L'attaque du Fort Douglas

Yes, when I saw that western, I thought I was in a drive in, in my Corvette Stingray with my girl. I was focused on the 3 delicious pin ups, Lori Nelson, Allison Hayes and Rita Gam (as the Indian chief's mohawh daughter, a must see), all three in love with the Casanova painter, fond of nature... shot in studio !!! I forgot all the ridiculous Indian scenes wearing unrealistic costumes, even Neville Brand is badly directed, Neumann was more concentrated on directing his delicious starlettes. And what about the chief's son, definitively not acting like an Indian but rather like a 1956 teenager from Blackboard Jungle. That parody of western would have exasperated late Mr Tavernier. On the French DVD, there is in the bonus a specialist of western and Indians who comments brilliantly this film and the true story of Mohawks, don't miss him.

"Jonathan Adams" (Scott Brady) is a young man from Boston who has his heart set on painting. But rather than paint portraits in that city he has chosen to live in the American wilderness near a fort in the Mohawk Valley of New York. Because of his youth and charm he has attracted the attention of the lovely barmaid by the name of "Greta Jones" (Allison Hayes) who has willingly agreed to pose for him as a model. However, things begin to get a bit difficult for him when his fiancé named "Cynthia Stanhope" (Lori Nelson) arrives unexpectedly from Boston. Likewise, his chance encounter with an Iroquois maiden by the name of "Onida" (Rita Gam) really complicates things. Now rather than reveal any more of the movie and risk spoiling it for those who haven't seen it I will just say that, all things considered, this turned out to be a decent grade-B western. Admittedly, there were some parts which were a bit corny and it didn't have an all-star cast or a superior script. But I enjoyed it and the three actresses just mentioned certainly didn't hurt the scenery in any way. Accordingly, I rate it as about average.

Kurt Neumann directed "Mohawk" with unusual skill, and the cast of this amazingly entertaining adventure-drama is far above the usual B-film independent acting ensemble of amy era. The storyline is also quite clearly developed and an interesting historical treatment. In the film's first eight minutes, we meet and care about a dozen characters and set up a strong confrontation between the Mohawk tribe led by T4ed de Corsia and Mae Clarke and the soldiers and settler at Fort Alden, led by John Hudson and the villain of the piece, John Hoyt. Besides these fine actors, the film features Vera Vague, Lori Nelson, Neville Brand, Tommy Cook, Allison Hayes, Rhys Williams and Harry Swoger, plus Rita Gam and Scott Brady as the leads. Its literate script abounds in interesting scenes; the outdoor scenes work well. Gam and de Corsia seem perfect for their parts, giving their speeches expressing the Amerind point of view unusual intensity. Many reviewers liked this film, using terms such as lively, interesting and memorable to describe it. There are small glitches in production, and the movie needed a bigger budget. But I have seen it in B/W, color, English and Spanish; and I can recommend it to those who enjoy Grecianzed Near-Easterns and literate sci-fi and detective films for the same qualities those genres possess--it's about as far from anti-individualist mean-streets naturalism populated by debased postmodernist or character-flawed ugly types as one can get--which is why we go to movies. Its realism is heightened by considerable artistry; the battle scenes are epic; and its psychology works very well on several levels of meaning. A credit to all concerned.

Forget all the nasty things that reviewers have said about MOHAWK, an unpretentious, thoroughly enjoyable, ahead-of-its-time 1956 Western starring handsome Scott Brady (was the word "hunk" in use as early as the 1950s?) as an artist from Boston commissioned to do a series of frontier paintings to present the Iroquois Indians in a favorable light. Since Brady usually does these paintings with his shirt off, small wonder he attracts the amorous attentions of a trio of gorgeous gals: brunette Indian maiden Rita Gam, auburn-haired sexpot Allison Hayes and blonde beauty Lori Nelson (try and guess which one he winds up marrying; a nice surprise!). For about an hour, the romantic cavorting of Brady and his beauties take the forefront (the Breen office must have been napping during a lakeside interlude and make-out session with Brady & Gam wearing as little as possible). Then the final 20 minutes get down to the inevitable cowboys vs. Indians clash, but since the screenplay is refreshingly original enough to make a distinction between the good and bad white men, and the savage vs. civilized Indians, you'll probably care about who dies and who survives. And rather than try to stage the climactic uprising within the limits of its modest budget, MOHAWK smoothly incorporates some spectacular footage from John Ford's 1939 extravaganza "Drums Along the Mohawk" (which accounts, I imagine, for why this independently-produced movie was released by 20th Century-Fox). So what's not to like? Slick direction, a sensible and often good-humored screenplay, a terrific supporting cast, and beautiful color photography contribute to making this good-natured escapism a lot more enjoyable than many of its big-budget, boring CinemaScope counterparts from the same era. A hearty, sincere, belated thanks to everyone involved with MOHAWK. They appear to be having a very good time, and so should you, the viewer.

The results he achieved recycling scenes from 'Drums Along the Mohawk' obviously satisfied director Kurt Neumann since he repeated the exercise four years later with footage from 'King Solomon's Mines' in a film called 'Watusi!'. The result is enjoyable rough & tumble hokum with Scott Brady painting incredibly advanced work for the late 1780s (I wonder what become of them after filming?) and obvious native American types Ted De Corsia and Neville Brand (the former wearing what looks like a flower pot on his head) on the warpath. Heading a strong female contingent are brittle blonde Lori Nelson, sultry redhead Allison Hayes, acidulous maiden aunt Vera Vague and mother & daughter squaws Mae Clarke and Rita Gam; the latter tall and athletic in pigtails and a trouser suit.