Mahal

Full review on my blog max4movies: Mahal is a romantic drama with supernatural elements about a young man who is driven insane by the supposed ghost of his lover from another life. Several elements work great, e.g. the visual presentation and the eerie atmosphere. However, the movie lacks a more focused pacing, as it features several irrelevant songs and scenes that distract from the fate of the main characters. The theme song is very memorable but often the songs are entertaining which sometimes works against the serious notions of the tragic love story. Still, the main performances are captivating, and the atmospheric beginning and the clever ending make up for some of the apparent long-winded moments in between.

Its so beautiful. Think it is probably the best gothic romance ever. From the grand music to the doomed lovers it has everything.

Also its shot beautifully. Almost like a surreal dream.

This is classic in real sense of the word. A tight suspense from beginning to end. Mahal is one of the greatest films ever made in Bombay filmdom. Adding to the suspense is all time great song 'Aayega aane wala...'. See it for a very young Madhubala and highly expressive Ashok Kumar. Kamal Amrohi has not made any better movie than this one. Though his 'Daira' is another great hidden classic. He is primarily remembered for 'Pakeeza'. Very few films gained the status this film achieved. This is certainly one of the ten best from Bombay. The story has twisting end which will certainly surprise you and you will never be the same again. Most of the movie was shot indoors, one can easily tell that comparing it to modern standards, yet the directorial perfection is amazing. A must see.

Mahal (1949) : Breif Review -

A landmark in the Gothic-Horror-Fiction genre for Indian cinema, with complex romance theories that are still untouched. The gothic horror genre was set in mind when I saw the silent German classic, "The Golem" (1920). I never thought that world cinema could use Gothic horrors in such a manner to create a haunting viewing experience. Even Hollywood stayed away from it in the early days, so of course, Indian cinema was supposed to try its hands way later. I am surprised to see that Kamal Amrohi did it in 1949. Okay, one second, How??? Mahal is such an uneven mixture of Indian Gothic, horror, romance, drama and intellectual yet complex theories, it is hard to believe. I haven't seen such a unique combination in any Indian horror film yet - including every film made till 2022. Having a love story in a horror film is like having water in tea for Bollywood movies. Tell me, have you seen any hits or popular horror films that haven't got romance? The answer is probably No, I guess. But Mahal is way ahead of all those romantic horror films, despite being made early. Kamal Amrohi has been hailed for making "Pakeezah" (1972), but I believe he did a better job in Mahal, 23 years before the musical classic. This deserves to be hailed at a higher level than Pakeezah. Mahal is a prime example of human horror meeting gothic formulas, including an influential romance based on reincarnation. Rajesh Khanna and Hema Malini's Mehbooba (1976) was too late to copy it. There are many instances like this because Mahal is a textbook of multiple theories-right from romance to horror to crime to drama to a sad ending. Now you may want to argue with me for calling it a horror movie, as it's not a ghost horror film like the Ramsay Brothers. So what? Even Biren Nag's "Bees Saal Baad" was similar. It had "Kahi Deep Jale", while Mahal had an even better song, " Aayega Aane wala". Top class stuff. A little lengthy, but needed that time to absorb you as a viewer.

RATING - 7.5/10*

By - #samthebestest.

It has been proud to watch a cult-classic film now in 2021 for the first time and I can trace back the setting and the subject which the movie talks about. The films getting released nowadays have this kind of subject or theme which shows a close resemblance to this 1949 film, Mahal. Debted from gothic culture Mahal set-up in a Mahal (mansion) which has that kind of German Expressionist mise-en-scene and musical accompaniment. I like the songs especially the 'Ayega' song which is resounding in my heart. The great essence of cinematography technique by the veteran Josef Wirsching can be seen here and excellent music composition by Khemchand Prakash. A modernized way of depiction can be seen in each and every frame of the movie.