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La maison des étrangers

Original title: House of Strangers
  • 1949
  • Approved
  • 1h 41m
IMDb RATING
7.3/10
4.5K
YOUR RATING
Edward G. Robinson, Susan Hayward, and Richard Conte in La maison des étrangers (1949)
Trailer for this drama about a house divided
Play trailer2:14
1 Video
29 Photos
Film NoirCrimeDramaThriller

After years in prison, Max promises revenge on his brothers for their betrayal. His lover Irene and memories of his past yield him a broader perspective.After years in prison, Max promises revenge on his brothers for their betrayal. His lover Irene and memories of his past yield him a broader perspective.After years in prison, Max promises revenge on his brothers for their betrayal. His lover Irene and memories of his past yield him a broader perspective.

  • Director
    • Joseph L. Mankiewicz
  • Writers
    • Philip Yordan
    • Jerome Weidman
    • Joseph L. Mankiewicz
  • Stars
    • Edward G. Robinson
    • Susan Hayward
    • Richard Conte
  • See production info at IMDbPro
  • IMDb RATING
    7.3/10
    4.5K
    YOUR RATING
    • Director
      • Joseph L. Mankiewicz
    • Writers
      • Philip Yordan
      • Jerome Weidman
      • Joseph L. Mankiewicz
    • Stars
      • Edward G. Robinson
      • Susan Hayward
      • Richard Conte
    • 75User reviews
    • 21Critic reviews
  • See production info at IMDbPro
    • Awards
      • 6 wins & 3 nominations total

    Videos1

    House of Strangers
    Trailer 2:14
    House of Strangers

    Photos29

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    Top cast99+

    Edit
    Edward G. Robinson
    Edward G. Robinson
    • Gino Monetti
    Susan Hayward
    Susan Hayward
    • Irene Bennett
    Richard Conte
    Richard Conte
    • Max Monetti
    Luther Adler
    Luther Adler
    • Joe Monetti
    Paul Valentine
    Paul Valentine
    • Pietro Monetti
    Efrem Zimbalist Jr.
    Efrem Zimbalist Jr.
    • Tony Monetti
    Debra Paget
    Debra Paget
    • Maria Domenico
    Hope Emerson
    Hope Emerson
    • Helena Domenico
    Esther Minciotti
    Esther Minciotti
    • Theresa Monetti
    Diana Douglas
    Diana Douglas
    • Elaine Monetti
    Tito Vuolo
    Tito Vuolo
    • Lucca
    Fred Aldrich
    Fred Aldrich
    • Construction Worker
    • (uncredited)
    Maxine Ardell
    • Chorus Dancer
    • (uncredited)
    Larry Arnold
    • Minor Role
    • (uncredited)
    Al Bain
    Al Bain
    • Fight Spectator
    • (uncredited)
    David Bauer
    David Bauer
    • Prosecutor
    • (uncredited)
    Martin Begley
    • Minor Role
    • (uncredited)
    Ray Beltram
    • Man on Street
    • (uncredited)
    • Director
      • Joseph L. Mankiewicz
    • Writers
      • Philip Yordan
      • Jerome Weidman
      • Joseph L. Mankiewicz
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews75

    7.34.4K
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    Featured reviews

    10tomprovost

    Wow.

    This movie is just superb. I can't believe I had not even heard of it, hopefully this DVD release will help it find a new audience and some deserved critical acclaim. It's billed as film noir, but it really isn't; it's more an extremely complex, suspenseful family drama. But that doesn't even do it justice. The screenplay is terrific, subtle, thoughtful, and at the same time, razor sharp. Some of the exchanges between Conte and Hayward in particular are electrifying. Talk about two 'tough cookies' that ignite when they get together. And you really begin to care deeply about what happens to them. (All of the acting is top notch, across the board.) And then there is the direction by Joseph L. Mankiewicz. The movie is so beautifully crafted and feels as if it could have been made yesterday, it's gritty and urban and fresh. The composition in the movie has deep meaning in just about every shot, and is gorgeous to behold besides. Watch this movie.
    9bkoganbing

    Little Caesar Owning a Bank

    Try and imagine Little Caesar getting out of the rackets and taking his hard stolen loot and setting up a bank. Then Mr. Bandello marries and has four sons.

    You've got Gino Monetti who now that he's no longer terrorizing citizens confines his terrors to his own family. He's got four grown sons and he treats them like the hired help. All except Richard Conte who instead of working for him directly at the bank uses the bank's space for his law office.

    I think that's the key to this film. The other three sons Luther Adler, Efrem Zimbalist, Jr., and Paul Valentine all do work for him and he can treat them like dirt. Conte on the other hand, does not work for him, he's made his own career. By Robinson's logic, he's earned a certain amount of respect.

    So he pits them against each other. Unfortunately Robinson's banking practices which are not exactly legal catch up with him. He's forced to turn the bank over to the three sons in an effort to save the bank.

    Conte also tries to bribe a juror to save dear old Dad and gets disbarred and a stretch of seven years in prison for his troubles. Conte's out now and looking to even things up with his siblings.

    Robinson who's played all kinds of immigrants of many nationalities has covered the Italian ground before. But he's real good as the scheming, sadistic patriarch who in fact gets a deserved comeuppance from his sons. All four sons are fine in their roles with Richard Conte and Luther Adler deserving particular attention.

    Susan Hayward is the girl who waits for Conte. She must be in love with him. A disbarred attorney isn't exactly a dream prospect. She was just entering into the height of her career and this role was a career boost.

    House of Strangers is far superior to the western setting remake that 20th Century Fox did five years later entitled Broken Lance
    gregcouture

    Smoothly crafted studio product.

