X the Unknown

The plot: In the remote Scottish Highlands, a living radioactive mass seethes out of the depths of the earth and kills everyone in its path as it seeks fresh radioactive energy. Luckily an American scientist is about the place and kicks the 'thing' back down from whence it came.

X the Unknown, while not having the innate intelligence of the Quatermass movies, is a good example of 1950's British pulp science-fiction cinema. While most of its American counterparts visited fantastic worlds inhabited by outlandish monsters and gorgeous 'space-babes', X the Unknown was a truly British effort: our monster was dollop of mud out of a hole in the ground doing a slow crawl around a dingy moor.

It's effective though. It has the same austere, grim intensity which made the Quatermass movies so memorable. The film also benefits from moody, high-contrast black and white photography, a typically acerbic score from James Bernard, and a good cast; Leo Mckern turns in a very good, naturalistic performance, much like his turn in The Day The Earth Caught Fire.

I first saw this movie when I was about six and the extraordinarily graphic scene depicting the monster 'devouring' a hospital doctor gave me a few... err....sleepless nights (there's a particularly ruthless zoom-in to the poor guys hand as it expands and melts!). Perhaps I should have stuck to Bugs Bunny.

Overall, a decent chiller, well directed by Leslie Norman (late father of the superb British film critic Barry Norman).

One last memory of a six year-old's first viewing of this picture: I remember sitting there stunned and horrified as the end credits rolled; I was not looking forward to a good nights sleep. The statutorily paternal BBC announcer came on and cracked the following nervous joke: "Well, I'll never eat cheese on toast again" (see the film and you'll know what he meant). I laughed with relief and my childhood was thus saved a terrible trauma! Thanks Uncle Beeb.

A really neat Sci-Fi/Horror item about a superheated blob creature that haunts the Scottish moors. Believably acted by a cast of veterans, and loaded with terrific suspense. Hammer Films once again demonstrates what can be done with a small budget and lots of imagination. Watch for this one!

Dean Jagger battles radioactive goo from the center of the earth in this 1956 Hammer outing. Unlike "The Blob", released 2 years later, this creepy little horror story is played straight; no attempt at camp here! Dean Jagger, Leo McKern, and Anthony Newley play their parts with a subtlety and professionalism that's rarely matched in similar period pieces. While this film was overshadowed by it's American counterpart (see above), it remains one of Hammer's better efforts and should be judged on it's own. Yes, the premise is a bit hard to believe, but, once you get past that, everything else in this film works, from the direction to the score to the dialog, and of course the acting. In short, this is an underexposed, tight little chiller that has just the right amount of genuine suspense and believable characters. Don't miss it.

Back in the days when "Prince Valiant" still covered most of a page in the Sunday funnies, I first saw this wonderfully creepy SF sleeper. From the opening scenes of a stretch of the Scottish moors opening up under a British soldier's feet, I was hooked. I was very lucky that my parents didn't send me to bed then(although they did right in the middle of "From Hell It Came", but that's another story); I was resolved to catch it again just to get that creepy feeling! The ominous P.O.V. shots of the "X" monster shambling through the barren woods at night, the outrageous "melting" death by hard radiation of the medical tech in the X-ray room, Dean Jagger as Dr. Royston, describing his new invention that can (theoretically) speed up decay of radioactive materials without causing flare-ups(!) simply by leeching away its' energy, and the film's creepy, near-ambiguous ending ("We did destroy it...didn't we?") showed just what you could--and can!--still do with a small budget and respect for the material.

This early offering from the studio that would go on to become the greatest force horror would ever see lacks the vibrant colours and pseudo-Gothic style that would go on to epitomise their later output, but it retains the British charm and wit that Hammer became famous for. The film also succeeds in being entertaining, and that's what Hammer Horror has always done best. X the Unknown is your classic 50's B-movie, and it follows a seemingly bottomless crack that has opened up in the Earth. This is not all, as adding to the Earth's woes is the creatures that have come out of this pit; which are made of mud and feed on energy. For the time it was made, the effects certainly aren't bad and this was an obvious blueprint for several b-movie 'classics', including most notably; The Blob. Seeing the huge mud creature fumble over telephone lines and rooftops is very fun to watch, and is a good early indicator of the sort of film that Hammer studios would go on to mass-produce.

One thing that X the Unknown is notable for is the believability regarding the scientists researching the 'creature'. Too often in this sort of film, the scientists realise what is going on and everyone just accepts it, no matter how ridiculous it is; but here there's a bit of opposition and it's nice to see. The film remains interesting throughout thanks to the way that the plot is developed, and the fact that it doesn't go over the top with detail. It attacks the premise from lots of different angles, and seeing the army do it's best to thwart the creature is always amusing. The cast keeps the film afloat at all times, and the acting isn't bad at all; and certainly much better than I was expecting. Most of the cast are unknowns, but one standout is Hammer regular - Michael Ripper, who puts in a small appearance. X the Unknown isn't a brilliant film, and Hammer would go on to better this ten fold; but it's good for what it's worth, and I definitely recommend this movie to fans of classic 'B' cinema.