La clé sous la porte

Very good movie.Predictable at times, but many interesting characters and scenes. Very well directed and the filming is great. The outdoor shots are a real period piece of that era.The acting is very good,as well as the dialog in the screen play.You never really lose interest with the constant change over in characters. Raymond Burr is excellent as the 'bad guy' of the film. Some very good comedic moments with smart dialog. You really have to listen as it comes smartly and rapid fire at times.Even the predictable tension building scenario's are well done and believable.Great chemistry between Clarke Gable and Lorreta Young.I would watch it again. Really enjoyed this one...............................ML

This movie is pretty good but falls into a period of Glark Gable's career when many of his films just looked like they were quickly churned out and could have been a lot better if they had a little bit better writing and if there was more energy to the film itself. In other words, Clark Gable and cast seem more like they are going through the motions to get a paycheck and this film offers nothing particularly new or exciting. In fact, the film is a step back because the plot seems even more trivial and forgettable than most of his films of the day. You would think that with Loretta Young and Clark Gable you'd get a film that is more than just a time-passer--particularly when you think of how marvelous they were together in CALL OF THE WILD. This film is for fans of Gable or Young but is pretty skipable for others.

Clark Gable and Loretta Young star in "Key to the City," a 1950 film featuring Frank Morgan, Marilyn Maxwell, and Raymond Burr.

Young plays Clarissa Standish, a somewhat uptight small-town mayor who attends a gubernatorial convention in San Francisco and runs into the somewhat wilder Mayor of Puget Sound, Steve Fisk (Gable). Before you know it, the two are innocently involved in one scandal after another, the first when a night club they are in is raided, and the second when they're both wearing Halloween costumes and a policeman thinks Fisk is trying to force himself on a young girl, Clarissa being in a little girl costume. Despite Clarissa's exasperation with Fisk, she falls for him.

This is a cute, predictable comedy starring two of the most attractive people from Hollywood's golden era, both of whom still look great, but who are now forced into inferior fare. Films were competing with television, so they were trying to be more like television, right down to the black and white film. This was the type of film producers gave older actresses: Claudette Colbert, Barbara Stanwyck, Joan Crawford, Bette Davis, and Young; all but Colbert and Crawford would go on to have tremendous success in television.

One bad section: the fight between Gable and Burr. The doubles for them were horrendous,looking nothing like them, making the scene ridiculous.

Mildly enjoyable, with the performances by Gable, Young, and Morgan elevating it.

Key to the City (1950)

** 1/2 (out of 4)

Coming fifteen years after teaming up for THE CALL OF THE WILD, Clark Gable and Loretta Young finally made another film together even though both had remained at MGM over the course of time. Their love child from the making of that 1935 film might have had something to do with this but in this film they play Mayors who meet at a convention in San Francisco. At first, naturally, they can't stand one another but soon they begin to fall in love even though Gable is facing some heat in his political job. When you know the troubled history that Gable and Young went through it's somewhat amazing that MGM would force them into this film but what's even more amazing is that they turn in such fine performances and the charm that's on display here is the same that was seen in that 1935 film (which I highly recommend). That's certainly the sign of great actors but it's a shame that the studio, knowing the trouble, wouldn't deliver a better screenplay. This is certainly another example of great actors having to work their tails off to make material seem a lot better than it actually is. This certainly isn't a bad movie because it does have several good moments but with these two stars you'll be hoping there was more here. What does work is naturally Gable and Young, both extremely charming and making the film fun to watch. The two work perfectly well together as both make you believe their characters and makes you believe everything they do. The supporting cast is also quite good with Raymond Burr as Gable's political rival, Frank Morgan (in his final film; he died before this was released) sweet as the fire chief and Lewis Stone. The screenplay makes a few bad mistakes including the silly political stuff that ends with a pretty over the top sequence inside of Gable's office at the end. This political stuff also keeps Gable and Young away from one another, which is another mistake as it's them carrying the film. Fans of the two stars will certainly want to check this out but others will find much better films from the two.

KEY TO THE CITY is certainly a lighthearted, if occasionally lightheaded comedy about a Mayors' Conference in San Francisco, but it is also great fun, and a throwback to Clark Gable's enjoyable comic work of the 1930s. Since 'the King' had returned from wartime service, his films had all been preachy and somber (perhaps in deference to the continuing sense of loss he felt over the death of his wife, Carole Lombard, or, more likely, because MGM simply hadn't figured out how to best utilize the older, more care-worn veteran star), and you can see that he's enjoying every moment portraying a ruggedly virile 'Longshoreman Mayor'. Casting Loretta Young as his co-star certainly helped, as the pair had quite a history together!

Young had been a 'star' since childhood, sort of the Jodie Foster/Diane Lane of her day, and had often been attracted to her older leading men. Marrying co-star Grant Withers at 17 (it was soon annulled), she then became involved in a scandalous affair with Spencer Tracy during the filming of A MAN'S CASTLE, which ended badly when Tracy, a devout Catholic, refused to divorce his wife. At 22, she made CALL OF THE WILD with the 34-year-old Gable, and was soon pregnant with his child (after shooting ended, she took a long leave of absence for 'health' reasons, and gave birth to a girl, who she eventually adopted). Gable knew of his daughter, although the threat of scandal kept both stars silent (a child born out of wedlock would have destroyed both of their careers), creating a 'bond' between Young and Gable that surpassed any of his other co-stars. At 37 when KEY TO THE CITY was filmed, Young, by now an Oscar-winner and screen legend, was still radiantly beautiful, and the sexual chemistry between the stars was genuine. As a good-hearted but repressed New England mayor, she brought out his 'nobler' qualities, as he aroused her 'baser' desires.

One of the joys of KEY TO THE CITY is getting to see so many of MGM's legendary 'stock' company, late in their careers, but still giving 'first-rate' performances. Frank 'Wizard of Oz' Morgan, Lewis 'Judge Hardy' Stone, James 'Pop Corkle' Gleason, Raymond 'His Honor' Walburn, and Clara 'Auntie Em' Blandick all shine, as do 'future stars' Marilyn Maxwell (as a sexy dancer) and Raymond Burr, who is simply terrific as Gable's corrupt nemesis. Watch carefully, and you'll also spot veteran Western star Jack Elam, and future 'My Favorite Martian' leading lady, Pamela Britton, in small roles, early in their careers.

While some moments (Gable dressed as the 'Blue Boy', for example) are downright silly, and the climax, a 'no-holds-barred' fistfight between Gable and Burr (and Young and Maxwell), stretches credibility well past the breaking point, the film never loses it's sense of fun. This is the Gable of legend, looking good, "cracking wise", and unafraid to 'size up' a woman, or cut an opponent 'down to size'.

Definitely worth watching!