Tu seras un homme, mon fils

I saw this movie when I was 11 years old in 1959. Although, over the years, I was hooked by the songs in the movie and bought the record and tape to listen to in my adult life, I saw the the movie again last month and it brought a real new meaning of the life of Eddie Duchin. I was seeing the movie as an adult, not as a kid. Tyrone Power, who I have admired for years, play the part of Duchin real well. His portrayal as a father trying to reach to his son was touching and realistic. Kim Novack was very good in her part as his wife. The songs especially Chopin's E flat major and Manhattan were very well played by Carmen Cavallaro. Cavallaro is a favorite artiste of mine. He plays superbly and brings out the flavor of the songs. This movie is a classic and should be highly recommended.

In the late 20's, the talkative newly graduated in pharmacy and aspirant piano player Eddy Duchin (Tyrone Power) comes from Boston to New York expecting to play with the orchestra of Leo Reisman (Larry Keating) at fancy New York's Central Park Casino. However he had misunderstood the invitation of the maestro and while leaving the place, he meets the wealthy socialite Marjorie Oelrichs (Kim Novak) that asks Leo Reisman to give a chance to Eddy. He plays in the intermission and becomes a successful piano showman. Two years later, Marjorie and Eddy get married and in the Christmas, Marjorie has a baby, Peter, but she dies after the delivery. Eddy rejects Peter blaming him for the death of Marjorie and only five years later he meets his son. With the World War II, Eddy Duchin breaks up his band and enlists to fight in the war. With the end of the war, Eddy returns to New York with the intention of getting closer to Peter but he sees the boy connected to his friend Chiquita (Victoria Shaw). When Eddy discovers that he has a terminal disease, he proposes Chiquita and they get married.

When we see the biography of a personality by Hollywood, we are never sure that it is a true story or a fairy tale created by the cinema industry. Despite of that, the melodramatic "The Eddy Duchin Story" is a nice story of a man's life surrounded by music, beautiful ladies and tragedies. The forty-two year-old Tyrone Power has good performance and he really seems to be playing the piano, but it is funny to see him in the role of a newly graduated man. Kim Novak shines with her beauty, elegance and her sweet voice. Victoria Shaw is also gorgeous. The cinematography and the music score are awesome and deserved the nomination to the Oscar. My vote is seven.

Title (Brazil): "Melodia Immortal" ("Immortal Melody")

Expecting to be bored but knowing my wife would love the music, I sat through 'The Eddie Duchin Story.' I'd never heard of Duchin, except to know his son, Peter, was a fine pianist. Earlier in the evening, I'd endured 'The Passion of the Christ,' and I really wasn't in the mood for another downbeat movie. Much to my surprise, I loved every aspect of 'Duchin.' Columbia's 'Monroe,' Kim Novak got top billing, much to my surprise, since Tyrone Power was still a top matinée idol. Well, let me tell you, whatever jokes you've heard about Novak, you'll forget them when you see her a Marjorie, Duchin's doomed socialite wife. Appearing less than an hour, Novak's grace and sweetness permeates the whole movie. You'll adore Novak as much as Duchin. Power is only slightly less effective, but he has a much rougher job. Power is in his mid forties when he plays Duchin, and he must play the first hour as a man in his mid twenties. Power is so frenetic, so energetic and earnest, you fear he's going to have a heart attack. He did, three years later on 'Solomon and Sheba' and died on the spot. Anyway, back to 'Duchin.' James Whitmore is magnificent, as usual in a small role as Duchin's manager. His little bit of business putting on his hat near the end of the film perfectly captures and advance the mood of the movie. Victoria Shaw is given the thankless role of Duchin's second wife, and she hit just the right notes to make an impression without overpowering the narrative. After all, this is Duchin's story, and her part of it is a small but key part. Rex Thompson is perfect as young Peter Duchin, displaying all the emotional conflicts a child would endure with his history. He has an absolutely great scene near the end of the film, but I won't spoil by telling you what happens. Let's just say he takes of the responsibilities of manhood far younger than a child should. Warren Hsieh as the native boy, is wonderful in helping to capture the mood that is yet another turning point in Duchin's life.

Producer Jerry Wald has spared no expense at recreating a era in a manner as convincing as 'Titanic'. Director George Sydney once again proves he is skilled with a camera as he is with actors. The first kiss between Powers and Novak is seen as a reflection in a puddle. Just beautiful! George Duning provides the incredible score. Carmen Cavallaro performs the great piano classics..

I don't cry in movies too often. I didn't cry once in 'The Passion of the Christ'. But I couldn't hold back tears in many scenes in 'The Eddie Duchin Story'. That's saying a lot. Sure, 'The Eddie Duchin Story' is soap. But, there are many kinds of soap. Oil of Olay leaves you feeling fresh and clean and invigorated. So does 'The Eddie Duchin Story'. I give 'The Eddie Duchin Story' a '10'.

The "Eddy Duchin Story" was one of the nicest movies to ever come out of Hollywood. I remember my father taking my mother to see it at least half dozen times. Reason? The music.

For a number of years we had the old soundtrack LP around and if anyone knows where I can get a copy of this on either CD or cassette, I would be eternally grateful for the information.

If I were a critic (and I have yet to have anyone adequately tell me how one goes about becoming one), I would not be so cavalier in dispatching this movie as a contrivance. If you do, you miss the point - the music.

Lights!

In the 1920s, post-collegiate pianist Tyrone Power (as Eddy Duchin) arrives at New York City's "Central Park Casino" expecting to be employed by big band leader Leo Reisman. At first, the job doesn't pan out, but Mr. Power's "sweet" piano-playing style eventually takes Manhattan (and the world) by storm. He receives ample feminine support from beautiful blonde socialite Kim Novak (as Marjorie Oelrichs), who quickly becomes "Mrs. Duchin". But, on their wedding night, Ms. Novak has a nightmarish premonition of tragedy. And, if you know anything about how these biographical films go, you're already expecting a great tragedy…

"The Eddy Duchin Story" is highly fictionalized. However, an Internet search for biographical information on the real Mr. Duchin shows not only his remarkable string of hit recordings, but also that the two tragedies occurring in this film really happened. It's like Mr. Duchin's life was tailor-made for one of these tear-jerking biography movies.

Power, who is a little too old for the early years, nevertheless does an excellent job in the role. He begins to look vaguely like Duchin, obviously worked hard on his characterization, and really makes the story work. Playing like a pro, young son Rex Thompson (as Peter Duchin) is a chip off the old block. And, when Novak takes her bow, up-and-coming Victoria Shaw (as "Chiquita" Wynn) sexily fills the screen. Producer Jerry Wald, director George Sidney, and the "Columbia" team make it a beautiful-looking and sounding picture, with the cinematography and music positively hitting the senses on both cylinders.

******** The Eddy Duchin Story (6/13/56) George Sidney ~ Tyrone Power, Rex Thompson, Kim Novak, Victoria Shaw