy the comedic plot and the great acting.

I honestly don't know who could have played these parts better. This film is a masterpiece of casting. Colman manages to make a character who would be despised by most everyone in real life warm and sympathetic. Even his most cutting put-downs are delivered affably and without malice. He wishes to educate, not destroy, and Colman plays it dead-on.

Dated and yet timeless. Fluff with depth. A delightful paradox, well worth the price I paid for the DVD.

P.S: I bought the DVD based on the strength of the Quotes section of this IMDb listing!

Why this movie is not considered up there with the great comedies of the 1950's is beyond me - I mean, Some Like It Hot is funny for two viewings, tops. There are scenes in this movie that never ever fail to make me laugh, and I've seen the film six or seven times by now. All of these are scenes with Vincent Price, who gives what is probably among the top five comedic performances in the history of American film here -- at least if you consider those by non-comedians. It's no surprise that Price could go over the top, as he did in all those Roger Corman horror movies, but here, it's expressly for comic effect (rather than camp effect -- not the same thing). He was at a transitional point in his career: he was through playing hunky-but-wimpy second male leads and tormented romantic heroes, and was soon to embark on his second career as Mr. Drive-In Horror Movie Star. So this is really his only true comedy performance, and he is brilliant as corporate nutjob Burnbridge Waters.

Everybody else here is great*: Ronald Colman is simply perfect as Beauregard Bottomley, an unemployable with a genius range IQ. (I am of the opinion that Alex Trebek wanted to grow up to be Ronald Colman -- not necessarily as this character, just in general). Celeste Holm is great as always as temptress Flame O'Neill, hired by Waters to rattle Colman's character to the point where he starts losing on the quiz show. She's very much in the tradition of Carole Lombard: beautiful and a super actress in anything, very adept at comedy and always intensely likable. Barbara Britton as Bottomley's sister Gwenn is another charmer, cute as a bug's ear.

*Then there's Art Linkletter: OK, he's great as the quiz show host -- he did that for a living in real life. But there's something kinda creepy about him, plus he's no matinée idol, and I always feel a little skeeved at his scenes romancing Barbara Britton. It's taken as gospel that no unattached lead character remain unattached at the end of a movie, but couldn't they have paired her off with one of Waters' employees, a cab driver, ANYBODY? OR could they have hired some second-tier pretty boy to play Linkletter's role? This is my only quibble with the film, and it's why I rate it a 9 rather than a 10.

There is no way that you can present a synopsis of this film that can make it appealing. Here is a film that stars Ronald Colman, Vincent Price, Celeste Holm and Art Linkletter???? The plot includes a soap company, a quiz show and a talking parrot. Not only does this film work, it is one of the most riotous comedies ever filmed.

It is the incongruity (and thus the brilliance) of the casting that makes this successful. Colman who is so well known for his romantic voice and looks and just coming off as Oscar winning performance in the dark but brilliant "A Double Life" plays Bouregard Bottomley, a man who knows "everything about everything", except how to get a job. He goes to the Milady Soap Company and is almost hired except he had the audacity to make a joke in front of company President Birnbridge Waters, played by Vincent Price. It seems that Milady sponsors a quiz program and Bottomley decides to go on as a contestant and take Price for all he is worth and thereby hangs this uproarious tale.

For all of the dramatic accomplishments by the principals, Colman, Price and Holm are tremendously funny with Price as a particular standout. He goes way over the top (similar to James Cagney in the equally as funny "One, Two, Three") but he is perfect.

The real surprise is Art Linkletter. Having made his reputation as a rather bland variety show host in radio and the early days of television, he comes off very effectively as both the quiz show and the romantic lead. This was his only acting appearance and it is too bad. He was very good.

This film demands several viewings. Often you are laughing so hard you miss some great lines.

The Champaign in the title does not go solely to Caesar (a talking parrot). It goes to all involved with this classic. Here's to you.