Deux nigauds légionnaires

This movie is pretty much a combination of Abbott and Costello meet the Invisible Man and Lost in Alaska. A sheik/professional wrestler leaves the camp of Bud and Lou to return to his native Africa. Bud and Lou, on the verge of losing $5,000, follow him to try and bring him back. They get duped into joining the French foreign legion in the area and deal with a french spy and a traitor in the legion. For a former long time pro wrestling fanatic like me, this movie makes me laugh, mostly because I used to take wrestling so seriously. The intro is great, especially Bud Abbott, who shows passion that he would only show periodically in the team's later years. The chemistry is good in the scenes in Africa until the boys join the legion when the movie stalls slightly. There is a funny bit with Costello manning a machine gun and a hilarious miscounting scene that is the best bit in the film. Some great pro wrestling nonsense and a chaotic ending finish the film. This is one of the Abbott and Costello flicks that I missed seeing in my youth. Other then the wrestling bits and some really beautiful women, Abbott and Costello and their routines carry this one.

Okayish piece of nonsense wherein Bud and Lou are on the case of a wrestler in Algiers. Not their greatest work (or their worst). Some laughs, some groans but hey, did anyone ever have the pathos of poor old Lou?

Some funny stuff when the dynamicless duo are lost in the desert. Few cornball gags and some really really crappy production effects. It was obviously shot principally in a studio and it shows!

Next please!

Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion, after which they discover Axmann's collaboration with the nasty Sheik Hamud El Khalid.

The plots of the various movies don't really matter one way or the other. What really matters are the gags. I felt like the gags in this one fell a bit short. The centerpiece is a scene concerning a mirage, which never really hit its peak. And the verbal banter that these two are best at is absent, and that is disappointing.

The movie does work as sort of a cultural artifact about what Americans (or Hollywood) thought of the Middle East in 1950. While not outright offensive in any way, some of it seems surprisingly ignorant. But then again, I could probably argue that the situation has not improved in the last 60 years.

Sep 23, 2011 In this movie Bud and Lou get there first taste of being outside the U.S., it's comical to see what in these days wasn't politically correct. The are looking for a wrestler who broke his contract and left New York in Algiers for his home country. Comedy is there, but not like some other films.

Slight Abbott and Costello comedy has them playing wrestling promoters whose star attraction has quit and gone home to Algiers. The duo follow after him and are tricked into joining the Foreign Legion. This is not one of the boys' better efforts but it's still a decent way to pass the time. Most of the gags are pretty stale but I did laugh here and there. Walter Slezak and Douglas Dumbrille are good heavies but the script doesn't give them a lot to do. Patricia Medina looks like a Hedy Lamarr clone. Wrestlers Wee Willie Davis and Tor Johnson are fun to see. The wrestling gags are some of the movie's best. Maybe Bud and Lou should have made a wrestling movie instead and forgotten all this Foreign Legion stuff. Like I said, not their funniest but enjoyable enough to pass the time.