Les grands de ce monde

This is a very "glossy" film in some ways, but it is also filled with well-developed characters. And because they are all well-acted and clearly presented in a dual-stranded storyline, they become very contexted and hard-to-forget. The script is by Robert Ardrey adapted from Howard Swiggett's fine novel. This is a another postwar film like many others that talks about values, and the sort of place the US needs to become--or unfortunately seemed to be becoming. The main characters in this plot are involved with a major international firm; the head of this firm, ably played by Burl Ives, is trying to consummate a deal with a British firm's leaders headed by Cedric Hardwicke. He also has a scheme in mind to cheat his partners, which finally does not sit well with his heir-apparent, played quite intelligently and straightforwardly by Robert Taylor. Complicating the plot for Taylor is his growing regard for a refugee played beautifully by Elisabeth Mueller. An act of courage by Taylor finally resolves the plot nicely; the moral crisis of the film becomes its climax, which gives it unusual power. The cast is very good indeed, with Mueller, Hardwicke, Ben Wright, Richard Erdmann and others also turning in very fine work. The film is B/W as a drama should be, and its values are very fine, thanks to work by MGM's best--Edwin Willis, Sidney Guilaroof and costumer Helen Rose. Music is by Bronislau Kaper with the director, Henry Koster, doing a first-rate job in a film featuring many interior-scenes and little outdoor work. Films about business are one way thinkers have of examining what is right and wrong with the United States' citizens approaches to making their constitutional ideas about individualism work; this work, except for the religious connections of Taylor's father, in my judgment a needless addition, is honest. I cannot recommend this unexpected little gem too highly.

While there are some flaws in this movie, it has held up well over the years.

The plot inter-weaves a love story with a morality allegory -- no easy task. This movie does a credible job at both.

Miriam Linka, played by Elisabeth Mueller, is convincing and charming as she evolves from a frightened but strong concentration camp refugee torn between anger, hate, and disillusionment with an inner desire to love and be loved, while at the same time striving to maintain an inner idealism.

I suspect there were significant cuts in the story line between Mueller & Taylor that makes some of the scenes a bit jittery as Mueller moves from anger, bitterness, and hostility emerging from baseless prejudices to an almost adolescent romanticism. Maybe a bit over the top, but that's also a fallibility of the directing and screen writing. Still, her performance, in a difficult role, is laudable.

Sadly, Hollywood didn't call upon Mueller's charming and energetic talents after this movie.

Does this movie meet some important criteria for success?

It has aged well. It is reasonably well-written. It has credible characters that we can love or hate (or both simultaneously). The casting is well orchestrated. There is a dynamic tension between conflicting characters. There are no dull moments -- the story doesn't drag. There are sufficient plot twists to keep the viewer curious for the denouement. There are several very memorable lines worth quoting. It's worth seeing twice to capture its nuances.

Robert Taylor has to evaluate "The Power and the Prize," a 1956 film also starring Elisabeth Mueller, Burl Ives, Mary Astor and Sir Cedric Hardwicke. Taylor plays Cliff Barton, second in command to George Salt (Burl Ives) - he's also engaged to marry Salt's niece. Assigned to close a difficult deal in England, Cliff is unhappy about his boss' instructions, but tries to carry them out anyway. Salt wants him to withhold part of their demands until the very end of the negotiation. He warns Salt that doing things his way will blow this important deal, but Salt insists.

While in London and checking on a charity for Mrs. Salt, Cliff meets a German refugee, Miriam Linka (Mueller). They fall in love, and Cliff wants to marry her. Meanwhile, sure enough, the deal is blown, and Salt blames Cliff. Complicating things is Cliff's cancellation of the wedding (though his bride-to-be is just as happy about it as he is) and some nasty rumors that have been circulated about Miriam. Back at the office, it appears there is going to be a power struggle.

This is a grand MGM drama about conscience and following what you know to be honest and right versus just "following orders." There are some good moments, but all in all, it's pretty routine. The character of Miriam seems off the wall, lecturing Cliff as soon as he walks into her agency. Mueller in fact gives a very hyperactive performance which isn't a good match with Taylor's deliberate, steady portrayal. For me, the best acting comes from Charles Coburn as one of the officers in Salt's company and Mary Astor as Salt's wife. Sir Cedric Hardwicke, who has such a magnificent speaking voice, is excellent but alas, it's neither a big role nor a showy one.

Certainly not a bad movie but all of these actors have appeared in better.

I notice that THIS time when asked if he knew of any Commies Rat Fink Bob said "no". Guess art does not imitate life, huh? Then again, at no point should this dull, talky, ploddingly directed film be confused with art.

Hollywood put a great cast of veteran actors into this film, everyone of them performed to perfection and lets remember, it was made in 1956, and many of these actors were under contract to the studio to perform in certain films. Most of these actors were getting old and even Robert Taylor, (Cliff Barton),"D-Day the Sixth of June",'56 was 44 years of age appearing with a new star, Elisabeth Muller,(Miriam Linka) and had intentions in the film to marry her. Elisabeth Muller made this film her Swan Song and never appeared in an American film after this film. Burl Ives,(George Salt),"Ensign Pulver",'64, was the CEO of a company in New York and considered Cliff Barton his son and planned on him to carry out a great business deal in England. Charles Coburn, (Guy Eliot),"Town on Trial", Cedric Hardwicke, (Mr. Careu),"The Desert Fox: The Story of Rommel",'51, and Mary Astor,(Mrs. George Salt),"The Maltese Falcon",'41 gave great supporting roles. This is a rather interesting film about big business years ago and still seems to apply in the business world today, ONLY WORSE. If you love great veteran actors and love the many films they performed in over the years, this is the film for you.