    This is one of those well-crafted films from Twentieth-Century Fox when that studio employed some extraordinary talents both before and behind the cameras. Although he wasn't a Fox contractee, Edward G. Robinson gives a great performance as a wealthy Italian family's patriarch and he is well-matched by everyone else in the cast, especially Richard Conte, Luther Adler, and Susan Hayward, looking terrifically classy. The script bears some obvious signs of being polished by the director, Joseph L. Mankiewicz, and the technical credits are absolutely top-drawer.

    Remade as a Western in CinemaScope and Color by DeLuxe in 1954, entitled "Broken Lance" with Spencer Tracy cast as the domineering father, the direction by Edward Dmytryk was not up to the standard of this earlier film with its then contemporary setting. This one is available on video (and seems to be very rarely exhumed on TV now) and is definitely worth a look.
    wgie

    Every once in a while a great film comes along, and is somehow forgotten over a period of time...but is still well worth watching!

    This film appears in John Springer's movie book "Forgotten Films to Remember" by Citadel Press, and certainly lives up to it's name! It is a dark movie about the dysfunctional Monetti family. The late great Edward G. Robinson portrays Gino Monetti, the controlling patriarch banker father that rules his family with an iron fist. Richard Conte gives a sterling performance as the well meaning faithful son, Max Monetti. He takes a prison rap for embezzlement for his aging father. While he is in prison he helplessly learns that his brothers Joe (Luther Adler), Tony (Edward Zimbalist Jr., and Pietro (Paul Valentine plan to take over the family banking business. As a result of this his father dies. Max returns home from prison focused on revenge. Fortunately, Max's girlfriend (Susan Hayward)convinces him that the revenge he seeks is not worth it. Realizing that his father Gino was the real source of hatred and evil in the family, he decides to peacefully leave town with his girlfriend, but is soon confronted by his evil brothers.

    Amazingly this 1949 film was re-made in 1954 as a Western of all things! The title of the re-make was "Broken Lance". Same story different setting. Spencer Tracy (Controlling Rancher Father) plays the Robinson (Controlling Banker father) part, Robert Wagner plays the Conte part (Faithful son), Richard Widmark plays the Adler part (Ambitious older brother), Hugh O'Brien plays the Zimbalist part, and Earl Holliman plays the Valentine part (strong arm brother). Both films share a powerful script and good performances. Worth seeing!
    10claudio_carvalho

    Never Forgive, Never Forget

    In New York, after seven years in prison, the lawyer Max Monetti (Richard Conte) goes to the bank of his brothers Joe (Luther Adler), Tony (Efrem Zimbalist Jr.) and Pietro Monetti (Paul Valentine) and promises revenge to them. Then he visits his lover Irene Bennett (Susan Hayward) that asks him to forget the past and start a new life.

    Max recalls the early 30's, when he is the favorite son of his father Gino Monetti (Edward G. Robinson), who has a bank in the East Side. Gino is a tyrannical and egocentric self-made man that raises his family in an environment of hatred and Max is a competent lawyer engaged with Maria Domenico (Debra Paget). When Max meets the confident Irene, he has a troubled love affair with her. In 1933, with the new Banking Act reaches Gino for misapplication of funds. Max plots a plan to help his father but is betrayed by his brothers.

    Now Max will see his brothers that have also being raised under the motto "Never Forgive, Never Forget".

    "House of Strangers" is a magnificent film-noir by Joseph L. Mankiewicz with a great story of hatred and forgiveness. Edward G. Robinson has one of his best performances (if not the best) and wins the Best Actor award in the 1949 Cannes Film Festival. Richard Conte has one of his best roles (if not the best) in his well-succeeded career. Susan Hayward is very beautiful and elegant and performs a strong female character. My vote is ten.

    Title (Brazil): Not Available

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    Storyline

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    Did you know

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    • Trivia
      According to Kenneth L. Geist's biography of the film's director Joseph L. Mankiewicz, "People Will Talk", the film's producer Sol Siegel hired Philip Yordan to adapt Joseph Weidman's novel for the screen. After Yordan submitted three-quarters of the script, Siegel, finding the script unacceptable, fired him and asked Mankiewicz to redo the script. Mankiewicz rewrote all of Yordan's dialogue, reshaped the script and finished it. The Screen Writers Guild ruled that Yordan receive sole story credit and that Yordan and Mankiewicz share credit for the screenplay. Mankiewicz refused to share credit for a screenplay he had basically written and so received no credit. The studio remade House of Strangers as a western in 1954 as Broken Lance and Yordan was given credit for the story and won an Academy Award for Best Writing, Motion Picture Story.
    • Goofs
      In flashbacks dating back to 1932, Irene wears hairstyles and clothing that are not significantly different from the fashionable look she sports during the 1939 framing story, 7 years later, and all of which are strictly in the significantly different mode of 1949, the year the film was made. Likewise, the men's fashions, particularly the bulky extremely broad shouldered suits, are all strictly 1949, and not the more closely tailored styles of the 1930s.
    • Quotes

      Helena Domenico: I'll have you know my husband died happy.

      Gino Monetti: Your husband was happy to die, which is a different thing.

    • Connections
      Featured in Directed by: Joseph L. Mankiewicz (2008)
    • Soundtracks
      Largo al factotum
      From the opera "Il barbiere di Siviglia (The Barber of Seville)" (uncredited)

      Music by Gioachino Rossini (uncredited)

      Lyrics by Cesare Sterbini (uncredited)

      Performed by Lawrence Tibbett

      Played on the phonograph before dinner at the family house

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    Details

    Edit
    • Release date
      • November 23, 1949 (France)
    • Country of origin
      • United States
    • Languages
      • English
      • Italian
    • Also known as
      • House of Strangers
    • Filming locations
      • Little Italy, Manhattan, New York City, New York, USA
    • Production company
      • Twentieth Century Fox
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 41m(101 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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