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A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

An American journalist travels to India to cover Bollywood weddings, only to uncover a mosaic of cultural clashes, transgender tangles and lost loves with her travels culminating at a destination where the only journey is the one within.

A vengeful Jew adopts an abducted Roman child, who grows up and unknowingly falls in love with a Roman.

A wealthy mill owner, Durgadas Prasad, hires a secretary to handle his office work. She falls in love with Billoo, who incidentally happens to be Durgadas' estranged grandson.

A heartwarming tale of good-samaritanism: A poor but large-hearted young man gives shelter to three helpless, forlorn people in his home--an abandoned railway coach. However, tensions arise in the group when he marries one of the inmates, a destitute young girl, since one of the other inmates loves her too.The group breaks up and the coach is abandoned. Time passes, fortunes turn, and penitence brings the group back together.

Two lovers are separated by the girl's conniving uncle, who marries her off to another man. Heartbroken, the man wanders around aimlessly until a common friend decides to reunite the two lovers.

Radha earns a living begging in order to support herself and her crippled and ailing father. They live in a small tenament, under the constant threat of eviction by their landlord for unpaid rent for several months. One day, while begging, Radha meets a young man, Nirmal Chander, who would like to see her improve her status by getting employment, he even goes to the extent of assisting her find work in a mill. He subsequently invites her over to meet his mother, and asks her to marry him, to which she agrees. Nirmal also seeks the permission of her dad. When he goes to get her to make arrangements for their marriage, he finds her and her dad gone. His attempts to locate her are in vain. Then after several months he finds her living in a small dilapidated hut with a young man named Mastram and a child - she calls her own - but claims that she is unmarried. Who is the biological father of this child? Where is he located?

Prem Shankar lives a wealthy life-style circa after the British Rule in India, with his businessman father, Girija, and housewife mother, Kamini. He is now of marriageable age, and his parents would like him to marry Seth Heerachand's daughter, but Prem wants to marry someone of his own choice, without any pressure from his parents. He befriends a young woman named Kasturi, who falls in love with him. Prem also meets with a gypsy woman named Dulari, and falls head over heels in love with her. When his father finds out, he is enraged, forbids Prem to ever see Dulari again, and warns him that he can only marry a woman from a good and wealthy family background. It is now up to Prem to decide to follow his father's instructions or do as his heart tells him.

Two movie actors are confronted by startling and hilarious obstacles.

When Shekhar comes to know that Rani became disabled because of him, he decides to help her by hiding his real identity.

The story is set in 326 B.C. The film begins after Alexander the Great (Sikander in Hindi/Urdu) conquers Persia and the Kabul valley and approaches the Indian border at Jhelum. He respects Aristotle and loves Persian Rukhsana (known in the west as Roxana).

International brand ambassador of Sanskrit, Megastar Aazaad created a mega movie titled Aham Brahmasmi to project, promote and protect the oldest ancient Language of the world, Sanskrit which is the first mainstream feature film in world history. 6th September 2019, went as a remarkable day for Indian Cinema, as Capital of India New Delhi and spiritual capital of India Kashi ( Varanasi ) witnessed a historic moment with the first screening of timeless creation Aham Brahmasmi and Sanatani Nationalist Filmmaker Megastar Aazaad marked his great presence among the Sanskrit lovers. The cine lovers had welcome Megastar Aazaad's movie of creating cinematic extravaganza in Dev Bhasha Sanskrit. Viewers of all ages witnessed the mega show with the Writer, Editor, Music Director, Director and lead actor Megastar Aazaad with chanting "Har Har Mahadev", " Bum-Bum Bol Raha Hai Kashi " and "Jayatu Jayatu Sanskritam" as if Aham Brahmasmi is not merely a movie but a cultural maha-yagna. The great purpose of movie is to rejuvenate the ancient language of the world and to create meaningful relevant and thought-provoking cinema. So that the world of today, acquaint with the forgotten languages and traditions. The ambition behind making this cinematic extravaganza is to rejuvenate Sanskrit among common people and unite the global audience by means of cinema. The historical Mega Movie Aham Brahmasmi is produced by Cinematic Giant Rajnarayan Dube's Legendary Film Company The Bombay Talkies Studios along with Kamini Dube, Vishwa Sahitya Parishad, Bombay Talkies Foundation, Aazaad Federation and World Literature Organization. Sanatani Filmmaker Kamini Dube is one of the most eminent female personality of India. After the grand success of first mainstream Sanskrit film in the history of world cinema Aham Brahmasmi, following the mission to promote, protect and strengthen the art, cultural languages and literature through cinematic creations, Megastar Aazaad is coming up with his Tamil venture namely Mahanayakan in one of the world's oldest language to unite the northern and southern part of India. To fill up any gap or remove any barrier of language, Aazaad is here to create a cinematic and rashtradharma for all and is ready with his timeless creation Mahanayakan in Tamil. Filmmaker and Megastar Aazaad has created his cinematic extravaganza Mahanayakan in Tamil to salute and pay respect to the enthusiastic and enlightened cine lovers of south India and has devoted his whole life to the mission of rejuvenating the ancient and forgotten languages worldwide and to unite the lingual division throughout the world by the means of art, literature, and cinematic creations.

