Des filles, encore des filles !

In Hawaii, a fishing guide (Presley) tries to find a way to buy the Westwind, a boat that he & his father built, after his employer decides to retire to Arizona. Meanwhile he's caught between two women: An insensitive club singer (Stella Stevens) and a sweet rich girl who pretends to be working class (Laurel Goodwin).

"Girls! Girls! Girls!" (1962) was Elvis' 11th movie of the 31 in his acting filmography. It was the second of his three flicks shot in Hawaii, the other two being "Blue Hawaii" (1961) and "Paradise, Hawaiian Style" (1966). While it's a serviceable Presley flick and has its points of interest, it's the least of the three IMHO with "Blue Hawaii" being easily the best.

The serious drama is situated amongst the Hawaiian boating/fishing industry wherein Presley performs a song every 7-12 minutes with "Return to Sender" being a highlight.

Stevens' role is rather small so the focus is on the protagonist's romance with the secretly rich girl. Speaking of whom, two years later Goodwin played Yeoman Colt on the original (rejected) pilot episode of Star Trek, which was reworked into the two-part episode "The Menagerie," premiering in November, 1966. While Stevens and Goodwin are a'right, the female cast in "Paradise, Hawaiian Style" is superior.

There's an interesting scene near the end where Elvis's character is rescuing the girl and a sailboat runs into their smaller craft. The (presumable) stunt people in the motorboat get hit by the sailboat and somewhat pushed under.

The movie runs 1 hour, 36 minutes, and was shot in Hawaii.

GRADE: B-/C+

"Boats! Boats! Boats!" might have been a more appropriate title for this rather lackluster Elvis feature, one of those formula films that were a dime a dozen. He plays a fisherman who loves being out on the ocean and begins to despair when he learns that his adoptive parents are selling their boats because they must move to a dry climate for health reasons. Nothing very interesting occurs throughout, and Presley is involved in at least three rather embarrassing songs: most notorious is perhaps the silly "Song of the Shrimp", along with a cringe-worthy tango in an apartment called "The Walls Have Ears", and a ridiculous singalong called "Earth Boy" which Elvis sings along with with two little Asian girls (their sister would later star with Elvis in the much better "IT Happened AT THE WORLD'S FAIR"). But at least there is also the decent rocker "I Don't Wanna Be Tied" and especially Elvis' big hit "Return to Sender" to enjoy. It's s a rare opportunity to see him perform the latter classic in a movie, and I'd say it's the best two minutes of the entire film. ** out of ****

Elvis as a fisherman whose biggest dream is to own the boat he helped build with his father - to aid him in his quest he works for a jerk and sings at a club. Also, he falls for a girl.

Rumor is that studio execs in the 60's said that Elvis's films didn't need titles - just numbers. It's pretty funny, but I'm not in a position to judge just yet - I have a lot a Elvis flicks to go through. "Girls, Girls, Girls" is a pretty mediocre fare with sub par songs and a very thin story.

First off; Elvis isn't believable for a second as a fisherman. His on screen image as a somewhat mischievous yet good natured and wholly independent working class Joe (who never accepts handouts) is already getting tiresome; with some 20 more movies to go where he's playing basically the same guy. As most reviewers have pointed out; Elvis was a solid enough actor when working with decent people and material but in this flick he's neither here nor there.

The songs here aren't that good, sad to say. The classic "Return to Sender" is the real standout but others are fairly forgettable.

But on the whole I always enjoy these Elvis movies up to a point. Despite some obvious laziness inherent with Presley's movies they're mostly fairly attractive looking, always displaying nice scenery, have a number of knockout beauties and solid songs (not all, but most).

Elvis did some serious work before this film; most notably "Jailhouse Rock", "King Creole" and "Flaming Star". Those are excellent films, Elvis is excellent in them and they're a worthy addition in any film lover's collection. His later "fluff" films range from good to fairly lacklustre but fans of the King can easily sit through them and enjoy themselves.

This was yet another strong movie by Elvis. The plot was good the scenery was great and music was outstanding. This is probably my favorite soundtrack. I like the way Elvis falls for a rich woman (he doesn't know she's rich) and is trying to buy the boat that once belonged to his father. This is definately a feel good movie. I give this movie four stars.

A bit odd, but generally pleasing, colorful Elvis Presley vehicle casts the singing star as a tuna fisherman who longs to buy his own sailboat; he takes a job as a nightclub entertainer (nearly usurping former-girlfriend Stella Stevens) and balks at women who want to buy him things in exchange for his affection (another poor guy with principles!). Stevens is a tough broad who looks like she's been around a bit, though she's still a better fit for Elvis over newcomer Laurel Goodwin, who twinkles like a bobby-soxer. Elvis actually shows great passion for Goodwin (kissing her in the rain, even speaking of marriage), but she just doesn't seem his type. Musically, Elvis goes International: singing Chinese, dancing a Spanish Tango, crooning Calypso. In the rock 'n roll opener, he sings, "I'm just a red-blooded boy and I can't stop thinking about girls" (if he didn't like girls, what color would his blood be then?). The prettiest song, "Mama", is sung not by Presley but rather The Four Amigos, while Stevens seems to do her cabaret act in between various arguments. Goodwin (secretly rich) takes a job in a hat-shop, but why--to prove she has principles too? The script makes no sense, and the hot-headed character conflicts are contrived, but Jeremy Slate is a convincingly wormy adversary for Elvis, and E.P.'s performance is blithe and easy-to-take. **1/2 from ****