Ce bon vieux Sam

What a let-down this film was. I can see why it was such a big flop when it was released. Leo McCarey was a great director and his two films prior to this, Going My Way and Bells of St. Mary's, are bona fide classics. Not to mention his great comedies from the 1930s. So the movie is competently filmed as it should be, but it's still terrible. It has two amazing lead actors (only one of which delivers here). But the story is the pits.

The plot is that Gary Cooper plays a family man who never says no to anyone. He will give the shirt off his back and let his family go hungry to help a complete stranger. Right off the bat we have a problem because there is no way possible I can see myself rooting for such a character with obviously skewed priorities. The writing is bad but the acting by Cooper isn't up to snuff either. We've all seen Cooper play down-to-earth good and decent guys before. His performances are usually grounded in a likable persona that makes him relatable. Here, he plays a character who cares more about helping strangers than his own family! His poor wife, wonderfully played by Ann Sheridan, put up with more than any reasonable person would. It was so infuriating watching Cooper's character be such a doormat. The only person he seemed able to say no to was his wife! The film tries to reconcile it all in the end with some of the people Cooper has helped out paying him back. This completely belies the entire fractured point of the film. It's clear the writers didn't even believe in their own premise. The problem with Sam is not that he helps people who don't pay him back. The problem is that he puts the welfare of others over his own loved ones. Whatever happened to "charity begins at home?" Ugh this is such a frustrating film to watch. I couldn't help but wonder at the end about Sheridan's character's future. She will have a life of perpetual debt and unhappiness because of this man and probably die of a stroke at 40. Sam, meanwhile, will become homeless and probably starve to death because every time he's got a crumb of food he'll give it away due to his obvious mental illness.

When you get right down to it, this is a depressing movie. The romance is non-existent as there is no chemistry between the leads. This is partly due to Cooper's lackluster effort, I'm sure. Plus it's really hard to root for a couple when you are actually hoping the wife divorces the worthless husband. There is no comedy here, either. There wasn't one funny moment in the whole film. I'll give it a 4 because of the competent production values and because of the star power involved, which I'm sure will help some swallow this pill of a movie.

It took three years for Leo McCarey to get back to the screen after directing Bing Crosby in that double barreled triumph of Going My Way and The Bells of St.Mary's. Sad to say, Good Sam didn't quite live up to the standards of those two films. Leo took no Oscar nominations home for this one.

Gary Cooper is a fine upstanding citizen with wife Ann Sheridan and two small kids and a mooching live-in brother-in-law played by Dick Ross. He's an impulsive do gooder, an easy touch for a sob story and a handout. He drives poor Ann to distraction. A sermon by minister Ray Collins at the beginning of the film on the virtues of charity put Cooper's generosity into overdrive.

It's a nice film, maybe a bit too unbelievable. I can't believe that Ann Sheridan hadn't taken Coop in tow by this point of her marriage. Two noted baseball immortals, Babe Ruth and Dizzy Dean, had in common the fact that they both married strong willed women who took charge of the finances lest their hubbys give it all away.

Still I did like the message of the film which is delivered by Harry Hayden who has a small role as a banker. Coop's generosity not only with cash, but co-signing loans for various people has put him as a credit risk. When he needs the money he can't get a loan from the bank. But later on Hayden comes over to the house and tells Sheridan that he changed his mind and approved the loan for their new house. Character and decency should count for something. It was a very similar message to one that was delivered in a far better film, The Best Years of Our Lives when Fredric March as a veteran who returns to his job as a bank loan officer, approves a loan to a veteran on the strength of his character.

Character and decency should count, but Coop's pants pockets still needed a lock put on them.

In this comedy-drama from Leo McCarey, Gary Cooper plays Sam, seemingly the one guy in the world who takes the Christian tenet of doing unto others as you would have them do unto you seriously. And for his efforts, he is constantly being taken advantage of to the point that his wife, the sassy Ann Sheridan, is ready to take the kids and leave him. Sly writing relieves some of the sappiness, and Cooper has such a solid male presence that he doesn't seem terminally wimpy despite the fact that others use him like a doormat. Finally, after Sam threatens to abandon his Good Samaritan philosophy, all his selfless deeds pay off, and his family comes together in a warm, homespun conclusion. To those who say this isn't worthy of Capra, well, I love Capra, but McCarey has a body of work that any director would be proud of.

I recently had the opportunity to see this film after about 30 years and I think I enjoyed it more this time! What a wonderful film! This should be on the list of 'must sees' for any Gary Copper fan. The talented Cooper was able to play anything from a western to the wonderful, good hearted Sam. This is a light hearted look at the consequences that can occur when you extend yourself once too often. I never laughed so much at the comical situations that good ol' Sam gets himself into. The dead pan Ann Sheridan was the perfect choice for Sam's wife. She was really an untapped source as an actress, very underrated! If you have the chance to see this delightful film, please do, you won't be sorry!

Sam Clayton (Gary Cooper) is going the extra mile to be a good Samaritan. His wife Lu (Ann Sheridan) is starting to get annoyed. He loans his car to the Butlers which keeps getting worst. He's letting her no-good brother Claude to live with them. He keeps helping no matter what it costs him and it rarely goes well.

Critics are a little too hard on this film. It's a fun light-hearted take on the feel-good sentimentalism of the era. Certainly, Cooper is deadening his performance. He's almost playing it as a clueless rube but his character knows more than he's letting on. On the other hand, I love Sheridan's performance. She never lets her character fall out of love with him despite her conflicting feelings. The bus is a fun setup and I love the woman rushing into the store. The 'It's a Wonderful Life' ending is a bit tacked on. I would be more happy with the brother and Shirley Mae as the emotional climax and ending. In a way, that's the most important gift Sam ever gives. That's the emotional heart because it's probably more important to Lu. The story makes the house more important by placing it at the end.