Qui a tué Vicky Lynn?

I've seen this many times over the years and never tire of it. The plot is a little bit predictable. But the details are what count.

It's like an Edward Hopper painting with dialogue, motion, and fabulously garish musical effects. Everything about it is seamy. Yes, the creepy plot but what a cast! Victor Mature and Betty Grable: These two were a couple to identify with? Not on a bet. They are as weird as Elisha Cook, always a pleasure to find in a movie, and the similarly excellent and mondo bizarro Laird Craiger. Carole Landis, a very likable performer who met a sad end in real life, was not exactly a wholesome beauty either. A beauty for sure but no sweet little thing.

The rest of the cast is great too. Alan Mowbry is icky in an understated way that is also as glaring as the theatrical lights blaring out the title at its opening.

And -- to be circumspect and give noting away: the shrine. The shrine will wake you up in days and years to come. Screams of horror; screams of laughter; screams of astonished appreciation for this one-of-a-kind cubic zirconium of a rare and unique gem.

Despite Victor Mature's claim that he never 'acted' in any of his films, he does well enough here. Full of shadows, sly humour and a storyline which keeps you guessing, plus that wonderful soundtrack (including snatches of Over The Rainbow), this stands as a monument to film noir - Betty Grable could clearly handle a non-musical role, Elisha Cook Jnr displays his twitchy vulnerability as he would in so many 40s thrillers. The real-life early deaths of Landis (playing Vicki here in a manner which reminded me of Vivien Leigh's Blanche Dubois, all flirty giggles) and Cregar (superb here as the corrupt detective gliding and purring in that unusual voice like a huge cat) do affect viewings of this film and give the proceedings a hint of sadness. This aside, there is much to enjoy, particularly in the supporting characters of Mature's actor and columnist friends. One niggle though, given the plot dependence on various people letting themselves into other people's apartments, how come Vicki got herself locked out?

When the model Vicky Lynn (Carole Landis) is found murdered in her apartment in New York, the promoter of sports Frankie Christopher (Victor Mature) becomes the prime suspect of Inspector Ed Cornell (Laird Cregar) and is brought to the precinct for interrogatory. Christopher discloses how he promoted the career of Vicky when she was a waitress after making a bet with his friends Robin Ray (Alan Mowbray) and Larry Evans (Allyn Joslyn). After reaching the stardom, Vicky tells Christopher that she would leave him to go to Hollywood and on the next day, she was killed. Ed Cornell insists that Christopher is the killer and frames him, and Christopher can only have the support of Vicky's sister, Jill Lynn (Betty Grable), who has fallen in love with him. Who Killed Vicki?

"I Wake Up Screaming" is a film-noir with a story of unrequited love and obsession and "Over the Rainbow" as the music theme (after "The Wizard of Oz" of two years before). Laird Cregar is scary in the role of Inspector Ed Cornell and the final twist surprises and is well resolved. My vote is seven.

Title (Brazil): "Quem Matou Vicki?" ("Who Killed Vicki")

I Wake Up Screaming opens with both Victor Mature and Betty Grable being questioned by the police in the death of Grable's sister Carole Landis. Plausible cases could be made against them both, but the police let them go for lack of evidence.

One detective though is determined to see Mature get that fabled hot seat in Sing Sing for the crime. Laird Cregar is a cop with a reputation of never giving up, he'll get his man come hell or high water.

In fact Cregar has a devotion to the dead woman that amounts to a Laura like fixation that Dana Andrews had in that film. Although it looks like he wants to solve the case from almost the beginning of the film it's clear he has agenda all his own.

Other suspects in this film are Alan Mowbray, Elisha Cook, and Allyn Joslyn. Landis was quite the user of men and discarded when no longer needed. Any one of these and others could have had reason and maybe opportunity to do the job.

Grable and Landis would play sisters once again in Moon Over Miami, a much different kind of film than I Wake Up Screaming. Although in that one both are a pair of gold-diggers out for a rich husband.

The film really belongs to Laird Cregar who in his short life and career racked up an astonishing variety of roles. His detective Cornell is about as different as the epicene Curo from Blood and Sand as different as the luckless Willard Gates in This Gun For Hire and still different from the rapscallion prospector in Hello Frisco Hello.

One thing that I did not understand though it's a nice touch in the film. The background music is something Darryl Zanuck would have to have paid for. The two themes used are from other films not from 20th Century Fox. The theme from Elmer Rice's Street Scene which was from Samuel Goldwyn/United Artists is used as is Over The Rainbow from MGM's Wizard of Oz. Zanuck must have paid Goldwyn and Louis B. Mayer some big bucks for the rights.

I Wake Up Screaming did give Betty Grable a chance to shine in a non- musical part which she does. The rest of the cast does well and Laird Cregar just shines.

I Wake Up Screaming is an odd and oddly satisfying film. It is in the noir mold but it's a little earlier than most. The studio that made it was not noted for making thrillers, and the stars,--Victor Mature, Betty Grable and Carole Landis--were not the types one would expect to find in this sort of dark movie. Yet it is fun from the start to finish, and at times creepy, thanks mostly to the presence of Laird Cregar as a cop determined to nail Mature for the murder of a heartless showgirl that he, Cregar, was himself infatuated with. The studio New York of the film is much less intimidating than one might expect in a mystery, and overall the tone is bright and bouncy,--call it noir light. But it's Mr. Cregar who makes the film work. He dominates the picture as soon as he enters it with an authority and sense of himself that most actors would kill for. Cregar was, in short, a genius. The supporting cast, which includes Allyn Joslyn and Alan Mowbray, make the best of their lines, which are often quite witty, and the script is, overall, far better than average.