Classic celebration of Mithila's King Shiva Singha's (Bannerjee/Kapoor) love for his wife while chronicling the influence of the pacifist court poet Bidyapati (Sanyal). Invited to the royal court by the king, Bidyapati arrives with his faithful follower Anuradha (Kanan Devi). Queen Laxmi (Chhaya Devi) falls in love with the poet, much to the distress of the king. The king falls ill and starts neglecting his royal duties until Anuradha persuades him that true love does not need reciprocation. The queen, equally distressed by her divided loyalties, contemplates suicide, encouraged by the prime minister who is worried by the nefarious impact of Bidyapati's poetry on the king. Both the king and queen sacrifice their lives before the statue of the god Vishnu who appears to weep at the tragedy.

Rich guy Puran is not allowed to marry poor girl Asha. Will his Zid (stubbornness) win over the family forms the plot of this film

A drama set amid an earthquake in Bihar. Miss Renee (Khote) looks after the victims while her lover, the businessman Sardar (Mohanned), wants to make money from the disaster. She comes under the spell of the blind itinerant Musafir (Dey in his usual persona) whose low opinion of the depravity of the wealthy provides the film's moral backbone. She eventually discovers that as a child she had been promised to Musafir but had been rejected by his family for being of a lower caste.

Based on the life of Sardar Vallabhbhai Patel, one of India's greatest nationalists and the first Home Minister of India.

A boy is raised by a wealthy family and grows up to become a doctor. He visits a small village for a medical camp and falls in love with Hamida. Meanwhile, the rich man's daughter pines away for him.

A seminal reformist melodrama critiquing the zamindari system from the viewpoint of the Kisan Sabha agitations in A.P. Small-time landowner Narsi Reddy (Raghawan) borrows money from a shavukar [money-lender (Raghavan)] who represents the major zamindar (Sitapathy) of the village. When Narsi Reddy votes for a peasant candidate (Kosaraju) rather than for the political party supported by the landlord, his son is attacked and he is publicly humiliated.

The son of a priest falls in love with a Harijan girl and elopes with her. The film was a social drama that deals with untouchability prevalent in pre-independent India.

Yusuf, a promising medical student and the son of a prominent doctor, falls in love with Najma but is forced to marry Raziya after his father fixes his marriage without his consent.

The simple-minded Rajat (Barua) loves neighbor Jayanti (Menaka Devi). He is advised on how to court her by his street-smart cousin Bishwanath (Sanyal) and Bishwanath's friend Samir (Bannerjee). Bishwanath and Samir try to get Rajat's miserly guardian Bagalcharan (Choudhury) to loan them money so that Samir can make a 'European-style art film'. Rajat's and Jayanti's guardians meanwhile become enemies. Rajat's guardian first falls in to the hands of a Quaker -crook Gajanan and from there into the clutches of two professional crooks Natoraj (Indu Mukherjee) and his daughter Supta (Molina Devi) who pretend to be multimillionaires. They eye the jewelries kept fro Rajat's would be bride. Supta pretends to like Rajat, and the alliance is accepted by Rajat's guardian and in rebound Jayanti agrees to marry Bishwanath. How to spoil the crook's plan, whom none know to be crooks?