L'Invasion des morts-vivants

Young workers are dying because of a mysterious epidemic in a little village in Cornwall. Doctor Thompson is helpless and asks professor James Forbes for help. The professor and his daughter Sylvia travel to Thomson. Terrible things happen soon, beyond imagination or reality. Dead people are seen near an old, unused mine. Late people seem to live suddenly. Professor Forbes presumes that black magic is involved and someone has extraordinary power. He doesn't know how close he is: the dead become alive because of a magic voodoo-ritual, and so they must serve their master as mindless zombies. A cool zombie flick, with a decent cast, gruesome special effects, good atmosphere...worth watching! Not in the same league as, say, "The beyond" or "zombies", but it's decent entertainment anyways!

One of the numerous 'period' horror movies to come out of Hammer Film Productions in the late '50s and '60s, "Plague of the Zombies" is pretty typical of the genre (excepting the absence of perennials Peter Cushing and Christopher Lee). Unwelcome newcomers arrive in a rural village that clearly has some dark secret, get warned away, refuse to leave, and ultimately get sucked into the evil goings-on. While the zombie make-up leaves something to be desired (by current standards), the script and story is quite good as is the acting. The film was shot concurrently with "The Reptile", sharing sets, cast members (including the lovely Jacqueline Pearce, perhaps best known as the slinkily evil Servalan in "Blake's Seven") and to some extent, plot*. While far from being the first Zombie film, "Plague of the Zombies" was highly influential: much of the current zombie aesthetic is a mashup of this film and the following year's "Night of the Living Dead". Recommended for aficionados of vintage horror films; however, modern fans, used to the gore and graphic decomposition in, for example, "The Walking Dead", may find the zombies a bit silly, which will pretty much kill the mood. (*also shared are comments in my reviews)

Andre Morell's character, Dr. Forbes, makes a very unusual house call at the opening of "The Plague of the Zombies." His old student, now practicing in a small (Victorian era) Cornish village, is mystified by the recent outbreak of deaths in that town, and even his wife, Alice, is starting to exhibit some strange lethargy. After Forbes arrives to help, he and his friend uncover a mix of voodoo, grave robbing and the undead, in this lesser known Hammer title that certainly deserves a greater renown. And thanks to the fine folks at Anchor Bay, this film's popularity may soon spread beyond its current cult reputation. "Plague" features an intelligent script, fine acting, solid photography and great atmosphere. Andre Morell's doctor makes for a very reassuring action hero, despite the actor's age (he was 57 at the time this picture was made). The film boasts three very chilling scenes: the first, nighttime appearance of a zombie on a hillside; the much-celebrated dream sequence; and Alice's rising from her grave. The smile on actress Jacqueline Pearce's face in this last scene is just haunting. Though marred by a somewhat disappointing finale, the film remains a minor horror masterpiece and one of the scariest works that I've yet seen from the House of Hammer. This movie would make a wonderful double feature with the similarly themed "White Zombie" (1932), or with another Hammer film made that same year (1966), "The Reptile," featuring Pearce again and the same director, John Gilling. Any way you watch it, though, the film is a real winner.

My vote for best Hammer movie of the 1960s goes to 'The Plague Of The Zombies'. It is easily one of the most original and entertaining films the studio ever released. Director John Gilling (also responsible for the bodysnatching classic 'The Flesh And The Fiends' a.k.a. 'Mania') really turns up the suspense in this gripping tale. He is helped enormously by a strong cast of leads - Andre Morell (the best Quatermass, in the original fifties TV version of 'Quatermass And The Pit'), who plays Sir James Forbes, man of science who must eventually accept that magic exists. Diane Clare ('The Haunting'), his independent daughter Sylvia, who becomes entangled in the mysterious goings on in a small Cornish village. And John Carson ('Captain Kronos, Vampire Hunter'), the charming but evil Squire who they must defeat. I thoroughly enjoyed this movie, and am baffled why it is rarely mentioned when Hammer horror movies are discussed. Highly recommended fun, creepy and well acted.

John Gilling directs with style and flair in one of his minor masterpieces The Plague of the Zombies. Hammer only made one foray into the zombie sub-genre with this film about a doctor and his daughter paying a visit to a former medical student who has written for help. Apparently in his Cornish village, men and women are dying without explanation and are showing symptoms the doctor cannot diagnose with any real degree of certainty. Of course they soon discover that the bodies are no longer in their caskets and that many of them have been seen AFTER they have died. Gilling effectively films the sequences of action that take place in typical Hammer style with an emphasis on suspense. Although lacking the star power usually attributed to a Hammer production, this film is right up there in terms of great Hammer films. The only "star" is Andre Morrell(you may remember him as Watson in Hammer's The Hound of the Baskervilles). Morrell is quite good and I think he should have been utilized more by the studio than he was. The rest of the cast does a very credible job as well. Gilling's camera is the real treat though as he really shoots several scenes quite effectively. His dream sequence with the zombies tearing the earth from their way out into the open is a classic. Now I know some people will make the inevitable comparison to this and Night of the Living Dead(a film that came AFTER this one). That is understandable using NOTLD as the barometer of all zombie films; however, let me just point out again that this film came before that one and may have aided Romero in some way. Granted there are not a slew of similarities, but Romero may have gleaned something for this production as it is apparent he did from The last Man on Earth and Carnival of Souls. I too wish Hammer had done more with zombie films. they would have given that sub-genre a bit more class than is sometimes associated with it.