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Although the film shows hundreds of American female military personnel stationed in Germany after World War II, apparently few were interested in the local men. According to Howard Hawks's "I Was a Male War Bride," only the male soldiers wed Europeans, and the military bureaucracy and red tape were stacked against American women marrying European men. With that premise, an American Lieutenant, Ann Sheridan, falls for Frenchman Cary Grant, and the couple resort to extraordinary ploys to both comply with and circumvent the rules to marry and bring Grant to the U.S. as Sheridan's "bride." Although Grant is about as French as Big Ben and looks as feminine in drag as Sylvester Stallone, Cary is Cary and brings charm and charisma to his improbable role of Captain Henri Rochard. Tough and sexy Sheridan is better cast, but the sum of the two stars exceeds either apart. Cary and Ann have chemistry and work well together in a plot that could have easily fallen apart with a less skilled team of actors and director.

Grant plays the patient and suffering spouse, who must endlessly explain that he is married to an American soldier and entitled to shelter and transportation in a system that does not recognize his gender as compatible with his situation. Throughout, Grant's face and body language speak volumes about the frustration of dealing with bureaucracy and filling in forms in triplicate. Although at times Sheridan seems oblivious to the depth of Grant's problems, her performance is fine, and she convincingly captures the transition from an initial loathing of to an eventual attraction to Rochard. Shot on location in post-war Germany, the black-and-white photography captures the beauty of the countryside and the devastation of the cities with documentary like precision. Hawks keeps the proceedings well paced, and, while rarely laugh-out-loud funny, "I Was a Male War Bride" and its megawatt stars provide excellent entertainment.

As a fan of Cary Grant's work in such comedies as Philadelphia Story and Bringing Up Baby, I was thoroughly disappointed by this movie.

It has a few shining, laugh out loud moments in the beginning and in the well known cross-dressing segment near the ending, but I found the middle to be long, slow and not very entertaining. The plot wasn't very interesting and Grant's adventures became repetitive and boring. Also, Grant isn't very convincing as a Frenchman, and I kept forgetting why he had trouble getting into the States in the first place. If you have trouble sitting through slow-moving movies, I would definitely not recommend this.

However, on the opposite side, there are a few funny moments, a cute romantic plot, and, of course, Cary Grant. See it if you wish, but be warned not to have too high of expectations.

I've always liked this movie despite it having one VERY serious short-coming. You see, some dimwit decided to cast Cary Grant as a French Soldier and, to put it bluntly, he sucks at imitating a Frenchman. If only the producers had watched the movie Suzy (completed more than a decade earlier), they could have seen how silly Grant looks when he plays a French person. He has no trace of a French accent. If he had sounded like Pepe LePew, it would have been a vast improvement! So, provided you can get past this (and I'm sure many CAN'T), you are left with an intelligent little comedy about what happens when an American servicewoman marries a French officer and tries to bring him back to the states. As you may have guessed, this did NOT happen very often as nearly all American troops who married abroad were men marrying local ladies. And, because this is NOT the norm, one bureaucratic snafu after another prevent them from the supposedly easy task of immigrating with his new bride to America. Particularly noteworthy is Grant when he poses as a WAC! Although he was a handsome man, he was one scary looking woman!!

Captain Henri Rochard is assigned to work with Lieutenant Catherine Gates on a very serious mission. Tho initial problems between the two are rife, it's not long before the two of them fall in love and hastily arrange to get married. However a ream of bureaucratic red tape ensures the couple can not be together and with Catherine set to go back to America, there may be only one option, Henri will have to invoke a War Brides Clause in army regulations, with some rather zany results.

I Was a Male War Bride is not even close to being a poor film, it has many moments of hilarity and contains a last twenty minutes to savour, it is however un-fulfilling as a comedy whole and sags on far too many occasions. How much of this is down to the chemistry of the leads and off camera illness problems is open for debate, for both Cary Grant {Rochard} and Ann Sheridan {Gates} both suffered ill health during the shoot, while director Howard Hawks himself was to succumb to being unwell at an inappropriate juncture. Tho Ava Gardner was originally wanted for the role of Gates {something i feel would have been excellent, if still wishing for a more comedic actress}, Hawks went for the more brisk acting of Sheridan, tho a fine actress, she seems wrong here, not quite coping with the comedy interplay with her leading man, almost missing the comedic beat as it were. Grant himself was said to have praised the picture quite often, but he does look weary and often appearing to be on auto pilot during the more laborious sequences.

The film has many supporters, but i can't in my wildest dreams term this as a screwball comedy, perhaps i expect better from Grant and Hawks?, i mean after His Girl Friday, Bringing Up Baby and to a lesser extent, Monkey Business, my expectation for this one was always likely to be high, and of course viewing Sheridan as a great dramatic actress was meaning i viewed this one with suspicion from the off. I honestly feel the last twenty minutes saves the picture from being very average, the script perks up, and naturally a bit of gender confusion always raises a titter, tho the sight of Grant in drag looks more akin to Frankenstein's monster than the boys from Some Like It Hot!. It's more than worth a watch and it has guaranteed laughs dotted throughout, it just falls some way short of being a comedy classic in this viewers humble opinion. 6/10

I saw this movie years and years ago and always remembered the line, "Be quiet or people will think we smuggled in a cow." I was excited to see it on TCM. Alas, while it's good, it's not as hysterically funny as I thought it was going to be. Cary Grant plays a Frenchman with an English accent who winds up married to an American officer, played by Ann Sheridan. I loved their banter, especially in the beginning. Their wedding night is interrupted when she gets orders to ship out, and the problem becomes how to get her new husband home with her to America when all the spousal regulations seem to be for brides.

For me, the funniest scene took place while Grant is waiting for the bus with all the brides. Over a loudspeaker, a female officer informs the women about the new styles in the states and the way hair is worn. Grant's face is priceless while she's talking.

The movie is cute and notable for Grant dressing like a woman and looking very homely. Ann Sheridan is very good. The film is a little slow, but if you love Cary Grant, you should enjoy it.