Le cavalier du crépuscule

A war that brings some fortune but a catch, after robbing the pay train it's all been scratched, a dilemma is now faced, do you put it back in place, or hide the stash, when at home, then get matched. But on return you find your brother has your bride, turns out the family were informed that you had died, now your girls wearing a ring, given to her by the king, Yankees arrive, and you've been caught off-side. Suffice to say there's lots of shooting and deceit, a song or two with shaking of some feet (amongst other things), people fall out then fall in, there's a few suffer chagrin, if you're a big fan, it must still be a treat.

Elvis Presley was a hugely influential performer with one of the most distinctive singing voices of anybody. He embarked on a film career consisting of 33 films from 1956 to 1969, films that did well at the box-office but mostly panned critically (especially his later films) and while he was a highly charismatic performer he was never considered a great actor.

So how does The King of Rock and Roll fare here in his screen debut? There is some stiffness here, which isn't unexpected in anybody making his debut (though with Elvis it was something that was never completely shaken off) and his trademark moves during the songs while fun to see feel anachronistic in a Civil War Western film. However, generally 'Love Me Tender' contains one of his better performances, there is a real charm, easy-going charisma and also a genuine emotional honesty. He sings sublimely, his rendition of the iconic title song "Love Me Tender" (one of his most gorgeous songs) is beautifully sung. The other three songs are not quite as great but are still good, regardless of what can be said about how they're placed and how they fit.

He is very well supported by the rest of the cast, the heart-wrenching Richard Egan stealing the film pretty much and Debra Paget is sympathetic and charming. Mildred Dunnock is always reliable and is here. The conflicts are interesting enough, and the tragic finale is genuinely moving.

For a modest budget, 'Love Me Tender' looks good, the western setting while not majestic, evocative or sweeping is handsome and not cheap and the black and white is quite nice. The film is competently directed, and as said the music is good with one song being fantastic.

Dialogue is not a strong suit though, being somewhat awkward-sounding, parts of it and the anachronisms causing unintentional humour. Nor is the start of the film, until Elvis appears 'Love Me Tender' is pretty dull and uneventful.

Parts don't fit with the story or setting as well as ought, one never feels like the film is set in the 1860s instead feeling like a 1950s film set amidst a Civil War backdrop.

Overall, a decent if not great film and one of Elvis' better films and performances. 7/10 Bethany Cox

My guess would be that the story for Love Me Tender was probably laying around the offices at 20th Century Fox and would have been a B western starring Richard Egan. In fact the original title was in fact The Brothers Reno.

But along came Elvis Presley and when Darryl F. Zanuck signed him for his feature film debut the story had to be reworked to accommodate his presence. Of course four songs had to be added, including the title tune, which was a rewording of the famous Civil War era ballad Aura Lee.

The Reno brothers, Richard Egan, James Drury, and William Campbell go to war, enlisting in the Confederate Army. The youngest brother Elvis Presley stays home to take care of Mother Reno, played by Mildred Dunnock and the family farm. When it's reported that Egan was killed, fiancé Debra Paget marries Elvis.

Of course all three Reno brothers return, sound of wind and limb. The day after the Civil War ended, the brothers and others rob a Yankee paymaster and split the money.

They're outlaws now, but a reasonable carpetbagger administrator played by Robert Middleton is willing to forgive and forget if he gets the money back. That and the return of Egan lead to the ensuing conflicts in Love Me Tender.

I have no doubt that Colonel Tom Parker chose this particular screen property for his star and as usual Colonel Tom chose well. The southern civil war background of the story made perfect casting for Elvis. Of course his hip wiggling gyrations in the post bellum South seem out of place, but that's what the ticket buyers to an Elvis film wanted.

And he certainly sang Love Me Tender real good.

Finally got around to seeing Elvis Presley's debut film in its entirety and in widescreen, and I think it's a good deal better than it's usually given credit for. Richard Egan plays Vance Reno, who is serving in the Civil War and returns home after the war ends to join his family and reunite with his lover (Debra Paget). But a tragedy ensues when it's learned that while he was away, his young brother Clint (Elvis) fell in love with and married his girl, after hearing that Vance had died. Also factoring into the trouble is that Vance has kept some Union cash which he never delivered to its destination when he found out the war had ended in the interim.

This turned out to be a good, solid story with fine performances, especially by Richard Egan. But again, Elvis is amazing as a completely first-time novice actor. He always wanted to be on the big screen from youth, after admiring James Dean, Marlon Brando and Tony Curtis. For a film fan who never had any professional acting training or experience, he's really quite good as Clint Reno. Though he didn't want to sing in this film, Presley was already a big recording star so of course there had to be songs in the movie. The title tune is a classic and it's very emotional as perfromed within the context of the film. I also like the singalong ditty "We're Gonna Move", which is performed by Elvis on the front porch "1950s-style" with his family, even though it's 1865. Other songs include the unremarkable "Let Me" and "Poor Boy". *** out of ****

The fanfare of a young Elvis Presley and his first movie certainly was blinding when it came to this movie. It was hard for people to see past it, however, upon viewing the picture, Presley's star dims as he takes his seat at the table among some of the acting greats of cinema. The viewer relinquishes the idea that it's Elvis and accepts him as the doting youngest son of the Reno family.

Dramatic without being maudlin, the picture chronicles the lives of one family post-Civil War, and how each member dealt with the harsh realities of war. Hearing that the eldest son Vance (Egan) has died, Clint (Presley) and Vance's former love (Paget) marry in the aftermath of the murder of her parents and the Reno boys father. As is in wartime, things become increasingly more difficult when he and his two other brothers Brett (Campbell) and Ray (Drury) to find this, as well the spoils of war haunting them shortly upon their return.

It's an honest look at a difficult time in this country, with great performances all around -- from the handsome, impressive lead Richard Egan on down the cast. Egan's portrayal of Vance Reno is an amazing performance -- restrained without being stolid, much as men were during the time. Egan gives glimpses into the inner turmoil that sits just below the characters surface, making the character heartbreakingly sympathetic and admirable.

It's Elvis Presley's best performance and (dare I say only worthwhile) role and film. Upon reflection, his co-stars helped to elevate him into something more than what followed (with films) and Presley really seems to have taken this one seriously. Regardless of whether you're a Presley fan or not, the understated performances, simple but effective storyline and message, and moving conclusion make this a must see.